Re-viewing Fascism


Book Description

When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.




Fascism Viewed from the Right


Book Description

In this book, Julius Evola analyzes the Fascist movement of Italy, which he himself had experienced first-hand, often as a vocal critic, throughout its entire history from 1922 until 1945. Discussing - and dismissing - the misuse of the term 'fascism' that has gained widespread acceptance, Evola asks readers not to allow the fact of Italy's defeat in the Second World War to distract us from making an objective analysis of the ideology of Fascism itself, since the defeat was the result of contingent circumstances and the personalities of those who led it, rather than flaws that were inherent in Fascism as an idea. Evola praises those aspects of Fascism which he believes to have been in accordance with the best traditions of European governance, in particular the Classical Roman tradition, while he remains critical of those aspects which ran contrary to this ideal, such as its socialist, proletarian and totalitarian tendencies, as well as what he saw as its petty moralism. Evola also distinguishes between the Fascism of the 'Twenty Years' between 1922 and Mussolini's overthrow in 1943, and the 'Second Fascism' of the Italian Social Republic, which he considered as much more problematic. He likewise criticizes the Fascist racial doctrine for being based on false principles. Frequently quoting Mussolini's own words, Evola presents the core of the Fascist ideal, arguing that, for all its flaws, it remains superior to the political system which has since arisen to replace it. Julius Evola (1898-1974) was Italy's foremost traditionalist philosopher, as well as a metaphysician, social thinker and activist. Evola was an authority on the world's esoteric traditions and one of the greatest critics of modernity. He wrote extensively on the ancient civilizations of both East and West and the world of Tradition, and was also a critic of the political and spiritual movements of his own time from a traditional perspective.




Interpretations of Fascism


Book Description

This volume constitutes a survey of social science efforts to explain the fascist phenomenon. Attempts to adequately interpret fascism have involved an inordinate number of social researchers and historians for an inordinate amount of time over the past half century. For all that we still find ourselves without a compelling account of the entire complex sequence. Fascism constitutes a significant concern for students of contemporary politics. To develop an intellectually defensible explanation of the nature, origins, and development of Italian Fascism and German Nazism remains a responsibility still outstanding. Interpretations of Fascism provides a review of the efforts that have been made to date to interpret and explain the phenomenon, It addresses itself specifically to those efforts undertaken to provide a social science explanation of Mussolini's Fascism. Dealing wiht the special application of social science methods to a specific problem, the book provides a special angle to examine this ubiquitous system in a comparable context. The book should be useful for college courses inb political theory, comparative politics, democracy and dictatorship, economic and political change, and modern European history. The new edition is graced by a provocative, lengthy new essay reviewing the literature from 1973 through 1996. As such, it is an up to date examination of fascism in our times. Professor Gregor is careful to emphasize that fascist movements can thrive in confines far beyond Italy and Germany. It has found fertile soil from Russia to Africa. In short, Gregor argues that this makes fascism a movement that extends through political space no less than historical time. The documentation of the book is now very rich, with a bibliographic review that can serve experts and generalists alike. Stanley G. Payne credits Gregor with -clearing away useless, obfuscatory theoretical debris-, claiming that -Gregor's book serves the study of fascist politics very well indeed-. And Giuseppe Prezzolini, introduced the Italian language edition by noting that -Interpretations of Fascism is rich in information and scientifically precise in style...a reflection of an intelligence that operates beyond passions.-







Fascist Modernism in Italy


Book Description

Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.




