Three American Frontiers


Book Description

The casual and the serious of American history—fiddlers, yarn spinners, and riverboat gamblers, politicians, educators, and social reformers—have all concerned Thomas D. Clark, celebrated historian of the Western frontier and the changing South. Three American Frontiers, a volume of his selected writings, draws from works produced throughout Clark's long career as a writer, teacher, and lecturer on the frontier West, social change in the South, and the cutting-edge of historical research. An avid researcher and a tenacious collector of original materials, Clark looks to the everyday items like the record book of a country store, the file of a small-town newspaper, or the diary of a young Gold Rusher for aids to the analysis of larger trends in history. Holman Hamilton conveys Clark's unique approach to his material and his enthusiasm for the common man in America's past.




The Humor of the Old South


Book Description

The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.




The Militant South, 1800-1861


Book Description

Identifies the factors and causes of the South's festering propensity for aggression that contributed to the outbreak of the Civil War in 1861. This title asserts that the South was dominated by militant white men who resorted to violence in the face of social, personal, or political conflict. It details the consequences of antebellum aggression.




Freedoms Ferment


Book Description

At the end of his weekly news-in-review program, Moore on Sunday beloved WCCO-TV newsanchor Dave Moore often signed off by reciting a poem. These poems, composed by Moore's son Peter and collected here for the first time, offer a fresh and funny take on the common and not-so-common stuff of our everyday lives. Reminiscent of Ogden Nash and Tom Lehrer, with a dash of Dr. Seuss, Peter Moore's verse captures the essence of his father's wit, common sense, honesty, and warmth.




The Jury in Lincoln’s America


Book Description

In the antebellum Midwest, Americans looked to the law, and specifically to the jury, to navigate the uncertain terrain of a rapidly changing society. During this formative era of American law, the jury served as the most visible connector between law and society. Through an analysis of the composition of grand and trial juries and an examination of their courtroom experiences, Stacy Pratt McDermott demonstrates how central the law was for people who lived in Abraham Lincoln’s America. McDermott focuses on the status of the jury as a democratic institution as well as on the status of those who served as jurors. According to the 1860 census, the juries in Springfield and Sangamon County, Illinois, comprised an ethnically and racially diverse population of settlers from northern and southern states, representing both urban and rural mid-nineteenth-century America. It was in these counties that Lincoln developed his law practice, handling more than 5,200 cases in a legal career that spanned nearly twenty-five years. Drawing from a rich collection of legal records, docket books, county histories, and surviving newspapers, McDermott reveals the enormous power jurors wielded over the litigants and the character of their communities.




Guide to Life and Literature of the Southwest, with a Few Observations


Book Description

This guide book is a bibliography of books about the American West by various authors, compiled by the literary critic J. Franck Dobie. The list is subdivided along themes associated with the different aspects of life in the West such as Native American culture, Spanish influences, French influences, Texas Rangers, Missionaries, Women pioneers and Mountain men culture, among others. Each aspect is preceded by a brief discussion of the topic before the list of books themed on the subject.




Lucy Audubon


Book Description

Wife of the great naturalist John James Audubon, Lucy Bakewell Audubon (1788–1874) was a powerful and extraordinary woman who coped resourcefully with the demands of a difficult situation and worked tirelessly to aid her husband in his landmark work. In Lucy Audubon: A Biography, Carolyn E. DeLatte focuses on the early life of Lucy Audubon: her birth in England and youth in eastern Pennsylvania, her courtship and marriage to the eccentric young Audubon, their wanderings along the western fringe of the country, the birth of their children, and the preparation and publication of The Birds of America. Throughout, DeLatte emphasizes Lucy Audubon’s own experiences, concerns, and point of view. She tells of Lucy’s often stormy relationship with her brilliant but unreliable husband, her place at the head of their small family, and her crucial role in the creation and publication of her husband’s magnum opus. Intelligent, adaptable, and strong-willed, Lucy was, DeLatte shows, the partner Audubon needed for his life and for his work. As noted Audubon expert Christoph Irmscher says in his foreword, “When [DeLatte] slips into her character’s skin, she does so unobtrusively and to great effect—thus, we are right there with Lucy.”




Money for Nothing


Book Description

The picturesque village of Rudge-in-the-Vale dozed in the summer sunshine. Along its narrow High Street the only signs of life visible were a cat stropping its backbone against the Jubilee Watering Trough, some flies doing deep-breathing exercises on the hot window sills, and a little group of serious thinkers who, propped up against the wall of the Carmody Arms, were waiting for that establishment to open. At no time is there ever much doing in Rudge's main thoroughfare, but the hour at which a stranger, entering it, is least likely to suffer the illusion that he has strayed into Broadway, Piccadilly, or the Rue de Rivoli is at two o'clock on a warm afternoon in July. You will find Rudge-in-the-Vale, if you search carefully, in that pleasant section of rural England where the gray stone of Gloucestershire gives place to Worcestershire's old red brick. Quiet, in fact, almost unconscious, it nestles beside the tiny river Skirme and lets the world go by, somnolently content with its Norman church, its eleven public-houses, its Pop.—to quote the Automobile Guide—of 3,541, and its only effort in the direction of modern progress, the emporium of Chas. Bywater, Chemist. Chas. Bywater is a live wire. He takes no afternoon siesta, but works while others sleep. Rudge as a whole is inclined after luncheon to go into the back room, put a handkerchief over its face and take things easy for a bit. But not Chas. Bywater. At the moment at which this story begins he was all bustle and activity, and had just finished selling to Colonel Meredith Wyvern a bottle of Brophy's Paramount Elixir (said to be good for gnat bites). Having concluded his purchase, Colonel Wyvern would have preferred to leave, but Mr. Bywater was a man who liked to sweeten trade with pleasant conversation. Moreover, this was the first time the Colonel had been inside his shop since that sensational affair up at the Hall two weeks ago, and Chas. Bywater, who held the unofficial position of chief gossip monger to the village, was aching to get to the bottom of that. With the bare outline of the story he was, of course, familiar. Rudge Hall, seat of the Carmody family for so many generations, contained in its fine old park a number of trees which had been planted somewhere about the reign of Queen Elizabeth. This meant that every now and then one of them would be found to have become a wobbly menace to the passer-by, so that experts had to be sent for to reduce it with a charge of dynamite to a harmless stump. Well, two weeks ago, it seems, they had blown up one of the Hall's Elizabethan oaks and as near as a toucher, Rudge learned, had blown up Colonel Wyvern and Mr. Carmody with it. The two friends had come walking by just as the expert set fire to the train and had had a very narrow escape. Thus far the story was common property in the village, and had been discussed nightly in the eleven tap-rooms of its eleven public-houses. But Chas. Bywater, with his trained nose for news and that sixth sense which had so often enabled him to ferret out the story behind the story when things happen in the upper world of the nobility and gentry, could not help feeling that there was more in it than this. He decided to give his customer the opportunity of confiding in him.




Dictionary of Midwestern Literature, Volume Two


Book Description

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.




Cavorting on the Devil's Fork


Book Description

The rural folk humor written by Arkansas writer C. F. M. Noland beginning in 1837 is brought together in a collection of semiautobiographical letters that tell tall tales in dialect, reflecting the peculiar characteristics of the people of a backwoods region. Original.