The Queen of Spades and other Stories


Book Description

There was a card party at the rooms of Narumoff, a lieutenant in the Horse Guards. A long winter night had passed unnoticed, and it was five o'clock in the morning when supper was served. The winners sat down to table with an excellent appetite; the losers let their plates remain empty before them. Little by little, however, with the assistance of the champagne, the conversation became animated, and was shared by all. "How did you get on this evening, Surin?" said the host to one of his friends. "Oh, I lost, as usual. I really have no luck. I play mirandole. You know that I keep cool. Nothing moves me; I never change my play, and yet I always lose." "Do you mean to say that all the evening you did not once back the red? Your firmness of character surprises me." "What do you think of Hermann?" said one of the party, pointing to a young Engineer officer. "That fellow never made a bet or touched a card in his life, and yet he watches us playing until five in the morning." "It interests me," said Hermann; "but I am not disposed to risk the necessary in view of the superfluous." "Hermann is a German, and economical; that is the whole of the secret," cried Tomski. "But what is really astonishing is the Countess Anna Fedotovna!" "How so?" asked several voices. "Have you not remarked," said Tomski, "that she never plays?" "Yes," said Narumoff, "a woman of eighty, who never touches a card; that is indeed something extraordinary!" "You do not know why?" "No; is there a reason for it?" "Just listen. My grandmother, you know, some sixty years ago, went to Paris, and became the rage there. People ran after her in the streets, and called her the 'Muscovite Venus.' Richelieu made love to her, and my grandmother makes out that, by her rigorous demeanour, she almost drove him to suicide. In those days women used to play at faro. One evening at the court she lost, on parole,to the Duke of Orleans, a very considerable sum. When she got home, my grandmother removed her beauty spots, took off her hoops, and in this tragic costume went to my grandfather, told him of her misfortune, and asked him for the money she had to pay. My grandfather, now no more, was, so to say, his wife's steward. He feared her like fire; but the sum she named made him leap into the air. He flew into a rage, made a brief calculation, and proved to my grandmother that in six months she had got through half a million rubles. He told her plainly that he had no villages to sell in Paris, his domains being situated in the neighbourhood of Moscow and of Saratoff; and finally refused point blank. You may imagine the fury of my grandmother. She boxed his ears, and passed the night in another room.




The Queen of Spades


Book Description




The Queen of Spades and Other Russian Stories


Book Description

This Dual Language Reader uses a magnificent collection of Russia's greatest short stories, written by Anton Chekhov, Alexander Pushkin, Fyodor Dostoyevsky, and Nikolai Gogol, to engage the reader. The Russian (Cyrillic) text is on the right and the English translation on the left, so readers are able to comprehend the ideas being conveyed without turning a page.




Pushkin and the Queen of Spades


Book Description

"Windsor Armstrong is a polished, Harvard-educated African American professor of Russian literature. Her son, Pushkin X, is an exceedingly famous pro football player, an achievement that impresses his mother not at all. Even more distressing, however, her beloved son has just become engaged to a gorgeous white Russian emigre who also happens to be a lap dancer." "For Windsor this predicament is no laughing matter. Determined to get to the bottom of it, she embarks on a journey into her own rich past to her Motown childhood, where the Temptations danced across the stage and love came disguised as a sharply dressed gangster; to Harvard, where she endured the humiliation of being an unwed black teen mother; to St. Petersburg, where the verses of the brilliant Russian poet Alexander Pushkin, great-grandson of an African slave, moved through her head as she made love to her own white Russian. The urge to protect her son has been Windsor's only goal, but as she draws ever closer to the secret that has cast a shadow over her life, the identity of her son's father, she discovers that the half-lies she has fed her boy don't add up to the beauty of the truth."--BOOK JACKET.




The Queen of Spades and Selected Works


Book Description

"The Queen of Spades" is one of the most famous tales in Russian literature, and inspired the eponymous opera by Tchaikovsky; in "The Stationmaster", from The Tales of the Late Ivan Petrovich Belkin, Pushkin reworks the parable of the Prodigal Son; "Tsar Nikita and his Forty Daughters" is one of Pushkin’s bawdier early poems; and the narrative poem "The Bronze Horseman", inspired by a St Petersburg statue of Peter the Great, is one of Pushkin’s best-known and most influential works. The volume also includes a selection of Pushkin’s best lyric poetry. Contents: • Short Stories: The Queen of Spades; The Stationmaster • Drama: Extracts from Boris Godunov and Mozart and Salieri • The Bronze Horseman (narrative poem), Tsar Nikita and His Forty Daughters (folk poem) and 14 lyric poems • Novel in Verse: Extract from Yevgeny Onegin (novel in verse)




7 Best Short Stories by Alexander Pushkin


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Alexander Pushkin was a Russian poet and writer who is considered the father of the modern Russian novel. The so-called Golden Age of Russian Literature was inspired by the themes and aesthetics of Pushkin - we are talking about names like Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Mikhail Lermontov, Nikolai Gogol. This selection of short stories brings you the best of Pushkin selected by August Nemo: The Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro




