Reading the graphic surface


Book Description

This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book. It reappraises the range of effects it is possible to create through the use of graphic devices and explores why literary criticism has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodern decadence. Through the examination of problematical texts which utilise the graphic surface in innovative and unusual ways, including Samuel Beckett’s Watt, B. S. Johnson’s Albert Angelo, Christine Brooke-Rose’s Thru and Alasdair Gray’s Lanark, this book demonstrates that an awareness of the graphic surface can make significant contributions to interpretation.




Reading the Graphic Surface


Book Description

The immediate purpose of this book is to construct a vocabulary for the literary study of graphic texteual phenomena. -- introd.




Surface Tension


Book Description

ALIEN KILLERS! MUTATED SEA MONSTERS! HUMANITY¡¯S LAST GASP! Months after mysterious corals drew 99% of humanity into the sea, a band of survivors ekes out a hollow existence on a remote British island. When two people are cast up on the beach, completely blue, but very much alive, the island is thrown into turmoil. What caused the mass extinction event? How did these two return from the deep, when billions died? Most importantly, what is the coral, and what does it want with the Earth? The creeping, psychological horror fable that became a critical hit, the complete Surface Tension saga, finally collected!




Visual Devices in Contemporary Prose Fiction


Book Description

This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.







Iain Sinclair


Book Description

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins. This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.




Surface Detail


Book Description

Surface Detail is among Iain M. Banks' Culture novels, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction. It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful -- and arguably deranged -- warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war -- brutal, far-reaching -- is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata




Art and Science in Word and Image


Book Description

Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography. Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.




Earth's Changing Surface


Book Description

Early readers examine how volcanoes, earthquakes, and erosion change the surface of the Earth.




Writing otherwise


Book Description

Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.