The Italian Fascist Party in Power


Book Description

The Italian Fascist Party in Power was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Although much significant material on the Italian Fascist party became available when the regime collapsed, scholars have not made extensive use of it until now. In this study, which is based on all the available sources, Professor Germino describes the functions of the party, ,explains how it was organized to perform tasks, and discusses conflicts between the party and other power elements in the dictatorship. He reaches a conclusion contrary to that of most other scholars -- that Fascist Italy was a full-fledged totalitarian state resembling Nazi Germany and Soviet Russia in political structure and ideological content. Professor Carl J. Riedrich of Harvard University writes: "I consider this a major contribution to our knowledge of totalitarian dictatorship. There is nothing in the existing literature that can be compared to it either in terms of depth or analysis, range of documentation or breadth of treatment." Professor Taylor Cole of Duke University comments: "Professor Germino has presented an excellent case study of the Italian Fascist Party. He has made use of more materials on the Party than any previous writer in English, and has marshalled them effectively to support his contention that the Fascist Party did not differ 'in kind' from [the Nazi and Soviet Communist parties] on the eve of World War II. His conclusion that on most (though not all) basic counts the Italian Fascist system was to be classified as 'totalitarian' is controversial, but it merits the careful attention of all students who are interested in the Italian Fascist period and in totalitarianism."




How Fascism Works


Book Description

“No single book is as relevant to the present moment.”—Claudia Rankine, author of Citizen “One of the defining books of the decade.”—Elizabeth Hinton, author of From the War on Poverty to the War on Crime NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • With a new preface • Fascist politics are running rampant in America today—and spreading around the world. A Yale philosopher identifies the ten pillars of fascist politics, and charts their horrifying rise and deep history. As the child of refugees of World War II Europe and a renowned philosopher and scholar of propaganda, Jason Stanley has a deep understanding of how democratic societies can be vulnerable to fascism: Nations don’t have to be fascist to suffer from fascist politics. In fact, fascism’s roots have been present in the United States for more than a century. Alarmed by the pervasive rise of fascist tactics both at home and around the globe, Stanley focuses here on the structures that unite them, laying out and analyzing the ten pillars of fascist politics—the language and beliefs that separate people into an “us” and a “them.” He knits together reflections on history, philosophy, sociology, and critical race theory with stories from contemporary Hungary, Poland, India, Myanmar, and the United States, among other nations. He makes clear the immense danger of underestimating the cumulative power of these tactics, which include exploiting a mythic version of a nation’s past; propaganda that twists the language of democratic ideals against themselves; anti-intellectualism directed against universities and experts; law and order politics predicated on the assumption that members of minority groups are criminals; and fierce attacks on labor groups and welfare. These mechanisms all build on one another, creating and reinforcing divisions and shaping a society vulnerable to the appeals of authoritarian leadership. By uncovering disturbing patterns that are as prevalent today as ever, Stanley reveals that the stuff of politics—charged by rhetoric and myth—can quickly become policy and reality. Only by recognizing fascists politics, he argues, may we resist its most harmful effects and return to democratic ideals. “With unsettling insight and disturbing clarity, How Fascism Works is an essential guidebook to our current national dilemma of democracy vs. authoritarianism.”—William Jelani Cobb, author of The Substance of Hope




Fascist Italy


Book Description

Fascist Italy is a lively and concise introduction to the phenomenon of Italian Fascism and its impact. The author balances a re-evaluation of political, diplomatic and military developments with a full assessment of the more domestic and cultural dimensions of the subject.




Donatello Among the Blackshirts


Book Description

Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.




A History of Fascism, 1914-1945


Book Description

Stanely G. payne here presents a full history of fascism in interwar Europe, as well as a survey of fascist theory and postwar fascism. The author examines all major fascist movements as well as other forms of authoritarian nationalism and provides a comprehensive work on generic fascism to date. The book traces the phenomenon of fascism through the history of ideas, previous political movements, and the events of the First World War. Although the focus is principally fascist Italy and Nazi Germany, the book also gives detailed attention to the Romanian Iron Guard, Franco's Spain, Japan and proto-fascist movements around the globe. The author explores the reasons for both the limits of fascism's appeal and the historical transcendence of the "fascist era".The inclusion of other forms of authoritarian nationalism lays a foundation for comparative analysis and leads to a more workable definition of authoritarianism. It should be useful reading for students studying the rise of totalitarianism in twentieth-century Europe and for those concerned about the rise of ultranationalism today.