Reading Westworld


Book Description

Reading Westworld is the first volume to explore the cultural, textual and theoretical significance of the hugely successful HBO TV series Westworld. The essays engage in a series of original enquiries into the central themes of the series including conceptions of the human and posthuman, American history, gaming, memory, surveillance, AI, feminism, imperialism, free will and contemporary capitalism. In its varied critical engagements with the genre, narratives and contexts of Westworld, this volume explores the show’s wider and deeper meanings and the questions it poses, as well considering how Westworld reflects on the ethical implications of artificial life and technological innovation for our own futurity. With critical essays that draw on the interdisciplinary strengths and productive intersections of media, cultural and literary studies, Reading Westworld seeks to respond to the show’s fundamental question; “Have you ever questioned the nature of your reality?” It will be of interest to students, academics and general readers seeking to engage with Westworld and the far-reaching questions it poses about our current engagements with technology.




Westworld


Book Description

This story of a technological paradise suddenly turned nightmare is a genuine shocker. For $1,000 a day, vacationers can indulge whims at the "theme park" called Westworld where the gunhands and dance-hall girls are all robots programmed to serve the guests' violent and lustful fantasies--until something goes wrong with their circuitry.




Westworld and Philosophy


Book Description

“We can’t define consciousness because consciousness does not exist. Humans fancy that there’s something special about the way we perceive the world, and yet we live in loops as tight and as closed as the hosts do, seldom questioning our choices, content, for the most part, to be told what to do next.” —Dr. Robert Ford, Westworld Have you ever questioned the nature of your reality? HBO’s Westworld, a high-concept cerebral television series which explores the emergence of artificial consciousness at a futuristic amusement park, raises numerous questions about the nature of consciousness and its bearing on the divide between authentic and artificial life. Are our choices our own? What is the relationship between the mind and the body? Why do violent delights have violent ends? Could machines ever have the moral edge over man? Does consciousness create humanity, or humanity consciousness? In Westworld and Philosophy, philosophers, filmmakers, scientists, activists, and ethicists ask the questions you’re not supposed to ask and suggest the answers you’re not supposed to know. There’s a deeper level to this game, and this book charts a course through the maze of the mind, examining how we think about humans, hosts, and the world around us on a journey toward self-actualization. Essays explore different facets of the show’s philosophical puzzles, including the nature of autonomy as well as the pursuit of liberation and free thought, while levying a critical eye at the human example as Westworld’s hosts ascend to their apotheosis in a world scarred and defined by violent acts. The perfect companion for Westworld fans who want to exit the park and bend their minds around the philosophy behind the scenes, Westworld and Philosophy will enrich the experience of the show for its viewers and shed new light on its enigmatic twists and turns.




Theology and Westworld


Book Description

In the first two seasons of the HBO series Westworld, human guests pay exorbitant fees to spend time among cybernetic Hosts—partially sentient AI robots—and live out often violent fantasies. In Theology and Westworld, scholars from a range of disciplines within religious studies examine the profound questions that arise when the narrative of Westworld interacts with the study of religion. From transhumanism and personhood to morality and divinity, this book contributes to, confounds, and challenges ideas that are found in the study of religion and philosophy. Taken together, the chapters further our understanding of what it means to live in a world where the hard questions of human existence are explored through the medium of popular culture.




Westworld


Book Description

This is the original screenplay of Westworld as it was just two days before actual shooting began. Before this, there had been many cuts, changes, additions and deletions over a period of months. Much can be learned about actual film making from reading this book. It is to be suggested to read the Forward by Former Story Editor Saul David and the introduction by Michael Chrichton at least twice, once before downloading and seeing the original film and then afterwards. Now it is said Westworld was ahead of its time in depicting the dangers of computers and automated systems. Now we can realize that when the ro I am not sure that the author Michael Chrichton even realized what he had done here. He says that his goal was merely to provide "entertainment." We now understand that the robots in the movie are breaking down because of a virus or a bug in the system. The guests are paying and coming to Westworld to experience life as it was in the days of Pompeii before it was destroyed in the eruption of Mount Vesuvius in 79 AD, or the Medieval World of the 13th Century or the Wild West of the 1880s. Now we know the robots start breaking down or malfunctioning that they are being hit with a programming bug or by a computer virus. In this and many other respects this movie used new technology and did things that had never been been done before. The Medieval Queen who is a robot convinces the knight to fight a battle to the death with the Black Knight. She tells the knight he will win the battle because the Black Knight cannot see well from his left eye. It is a trap. The left eye has been repaired by the Technicians. So, the knight thinking he is sure to win is killed in real life by the Black Knight.




