Rebel Writers: The Accidental Feminists


Book Description

'Make this your next inspirational read. Trust us, it's Oprah's Book Club worthy' Vice In London in 1958, a play by a 19-year-old redefined women's writing in Britain. It also began a movement that would change women's lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O'Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; an extraordinarily disparate group who were united in their determination to shake the traditional concepts of womanhood in novels, films, television, essays and journalism. They were as angry as the Angry Young Men, but were also more constructive and proposed new ways to live and love in the future. They did not intend to become a literary movement but they did, inspiring other writers to follow. Not since the Brontës have a group of young women been so determined to tell the truth about what it is like to be a girl. In this biographical study, the acclaimed author, Celia Brayfield, tells their story for the first time.




Rebels by Accident


Book Description

"The next best young adult novel."—Huffington Post Mariam Just Wants to Fit In. That's not easy when she's the only Egyptian at her high school and her parents are super traditional. So when she sneaks into a party that gets busted, Mariam knows she's in trouble...big trouble. Convinced she needs more discipline and to reconnect with her roots, Mariam's parents send her to Cairo to stay with her grandmother, her sittu. But Marian's strict sittu and the country of her heritage are nothing like she imagined, challenging everything Mariam once believed. As Mariam searches for the courage to be true to herself, a teen named Asmaa calls on the people of Egypt to protest their president. The country is on the brink of revolution—and now, in her own way, so is Mariam.




Literary Onomastics


Book Description

Literary Onomastics surveys different methods of studying names in works of literature and offers representative works of literary onomastic analysis. Included in this volume are qualitative studies that examine select names as well as quantitative studies that examine entire systems of names. These studies of literary names straddle centuries, cross genres, and defy simple categorization. Leading and emerging scholars in this field provide insight into the namecraft of William Shakespeare, Philip Sidney, John Donne, Julia Alvarez, Ursula K. Le Guin, Zadie Smith, George R. R. Martin, and Britain's Rebel Writers. The theories and methods they employ are associated with cultural, linguistic, rhetorical, feminist, and ethnic studies. Collectively, these scholars demonstrate the many approaches available to the study of names and naming practices in literary works. Additionally, they consider how names function in a variety of genres and mediums, including poetry, novels, science fiction, and fantasy.




Black Queer Hoe


Book Description

From an award-winning and “stunningly talented” writer, reflections on the line between sexual freedom and sexual exploitation (Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life). Women’s sexuality is often used as a weapon against them. In this refreshing, unapologetic debut, award-winning performance poet and playwright Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power in a world that refuses black queer women permission to define their own lives and boundaries. Black Queer Hoe is a powerful intervention into important and ongoing conversations. “In a debut crackling with energy, honesty, and wit, Kapri moves to reclaim elements of language surrounding women’s sexuality, especially that of black women . . . Kapri assails the ways social norms are routinely used to blame girls and women for the moral failures of boys and men. Embracing the intimacy of a confessional and the sting of a viral tweet, Kapri unabashedly celebrates the various facets of her self and refuses to serve as anyone’s martyr.” —Publishers Weekly




Writing Black Beauty


Book Description

The story of a remarkable woman who wrote a novel that not only became a classic, but also changed the way human society views and treats animals. Born in 1829 to a young Quaker couple, Anna Sewell grew up in poverty in London. She was fourteen when she fell and injured her ankle, which left her permanently disabled. Rejecting the life of a Victorian invalid, she developed an extraordinary empathy with horses, learning to ride side-saddle and to drive a small carriage. Rebellious and independent-minded, Anna suffered periods of severe depression as a young woman. She left the Quaker movement, but remained close friends with the women writers and abolitionists who had been empowered by its liberal principles. It was not until she became terminally ill, aged 51, that she found the courage to write her own book. Tragically, she died just five months after the book was published in 1877. Black Beauty is now recognised as the first anthropomorphic novel, and it had an extraordinary emotional impact on readers of all ages. After modest success in Britain, it was taken up by a charismatic American, George Thorndike Angell, a campaigner against animal cruelty who made it one of the bestselling novels of all time. Using newly discovered archive material, Celia Brayfield shows Anna Sewell developing the extraordinary resilience to overcome her disability, rouse the conscience of Victorian Britain and make her mark upon the world.




