Realm of the Chandrahasa


Book Description

“The idea of the book came from the Hindu Mythology as an exhilarating blend of fantasy, mythology, and suspense. Join Aditya and his friends on a gripping journey as they uncover the legendary sword and awaken a malevolent force within. With the line between good and evil blurred, they must harness newfound powers, face challenges, and confront their own inner demons. As the battle intensifies, secrets are unveiled, and an unknown threat lurks in the shadows. Brace yourself for a captivating adventure that explores the depths of power, redemption, and the strength of friendship. Welcome to a world where destiny hangs in the balance, and darkness threatens to consume all.” Contact Information, Instagram: @unite.publication_ Email: [email protected]




Arzee the Dwarf


Book Description

Arzee the dwarf had a dream, and now that dream has come true. Arzee has just been crowned as head projectionist at the Noor, the Bombay cinema where he has been working since his teens. The Noor's vast, encircling darkness, the projection room's invisible perch above the vault of the cinema on one side and the bustle of south Bombay on the other, the grand illusion-making of the great beam: these riches are what give Arzee the power and the heft that his own body does not possess. Arzee is sure that the worst of his troubles are behind him, and that he can now marry and settle down -- even if his wife is someone his fond mother has had to scout for him. But not for the first time, Arzee has it all wrong! The Noor is about to be closed down, taking away to its grave all his hopes of this world and his walls against it. A new darkness threatens, more sinister than the comforting womb-night of the Noor. Arzee knows he will be crushed by that new cycle of rage and impotence, all these added to the perpetual indignity of walking face-to-face with "the crotches and asses of this world". Arzee the Dwarf follows Arzee over two weeks, setting off Arzee's frenzied plotting and pleading against the beating and pulsing of the great city around him. The narration vividly brings to life not just the protagonist, but also a host of characters to whom Arzee turns in his hour of need: the departing head projectionist Phiroz, the sneering faux-gangster Deepak, the poetical taxi-driver Dashrath Tiwari, the enigmatic hairdresser Monique, and the garrulous and homely Shireen. Can Arzee fight off all the forces that menace his world, or will the vast city that he loves succeed in crushing him? Chandrahas Choudhury's bittersweet comedy, selected by World Literature Today as one of 60 essential works of modern Indian literature in English, is a novel about the strange beauty of human dreaming.




Vengeance of Ravana


Book Description

Ravana is dead. The asura threat is ended. At last Rama is on the throne of Ayodhya, seeking only to live in peace with his beloved Sita. But their peace does not last long because evil never dies, it only changes form and shape. An old enemy breaks free of his subterranean prison to convey a shocking message. An army arrives at the gates of Ayodhya, led by a mysterious being bearing a terrible weapon. Is Rama truly following his dharma or being manipulated by a plot masterfully orchestrated by Ravana? This long-awaited seventh volume in Ashok K. Banker’s acclaimed Ramayana Series, soon to be followed by the eighth and final volume Sons of Sita, begins an enthralling two-part conclusion to the epic saga. The original Ramayana was written three thousand years ago. Now, with breathtaking imagination and brilliant storytelling, Ashok K. Banker has recreated this epic tale for modern readers everywhere.