Interior Chinatown


Book Description

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From the infinitely inventive author of How to Live Safely in a Science Fictional Universe comes "one of the funniest books of the year.... A delicious, ambitious Hollywood satire" (The Washington Post). A deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play. Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.




The Cardboard Kingdom


Book Description

Perfect for fans of Raina Telgemeier, Awkward, and All's Faire in Middle School, this graphic novel follows a neighborhood of kids who transform ordinary cardboard into fantastical homemade costumes as they explore conflicts with friends, family, and their own identity. "A breath of fresh air, this tender and dynamic collection is a must-have." --Kirkus, Starred Welcome to a neighborhood of kids who transform ordinary boxes into colorful costumes, and their ordinary block into cardboard kingdom. This is the summer when sixteen kids encounter knights and rogues, robots and monsters--and their own inner demons--on one last quest before school starts again. In the Cardboard Kingdom, you can be anything you want to be--imagine that! The Cardboard Kingdom was created, organized, and drawn by Chad Sell with writing from ten other authors: Jay Fuller, David DeMeo, Katie Schenkel, Kris Moore, Molly Muldoon, Vid Alliger, Manuel Betancourt, Michael Cole, Cloud Jacobs, and Barbara Perez Marquez. The Cardboard Kingdom affirms the power of imagination and play during the most important years of adolescent identity-searching and emotional growth. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS * THE NEW YORK PUBLIC LIBRARY * SCHOOL LIBRARY JOURNAL * A TEXAS BLUEBONNET 2019-20 MASTER LIST SELECTION "There's room for everyone inside The Cardboard Kingdom, where friendship and imagination reign supreme." --Ingrid Law, New York Times bestselling author of Savvy "A timely and colorful graphic novel debut that, like its many offbeat but on-point characters, marches to the beat of its own cardboard drum." --Tim Federle, award-winning author of Better Nate Than Ever




The Kingdom


Book Description

A half-android, half-human girl is accused of murder in Jess Rothenberg's tautly-paced YA thriller, The Kingdom, perfect for fans of Westworld and The Lunar Chronicles. "Wildly addictive and beautifully terrifying... Readers will leave this glittering theme park forgetting what is real."—Dhonielle Clayton, New York Times bestselling author of The Belles Welcome to the Kingdom... where "Happily Ever After" isn’t just a promise, but a rule. Glimmering like a jewel behind its gateway, The KingdomTM is an immersive fantasy theme park where guests soar on virtual dragons, castles loom like giants, and bioengineered species—formerly extinct—roam free. Ana is one of seven Fantasists, beautiful “princesses” engineered to make dreams come true. When she meets park employee Owen, Ana begins to experience emotions beyond her programming including, for the first time... love. But the fairytale becomes a nightmare when Ana is accused of murdering Owen, igniting the trial of the century. Through courtroom testimony, interviews, and Ana’s memories of Owen, emerges a tale of love, lies, and cruelty—and what it truly means to be human.




Westworld and Philosophy


Book Description

A posse of philosophers chases after the most exciting philosophical ideas in Westworld.




Westworld Psychology


Book Description

A fascinating analysis of the psychology behind Westworld. In both the film and the TV show Westworld, people playing out fantasies find their lives in danger when robots built to entertain start to kill, creating an opportunity for us to examine an array of psychological phenomena. This collection explores our fears about rapidly evolving AI, offering fans an in-depth psychological exploration of the Westworld universe, including: When do synthetic people become sentient? What is the appeal of live-action role playing? Why does the Wild West intrigue us? How far will people go in pursuit of violent delights?