Queen Mary's Psalter


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The Queen Mary Psalter


Book Description

Illuminated manuscripts are among the more intimate works of art surviving from the medieval period. The Queen Mary Psalter (c. 1316?-21) has long been recognized as one of the most outstanding English Gothic manuscripts. Its devotional texts are framed by an encyclopedic series of narrative images painted in a delicate and courtly style. The psalms are introduced by an Old Testament preface in which tinted drawings are explained by French captions. The psalm decoration incorp. a combination of framed illuminations of the life of Christ at the beginnings of important psalms, and tinted drawings in the bottom margin of every page that tell stories ranging from the bestiary to the lives of the saints. Winner of the 2000 Millennium Award. 100+ illus.













Supremacy and Survival


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The Psalter of the Blessed Virgin Mary


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Glory be to God on high, and thanksgiving, and the voice of praise, who at one time by the mysteries of prophecy, at another by oracles from Heaven, again by the reading of the Gospel, and now by the mouth of preachers, in many ways and by divers channels, most sincerely urges and invites us to honor the Virgin Mary, the Queen of Heaven and of the Angels; that by her holy merits, most worthy of all acceptance, we, being delivered from the depths of hell, may be inscribed by her in the ranks of the angels. Aeterna Press




Insights and Interpretations


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Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned. The studies cover art from the Late Antique period to the end of the fifteenth century and include most of the media represented in the archive, from manuscripts to sculpture to glass. From reinterpreting previous scholarship to making new insights into the medieval mind, they explore such themes as Jephtha's Daughter; Mary Magdalene; Saints Blaise, Paul, Joseph, and Elisabeth of Hungary; and topics including women in the Bibles moralis es, Late German sermons, the iconographic program at Bourges Cathedral, Franciscan devotional art, and a late medieval Islamic manuscript. This volume presents some of the most exciting and interdisciplinary approaches to the study of these subjects, from the home of medieval iconography in Princeton. The contributors are Adelaide Bennett, Lois Drewer, Ivan Great, Judith Golden, Gerald Guest, Margaret Jennings, Margaret Lindsey, Mika Natif, Lynn Ransom, Pamela Sheingorn, and A. E. Wright.







Viator


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