Ambrose Bierce and the Queen of Spades


Book Description

The Morton Street Slasher has been leaving the corpses of his victims around San Francisco's Union Square. On the women's naked bodies are spade playing cards. The city's infamous newspaperman, Ambrose Bierce, blames the rash of murders on his old enemy, the Southern Pacific Railroad. A naive reporter at Bierce's Hornet pursues the case, uncovering conspiracy at every turn. In a fast-paced novel that is a combination of murder mystery, historical fiction, and quirky biography, Oakley Hall draws the reader into 1880s San Francisco and the changing world that was California in the latter part of the nineteenth century. Local and state politics, the exploitation of the Chinese, the power of the mining and railroad barons, and San Francisco's colorful history provide a backdrop for this irresistible thriller. The novel's chapters are introduced by appropriate excerpts from Bierce's The Devil's Dictionary and narrated by the young reporter Tom Redmond. Redmond is interested in the murders because of his attraction to a woman threatened by the Slasher, and Bierce encourages him because of his personal vendetta against the Big Four of the Railroad. Bierce's misogyny is an influence as well, which Hall uses to advantage in portraying the enigmatic journalist. Hall knows his territory and his characters well. The sights and smells of late-nineteenth-century California are cleverly evoked, and the story's key players are refreshingly authentic. Bierce brandishes his famed cynicism with all the aplomb of the sharp-eyed, sharp-witted newspaperman he was. Cameo appearances by such California worthies as Ina Coolbrith and Joaquin Miller add to the novel's historical richness. Intelligent, gripping, and often quite funny, Ambrose Bierce and the Queen of Spades will satisfy any reader who craves adventure, mystery, romance, and fine writing.




The Queen of Spades and Other Stories


Book Description

The Queen of Spades has long been acknowledged as one of the world's greatest short stories. In this classic literary representation of gambling, Alexander Pushkin explores the nature of obsession. Hints of the occult and gothic alternate with scenes of St Petersburg high-society in the story of the passionate Hermann's quest to master chance and make his fortune at the card-table. Underlying the taut plot is an ironical treatment of the romantic dreamer and social outcast. This volume contains three other major works of Pushkin's fiction, moving from the witty parodies of sentimentalism and high melodrama in The Tales of Belkin to an early experiment with recreating the past in Peter the Great's Blackamoor. It concludes with the novel-length masterpiece The Captain's Daughter, which combines historical fiction in the manner of Sir Walter Scott with the colour and devices of the Russian fairy-tale in a narrative of rebellion and romance. These new translations, as well as being meticulously faithful to the original, do full justice to the elegance and fluency of Pushkin's prose. The Introduction provides insightful readings of the stories and places them in their European literary context. A chronology of the Pugachov Uprising illuminates the events in The Captain's Daughter. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.




Novels, Tales, Journeys


Book Description

From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.




The Queen of Spades and other stories


Book Description

Alexander Sergueievitch Pushkin came of a noble family, so ancient that it was traced back to that Alexander Nevsky who, in the thirteenth century, gained a great victory over the Swedes upon the ice of the River Neva, in token whereof he was surnamed "Nevsky" of the Neva. His mother, Nadejda Ossipovna Hannibal, was the grand-daughter of Abraham Petrovitch Hannibal, Peter the Great's famous negro. His father, Surguei Lvovitch Pushkin, was a frivolous man of pleasure. The poet was born on the 26th of May, 1799, at Moscow. He was an awkward and a silent child. He was educated by French tutors. A poor scholar, he read with eagerness whatever he could get in his father's library, chiefly the works of French authors. His brother states that at eleven years old Pushkin knew French literature by heart. This cannot, of course, be taken[Pg 2] literally; but it shows under what influence he grew up. In October, 1811, he entered the Lyceum of Tsarskoe Selo. Among the students a society was soon formed, whose members were united by friendship and by a taste for literature. They brought out several periodicals, in which tales and poems formed the chief features. Of this society (the late Prince Gortchakoff belonged to it) Pushkin was the leading spirit. His first printed poem appeared in the Messenger of Europe in 1814. At a public competition in 1815, at which the veteran poet Derjavin was present, Pushkin read his "Memories of Tsarskoe Selo." This poem, which contains many beautiful passages, so delighted Derjavin, that he wished to embrace the young author; but Pushkin fled in confusion from the hall. In June, 1817, Pushkin's free and careless student life ended. After finishing his course at the Lyceum he went to St. Petersburg, and, though he entered thoroughly into the dissipated pleasures of its turbulent youth, he still clung to the intellectual society of such men as Jukovsky and Karamsin, men occupied in literature, whose friendship he valued very highly. At that time society was much disturbed. Political clubs were everywhere being formed. In every drawing-room new views were freely and openly advanced; and in these discussions the[Pg 3] satire and brilliant verse of Pushkin attracted general attention. These at last brought him into great danger. But Karamsin came to his rescue, and managed to get him an appointment at Ekaterinoslavl, in the office of the Chief Inspector of the Southern Settlements. There he remained till 1824, travelling from place to place, first with the Raevskys to the Caucasus, and thence again with them through the Crimea. This journey gave him materials for his "Prisoner of the Caucasus," and "Fountain of Bachtchisarai." Both poems reveal the influence of Byron. Towards the end of 1820 he went to Bessarabia with his chief, who had just been appointed viceroy of the province. Once, on account of some quarrel, this person, Insoff by name, sent Pushkin to Ismail. There the poet joined a band of gypsies and remained with them for some time in the Steppes. In 1823 he went to Odessa, having been transferred to the office of the new governor-general, Count Vorontsoff, who succeeded Insoff. Here he wrote part of "Evguenie Onegin," a sort of Russian "Don Juan," full of sublime passages and varied by satire and bitter scorn. This work has lately been formed the subject of a very successful opera by Tchaikovski, who took from Pushkin's poems a story now known and admired by every educated Russian. The poet, however, did not get on with his new[Pg 4] chief. A scathing epigram upon Vorontsoff led the count to ask for Pushkin's removal from Odessa, "where," he said, "excessive flattery had turned the young maids head." To be continue in this ebook...