R&B, Rhythm and Business


Book Description

Given than hip hop music alone has generated more than a billion dollars in sales, the absence of a major black record company is disturbing. Even Motown is now a subsidiary of the Universal Music Group. Nonetheless, little has been written about the economic relationship between African-Americans and the music industry. This anthology dissects contemporary trends in the music industry and explores how blacks have historically interacted with the business as artists, business-people and consumers.




Dance of Days


Book Description

Updated 2009 edition of this evergreen punk-rock classic!




Rhythm Without Blues


Book Description

If you’ve ever felt the blues, sang the blues, or simply love rhythm and blues, Dr. Syleecia Thompson’s tell-all book will make you appreciate this nearly 70-year-old music genre even more. This insider’s narration reveals the dark side of the industry and what an artist has to go through in order to bring his or her talent to the masses. Included are over 20 unedited interviews (several anonymous) from artists, producers, lawyers, managers, and industry insiders. You’ll hear from such greats as R. Kelly and Syleena Johnson, Toxic, industry giants Micky “MeMpHitz” Wright, Brownstone’s Nicci Gilbert, Tank and others. Thompson’s book serves as a teaching tool for aspiring R&B artists, novice label executives, music lovers, and is a resource for those already in the industry. Fall in love with R&B all over again and rediscover what its roots and message are really about. Feel the heart and soul of a music genre steeped in tradition, rich history, Southern sound, gospel, and urban influences.




Sweet Soul Music


Book Description

A gripping narrative that captures the tumult and liberating energy of a nation in transition, Sweet Soul Music is an intimate portrait of the legendary performers--Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green among them--who merged gospel and rhythm and blues to create Southern soul music. Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music.




Bandits & Bibles


Book Description

Now a highly politicised medium, this book of prison literature collects a lively array of selections from the earliest recorded convict autobiographies, examining crimes, arrests and convictions, punishments inflicted, survival techniques and spiritual awakenings. Hard labour in coal mines, whippings, solitary confinement in bare unheated cells, water torture and iron maidens were just a few of the punishments meted out to these prisoners and vividly recounted in these selections.




The History of R & B and Soul Music


Book Description

Rhythm and Blues, along with soul music has historically been written and produced by black Americans to reflect the African American experience in the United States. This book covers a range of styles within RandB, including boogie-woogie, Doo-Wop, jump blues, and 12-bar blues, Motown soul, 70s funk, urban contemporary, and hip hop soul.




The Head Negro in Charge Syndrome


Book Description

Al Sharpton's entrance into the 2004 Democratic presidential race is evidence of a decaying black political culture where ego trumps politics. It is the last gasp of a tradition that has been transformed over a generation from bold, effective and results-oriented politics to rhetoric and symbolism, argues crime writer and social commentator Norman Kelley. As Kelley shows, what Sharpton covets is the sobriquet—The Head Negro in Charge (HNIC), a symbolic political mobilization that replaces effective politics and organizing. "The HNIC syndrome has seen the rise of symbolic leaders—Jesse Jackson, Louis Farrakhan, Sharpton and now Russell Simmons—who may be charismatic," Kelley writes, "but are politically unaccountable to the very people they claim to represent, namely African Americans. The transformation has been underway since the 1970s, but most African Americans have yet to confront it." HNIC syndrome is both a symptom and response to the failings of black political and cultural orthodoxy, of a sclerotic black elite represented by the NAACP and the Black Congressional Caucus, who have embedded themselves into the machinery of the Democratic Party and the conservative movement.




African American Music


Book Description

American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.




Sound Man


Book Description

"A life recording hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, Eric Clapton, the Faces ..."--Jacket.




A House on Fire


Book Description

"If You Don't Know Me By Now," "The Love I Lost," "The Soul Train Theme," "Then Came You," "Ain't No Stoppin' Us Now"--the distinctive music that became known as Philly Soul dominated the pop music charts in the 1970s. In A House on Fire, John A. Jackson takes us inside the musical empire created by Kenny Gamble, Leon Huff, and Thom Bell, the three men who put Philadelphia Soul on the map. Here is the eye-opening story of three of the most influential and successful music producers of the seventies. Jackson shows how Gamble, Huff, and Bell developed a black recording empire second only to Berry Gordy's Motown, pumping out a string of chart-toppers from Harold Melvin & the Blue Notes, the Spinners, the O'Jays, the Stylistics, and many others. The author underscores the endemic racism of the music business at that time, revealing how the three men were blocked from the major record companies and outlets in Philadelphia because they were black, forcing them to create their own label, sign their own artists, and create their own sound. The sound they created--a sophisticated and glossy form of rhythm and blues, characterized by crisp, melodious harmonies backed by lush, string-laden orchestration and a hard-driving rhythm section--was a glorious success, producing at least twenty-eight gold or platinum albums and thirty-one gold or platinum singles. But after their meteoric rise and years of unstoppable success, their production company finally failed, brought down by payola, competition, a tough economy, and changing popular tastes. Funky, groovy, soulful--Philly Soul was the classic seventies sound. A House on Fire tells the inside story of this remarkable musical phenomenon.