Raphael's Madonna Gonzaga


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Excerpt from Raphael's Madonna Gonzaga: Technical Proofs of the Authenticity and History of the Painting Other students, more conservative, admired the painting but entertained doubt as to its origin. Before yielding in their skeptical atti tude these men required that technical proofs of the painting's authenticity be given with some information about its history and wander ings from place to place during the four*centuries that separate us from Raphael. In other words, they would be satisfied only with a consistent and Well connected account of the historical facts which occasioned the transfer of the paint ing from one country to another. In this mono graph ah attempt has been made to present these proofs and to retrace the history of the painting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




America


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"The Jesuit review of faith and culture," Nov. 13, 2017-




Our Accustomed Discourse on the Antique


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First Published in 1993. Including a guide to the collecting of this historical data in the latter part of the sixteenth century, betwen 1550 and 1575 this work includes the relationship between Cesare Gonzago and Gerolamo Garimberto and their evaluations on antiquities and archaelogical advisings.




The Congregationalist


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Raphael


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Sixteen painstaking reprodutions including Madonna and Child, Saint George and the Dragon, Three Graces, Portrait of a Young Woman (Lady with a Unicorn), Portrait of Lorenzo de' Medici, Saint Catherine of Alexandria, Portrait of Elisabetta Gonzaga, and a detail from the Sistine Madonna, featuring the ever-popular pair of wistful cherubs.




Raphael and the Madonna


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In the art of the Italian Renaissance, the subject of the Madonna with Child was chosen for pictures more frequently than any other. Raphael?s paintings are regarded as some of the most innovative compositions to this day, 500 years after his death. Their groundbreaking significance is illuminated in this volume through comparisons with other principal works of the period, including those by Botticelli and Mantegna.0description0Raphael?s Sixtine Madonna is one of the most famous paintings in art history. The book traces how the artist arrived at this pioneering composition as well as the theological statement behind the picture and the original solutions that he found in his early Madonna paintings. Comparisons with Raphael?s contemporaries in Bologna, Florence, Mantua and Venice show clearly the preferred picture types of the era as well as Raphael?s highly individual pictorial language.00Exhibition: Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, Germany (27.11.2020 - 07.03.2021).




The Magazine of Art


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Raffaello Santi Da Urbino


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