My Country Is Literature


Book Description

'A book is only one text, but it is many books. It is a different book for each of its readers. My Anna Karenina is not your Anna Karenina; your A House for Mr Biswas is not the one on my shelf. When we think of a favourite book, we recall not only the shape of the story, the characters who touched our hearts, the rhythm and texture of the sentences. We recall our own circumstances when we read it: where we bought it (and for how much), what kind of joy or solace it provided, how scenes from the story began to intermingle with scenes from our life, how it roused us to anger or indignation or allowed us to make our peace with some great private discord. This is the second life of the book: its life in our life.' In his early twenties, the novelist Chandrahas Choudhury found himself in the position of most young people who want to write: impractical, hard-up, ill at ease in the world. Like most people who love to read, his most radiant hours were inside the pages of a book. Seeking to combine his love of writing with his love of reading, he became an adept of a trade that is mainly transacted lying down—that is, he became a book reviewer. Pleasure, independence, aesthetic rapture, even a modest livelihood: all these were the rewards of being a worker bee of literature, ingesting the output of the publishers of the world in great quantities and trying to explain in the pages of newspapers and magazines exactly what makes a book leave a mark on the soul. Even as Choudhury's own novels began to be published, he continued to write about other writers' books: his contemporaries at home and abroad, the great Indian writers of the past, the relationship of the reading life —in particular, the novel—to selfhood and democracy, all the ways in which literature sings the truths of the human heart. My Country Is Literature brings together the best of his literary criticism: a long train of perceptive essays on writers as diverse as VS Naipaul and Orhan Pamuk, Gandhi and Nehru, Bibhutibhushan Bandyopadhyay and Jhumpa Lahiri. The book also contains an introductory essay describing Choudhury's book-saturated years as a young writer in Mumbai, the joys and sorrows and stratagems of the book reviewer's trade, and the ways in which literature is made as much by readers as by writers. Delightfully punctuated with 15 portraits of writers by the artist Golak Khandual, My Country Is Literature is essential reading for everyone who believes that books are the most beautiful things in life.




Encyclopedia of Indian Cinema


Book Description

The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.




Clouds


Book Description

From one of India’s most accomplished writers, an illuminating novel about identity, family, and mythology set in a rapidly changing, modern India. Recently divorced psychotherapist Farhad Billimoria realizes he will never find love again in Bombay and prepares for a move to San Francisco. On a farewell tour throughout the city, his mind crackles with bittersweet memories and giddy dreams. But is love about to bloom for Farhad just as he has given up on the city? And if it does, will he bring to it the man that he is, or the one he wants to become? Elsewhere in Bombay, the tribal youth Rabi remains stuck as the caretaker to his parents, two ailing and cranky old Brahmins. Rabi comes from the remote Cloud people of eastern India, a sky-watching tribe that observes the Cloudmaker—the mercurial God who drifts and muses in the skies—and that is dragged into the modern world when a mining company invades their sacred mountain. Rabi’s mentor Bhagaban, a forward-thinking filmmaker, leads their resistance. But will Rabi follow Bhagaban or his parents, who reassert a golden Indian past? From one of India’s most celebrated young writers, Clouds illuminates the inner lives of characters forging their own paths in the great metropolis and shows a vast, prismatic portrait of modern India in all its tumult and glory.




INDUSTRY 4.0: AN INTERVENTION OF EDUTECH


Book Description







Storytellers, Saints, and Scoundrels


Book Description

Swamiji, a Hindu holy man, is the central character of Storytellers, Saints, and Scoundrels. He reclines in a deck chair in his modern apartment in western India, telling subtle and entertaining folk narratives to his assorted gatherings. Among the listeners is Kirin Narayan, who knew Swamiji when she was a child in India and who has returned from America as an anthropologist. In her book Narayan builds on Swamiji's tales and his audiences' interpretations to ask why religious teachings the world over are so often couched in stories. For centuries, religious teachers from many traditions have used stories to instruct their followers. When Swamiji tells a story, the local barber rocks in helpless laughter, and a sari-wearing French nurse looks on enrapt. Farmers make decisions based on the tales, and American psychotherapists take notes that link the storytelling to their own practices. Narayan herself is a key character in this ethnography. As both a local woman and a foreign academic, she is somewhere between participant and observer, reacting to the nuances of fieldwork with a sensitivity that only such a position can bring. Each story s reproduced in its evocative performance setting. Narayan supplements eight folk narratives with discussions of audience participation and response as well as relevant Hindu themes. All these stories focus on the complex figure of the Hindu ascetic and so sharpen our understanding of renunciation and gurus in South Asia. While Storytellers, Saints, and Scoundrels raises provocative theoretical issues, it is also a moving human document. Swamiji, with his droll characterizations, inventive mind, and generous spirit, is a memorable character. The book contributes to a growing interdisciplinary literature on narrative. It will be particularly valuable to students and scholars of anthropology, folklore, performance studies, religions, and South Asian studies.




A History of Kannada Literature


Book Description