Feminist Lives


Book Description

Could women be feminist without feminism? Could they foster feminist activism without a movement or an ideology? Could they recraft ways of being female without a plan? Feminist Lives adopts a woman-centred approach to explore these questions and to understand how British women charted a new way of being female in the three decades before the Women's Liberation Movement. By focusing on the 'transition' generation of women who were born in the long 1940s and who grew to maturity in the 1950s, 60s, and 70s, the book demonstrates that it was they who developed the aspirational model of womanhood that then emerged after 1970 as the norm amongst women in the global north. In doing so, Feminist Lives seeks to fill 'the feminist history gap', countering a narrative that has for too long neglected this generation of women as fusty and failing, and as just not feminist enough. Using women's voices as the book's evidential and emotional core as they describe themselves, their relationships, their feelings and actions, this volume analyses the modes by which women constructed a modern self, built upon new ways of living, feeling, and being.




Hot Feminist


Book Description

'Bold, brilliant, sharp and funny...it urges women to be less judgemental of each other and of themselves. It's an idea that shouldn't be revolutionary but is.' Elizabeth Day Polly Vernon, Grazia columnist, Times feature writer (hair-flicker, Brazilian-waxer, jeans obsessive, outrageous flirt) presents a brave new perspective on feminism. Drawing on her dedicated, life-long pursuit of hotness - having dismissed many of the rules on 'good' feminism at some point in the early 90s - she'll teach you everything you ever wanted to know about being a feminist when you care about how you look. When part of your brain is constantly monologuing on fashion. When you check out your own reflection in every reflective surface. When your depilation practices are pretty much out of control. When you just really want to be fancied. Hot Feminist is based on a principle of non-judgment (because there's enough already), honesty about how often we mess this up, and empowerment through looks. Part memoir, part road map, it's a rolling, raucous rejection of all those things we're convinced we shouldn't think / wear/ feel/ say/ buy/ want - and a celebration of all the things we can. It is modern feminism, with style, without judgment




A Taste of Honey


Book Description

A Taste of Honey (1961) is a landmark in British cinema history. In this book, Melanie Williams explores the many, extraordinary ways in which it was trailblazing. It is the only film of the British New Wave canon to have been written by a woman – Shelagh Delaney, adapting her own groundbreaking stage play. At the behest of director Tony Richardson and his company, Woodfall, it was one of the first films to be made entirely on location, and was shot in an innovative, rough, poetic style by cinematographer Walter Lassally. It was also the launchpad for a new type of young female star in Rita Tushingham. Tushingham plays the young heroine, Jo, who finds she is pregnant after her love affair with Jimmy (Paul Danquah), a Black sailor. When Jimmy's ship sails away, Jo is comforted and supported by her gay friend Geoff (Murray Melvin), while her unreliable mother, Helen (Dora Bryan), has her own life to lead. Candid in its treatment of matters of gender, class, ethnicity, sexuality and motherhood, and highly distinctive in its evocation of place and landscape, A Taste of Honey marked the advent of new possibilities for the telling of working-class stories in British cinema. As such, its rich but complex legacy endures to this day.




Good Night Stories for Rebel Girls 2


Book Description

A NEW YORK TIMES BESTSELLER This sequel to the sensational New York Times bestseller, Good Night Stories for Rebel Girls, showcases 100 brand-new bedtime stories of incredible women throughout history and around the world. In this book, readers will embark on an empowering journey through 100 new bedtime stories, featuring the adventures of extraordinary women through the ages, such as: Agatha Christie, Writer Angela Merkel, Chancellor Audrey Hepburn, Actress Beyoncé, Singer, Songwriter, and Businesswoman Georgia O'Keeffe, Painter Katherine Johnson, Computer Scientist Madam C. J. Walker, Businesswoman Madonna, Singer, Songwriter, and Businesswoman Oprah Winfrey, TV Host, Actress, and Businesswoman Sojourner Truth, Activist The unique narrative style of Good Night Stories for Rebel Girls transforms each biography into a fairytale, filling readers with wonder and a burning curiosity to know more about each hero. After the release of Good Night Stories for Rebel Girls, the passionate community of supporters, spanning 70+ countries, wrote in to suggest the Rebel Girls who inspired them. As a result, the stories in Volume 2 are entirely crowd-sourced and boasts a brand-new graphic design, a glossary, and full-page, full-color portraits of each subject, created by the best female artists of our time.