Ransoming Mathew Brady


Book Description

In a series of oils, watercolours, and prose full of wit and wisdom and rich with historical allusion, John Ransom Phillips portrays the complexity of nineteenth-century photographer, Mathew Brady. The photographs Brady made have long served to illustrate an era in American history, most notably his portraits of Abraham Lincoln and the images from the Civil War battlefields he captured. Pairing these photographs with his own work, Phillips explores the career of this artist who wanted to make history: An ambitious half-blind man with blue-tinted glasses, straw hat and duster who had the genius to look beyond his thriving New York portrait studio to the battles of the Civil War and was one of the first photographers to shoot in the open air. Paradoxically, Brady sent assistants to photograph his most famous scenes, the battlefields at Gettysburg, Vicksburg, and Antietam, instructing them to re-arrange the dead to create images that would enhance public notions about death and dying. AUTHOR: John Ransom Phillips is an artist and author whose work has been exhibited internationally at the Kennedy Center for the Performing Arts, Washington, D.C., and the David and Alfred Smart Museum of Art in Chicago; Museo de Arte Moderne in Buenos Aires; the Fundacao de Arte e Cultural de Ubatuba in Sao Paolo, and Zamalek Gallery, Cairo. He holds a PhD from the University of Chicago and has been a faculty member of the University of California at Berkeley and the University of Chicago. Alan Trachtenberg is The Neil Gray, Jr. Professor Emeritus of English and American Studies at Yale University, and the author of 'Reading American Photographs: Images as History, Mathew Brady to Walker Evans'(1989). 266 colour & 17 b/w illustrations







Journal of the Civil War Era


Book Description

The University of North Carolina Press and the George and Ann Richards Civil War Era Center at the Pennsylvania State University are pleased to Publish The Journal of the Civil War Era. William Blair, of the Pennsylvania State University, serves as founding editor. Table of Contents for this issue, Volume One, Number Two: volume 1, number 2 June 2011 Table of Contents Articles a. kristen foster "We Are Men!": Frederick Douglass and the Fault Lines of Gendered Citizenship kathryn s. meier "No Place for the Sick": Nature's War on Civil War Soldier Mental and Physical Health in the 1862 Peninsula and Shenandoah Valley Campaigns brandi c. brimmer "Her Claim for Pension Is Lawful and Just": Representing Black Union Widows in Late-Nineteenth Century North Carolina Review Essay frank towers Partisans, New History, and Modernization: The Historiography of the Civil War's Causes, 1861–2011 Book Reviews Books Received Professional Notes daniel e. sutherland The Seven O'Clock Lecture Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.




Mathew Brady and the Image of History


Book Description

Taking advantage of emerging photographic paper printing techniques to create large-format, classically posed portraits, Brady also collaborated with painters such as G.P.A. Healy and Alonzo Chappel, who used his photographs to complete their own heroically scaled images. Contending that Brady's photographs contribute to an ongoing national interest in the Civil War, Panzer concludes that they continue to function as Brady hoped they would, constructing an idealized history in which fact and memory are intertwined.







Reading American Photographs


Book Description

Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.




Family Life in 19th-Century America


Book Description

Nineteenth century families had to deal with enormous changes in almost all of life's categories. The first generation of nineteenth century Americans was generally anxious to remove the Anglo from their Anglo-Americanism. The generation that grew up in Jacksonian America matured during a period of nationalism, egalitarianism, and widespread reformism. Finally, the generation of the pre-war decades was innately diverse in terms of their ethnic backgrounds, employment, social class, education, language, customs, and religion. Americans were acutely aware of the need to create a stable and cohesive society firmly founded on the family and traditional family values. Yet the people of America were among the most mobile and diverse on earth. Geographically, socially, and economically, Americans (and those immigrants who wished to be Americans) were dedicated to change, movement, and progress. This dichotomy between tradition and change may have been the most durable and common of American traits, and it was a difficult quality to circumvent when trying to form a unified national persona. Volumes in the Family Life in America series focus on the day-to-day lives and roles of families throughout history. The roles of all family members are defined and information on daily family life, the role of the family in society, and the ever-changing definition of family are discussed. Discussion of the nuclear family, single parent homes, foster and adoptive families, stepfamilies, and gay and lesbian families are included where appropriate. Topics such as meal planning, homes, entertainment and celebrations, are discussed along with larger social issues that originate in the home like domestic violence, child abuse and neglect, and divorce. Ideal for students and general readers alike, books in this series bring the history of everyday people to life.




Civil War Journal


Book Description

Based on the History Channel documentary series. How the Civil War sparked profound changes in slavery, immigration, women’s roles, journalism, and more. “In many arenas, the Civil War changed things both in military and civilian life,” William C. Davis observes. “The roles in society of women and minorities were altered drastically. Advancements in medicine and technology exerted a profound impact on the future. Industry burgeoned. The reporting of news entered the modern era with the photograph. Culture changed as the complexion of Americans evolved and as war’s wounds imposed lasting divisions upon our society. It ensured at once that future wars would be more terrible, and yet we would be equipped to cope with that terror to come. These are the legacies of the war covered in this volume.” Civil War Journal: The Legacies is the third volume of a three-volume treatment of the Civil War developed from the popular History Channel series Civil War Journal. Drawing on personal letters, diaries, and newspaper reports, these volumes focus on seldom-told stories of people, places, and events that bring to life the heroic intensity of the Civil War. They portray the human side of the conflict that is frequently overlooked in recounting troop movements and engagements.




Enduring Creation


Book Description

Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".




The World of Mathew Brady


Book Description

Book Description: The people whose portraits appear in this book were Brady's contempories. They represent a small, if select, cross-section of American life as it was in the mid-1800s. It was an era of stress and of power. The careers of these people intertwined, one reacting upon another, in the newspapers, on the stage, in the pulpit, on the battlefield, in the halls of Congress. Here is Brady's world, and it is the world of our heritage.