Gay Novels of Britain, Ireland and the Commonwealth, 1881-1981


Book Description

While American gay fiction has received considerable scholarly attention, little has been given to developments in other English-speaking countries. This survey catalogs 254 novels and novellas by some 173 British, Irish and Commonwealth authors in which gay and bisexual male characters play a major role. Arranged chronologically from the appearance of the first gay protagonist in 1881, to works from the onset of the AIDS epidemic in 1981, in-depth entries discuss each book's publication history, plot and significance for the construct of gay identity, along with a brief biography of its author. Including iconic works like Oscar Wilde's The Picture of Dorian Gray (1890) and E.M. Forster's Maurice, as well as lesser known but noteworthy novels such as Rose Macaulay's The Lee Shore (1912) and John Broderick's The Waking of Willie Ryan (1969), this volume--the first of its kind--enlarges our understanding of the development of gay fiction and provides an essential reading list.




Obelisk


Book Description

Obelisk: A History of Jack Kahane and the Obelisk Press details the history of one of the most extraordinary—and controversial—publishing enterprises of the twentieth century. Publisher simultaneously of the infamous novels of the literary elite as well as low-budget erotica and “dirty books,” Jack Kahane’s Obelisk Press published the likes of Henry Miller, James Joyce, Anaïs Nin, and D.H. Lawrence, alongside a lengthy list of censor-baiting eccentrics like N. Reynolds Packard, the New York Daily News’ Rome correspondent and the self-styled “Marco Polo of Sex.” Here, for the first time, is the story of this remarkable venture, which captures some of the twentieth century’s most outrageous literary personalities and their often scandalous exploits, including the failed golf club society magazine run by Nin, Miller, and Lawrence Durrell and the tortured relationship between Obelisk author Marjorie Firminger and Wyndham Lewis. A richly illustrated cultural history of 1920s Paris, a fully-narrated bibliography of works published by an unforgettable literary institution, and a glimpse into the remarkable life of the Press’s creator, Jack Kahane, The Obelisk Press is a publishing event not to be missed by anyone with an interest in twentieth-century literary lives and letters.




Kingsley Amis


Book Description

Since the 1950s Kingsley Amis has been one of the most popular novelists in Britain. This book shows us the real Amis. Amis's novels remind us that fiction can be as engaging and immediate as television and film, but also that the medium of language is more effective than either of these in its ability to consume our anxieties, doubts and pleasures.




A Companion to Literary Biography


Book Description

An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.




City of the Beast


Book Description

A work that combines biography and pyschogeography to trace Aleister Crowley's life in London. "I dreamed I was paying a visit to London," Aleister Crowley wrote in Italy, continuing, "It was a vivid, long, coherent, detailed affair of several days, with so much incident that it would make a good-sized volume." Crowley had a love-hate relationship with London, but the city was where he spent much of his adult life, and it was the capital of the culture that created him: Crowley was a post-decadent with deviant Victorian roots in the cultural ferment of the 1890s and the magical revival of the Golden Dawn. Not a walking guide, although many routes could be pieced together from its pages, this is a biography by sites. A fusion of life-writing with psychogeography, steeped in London's social history from Victoria to the Blitz, it draws extensively on unpublished material and offers an exceptionally intimate picture of the Great Beast. We follow Crowley as he searches for prostitutes in Hyde Park and Pimlico, drinks absinthe and eats Chinese food in Soho, and find himself down on his luck in Paddington Green--and never quite losing sight of the illumination that drove him: "the abiding rapture," he wrote in his diary, "which makes a 'bus in the street sound like an angel choir!"




Philip Larkin


Book Description

A revelatory, intimate, and sympathetic study of Philip Larkin, an iconic poet and a much misunderstood man, offering fresh understanding of the interplay of his life and work. Philip Larkin (1922-1985) is one of the most beloved poets in English. Yet after his death a largely negative image of the man himself took hold; he has been portrayed as a racist, a misogynist and a narcissist. Now Larkin scholar James Booth, for seventeen years a colleague of the poet's at the University of Hull, offers a very different portrait. Drawn from years of research and a wide variety of Larkin's friends and correspondents, this is the most comprehensive portrait of the poet yet published. Booth traces the events that shaped Larkin in his formative years, from his early life when his his political instincts were neutralised by exposure to his father's controversial Nazi values. He studies how the academic environment and the competition he felt with colleagues such as Kingsley Amis informed not only Larkin's poetry, but also his little-known ambitions as a novelist. Through the places and people Larkin encountered over the course of his life, including Monica Jones, with whom he had a tumultuous but enduring relationship, Booth pieces together an image of a rather reserved and gentle man, whose personality-and poetry--have been misinterpreted by decades of academic study. Philip Larkin: Life, Art and Love reveals the man behind the words as he has never been seen before.




Moving Modernisms


Book Description

The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volume examine modernist film and the moving image, and travel and transport in the modern metropolis. 'Movement is reality itself', the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.




Kingsley Amis


Book Description

"Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of poor literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities."--Page 4 of cover.




The Life of Kingsley Amis


Book Description

Kingsley Amis was not only the finest comic novelist of his generation, but also a dominant figure in post–World War II British writing as a novelist, poet, critic, and polemicist. Zachary Leader’s definitive, authorized biography conjures in vivid detail the life of one of the most controversial figures of twentieth-century literature, renowned for his blistering intelligence, savage wit, and belligerent fierceness of opinion. In The Life of Kingsley Amis, Leader, the acclaimed editor of The Letters of Kingsley Amis, draws not only on published and unpublished works and correspondence, but also on interviews with a wide range of Amis’s friends, relatives, fellow writers, students, and colleagues, many of whom have never spoken publicly before. The result is a compulsively readable account of Amis’s childhood, school days, and life as a student at Oxford, teacher, critic, political and cultural commentator, professional author, husband, father, and lover. Neither evading nor sensationalizing the more salacious aspects of Amis’s life, Leader explores the writer’s phobias, self-doubts, and ambitions; the controversies in which he was embroiled; and the role that drink played in a life bedeviled by erotic entanglements, domestic turbulence, and personal disaster. Here is the biography that its subject deserves. Like Amis himself, it is incisive and unsentimental, deeply appreciative of aesthetic achievement, and a great source of amusing anecdotes. Dazzling for its thoroughness, psychological acuity, and elegant style, The Life of Kingsley Amis is exemplary: literary biography at its very best.