Recognition and Perception of Images


Book Description

This book is dedicated to the unique interdisciplinary research of imagery processing, recognition and perception. The contents of this book are based on the concepts of mathematical processing, compositional analysis applied in the art and design, and psychological factors of the information perception process. The conduction of compositional analysis carried out in the course of images processing and recognition, creation of the image project solution and modeling of the conceptual space structures are considered together with the mechanism of their perception. Edited and written by a group of international experts, the practical applications for industry are covered, including the influence of internet memes on social networks and face recognition technology subject to interferences. The algorithms of perception and improving of accuracy necessary for satellite imagery recognition and complex reflection from the object are represented with the use of artificial neural networks. Not just a study in how humans recognize and perceive images, this outstanding new volume delves into how these processes are used in technology for continuously evolving industrial applications. Whether for the veteran scientist or engineer, or for the student, this is a must-have for any library.




Perception of Pixelated Images


Book Description

Perception of Pixelated Images covers the increasing use of these images in everyday life as communication, socialization, and commerce increasingly rely on technology. The literature in this book is dispersed across a wide group of disciplines, from perception and psychology to neuroscience, computer science, engineering, and consumer science. The book summarizes the research to date, answering such questions as, What are the spatial and temporal limits of perceptual discrimination of pixelated images?, What are the optimal conditions for maximizing information extracted from pixelated images?, and How does the method of pixelation compromise or assist perception? Integrates research from psychology, neuroscience, computer science, and engineering Explains how the process of perception works for pixelated images Identifies what assists and hinders perception, including the method of pixelation Discusses the limits of perception of pixelated images




Multispectral Image Processing and Pattern Recognition


Book Description

A study of multispectral image processing and pattern recognition. It covers: geometric and orthogonal moments; minimum description length method for facet matching; an integrated vision system for ALV navigation; fuzzy Bayesian networks; and more.







Object Recognition in Man, Monkey, and Machine


Book Description

The contributors bring a wide range of methodologies to bear on the common problem of image-based object recognition. These interconnected essays on three-dimensional visual object recognition present cutting-edge research by some of the most creative neuroscientific, cognitive, and computational scientists in the field. Cassandra Moore and Patrick Cavanagh take a classic demonstration, the perception of "two-tone" images, and turn it into a method for understanding the nature of object representations in terms of surfaces and the interaction between bottom-up and top-down processes. Michael J. Tarr and Isabel Gauthier use computer graphics to study whether viewpoint-dependent recognition mechanisms can generalize between exemplars of perceptually defined classes. Melvyn A. Goodale and G. Keith Humphrey use innovative psychophysical techniques to investigate dissociable aspects of visual and spatial processing in brain-injured subjects. D.I. Perrett, M.W. Oram, and E. Ashbridge combine neurophysiological single-cell data from monkeys with computational analyses for a new way of thinking about the mechanisms that mediate viewpoint-dependent object recognition and mental rotation. Shimon Ullman also addresses possible mechanisms to account for viewpoint-dependent behavior, but from the perspective of machine vision. Finally, Philippe G. Schyns synthesizes work from many areas, to provide a coherent account of how stimulus class and recognition task interact. The contributors bring a wide range of methodologies to bear on the common problem of image-based object recognition.




Image Pattern Recognition


Book Description

The field of biometrics utilizes computer models of the physical and behavioral characteristics of human beings with a view to reliable personal identification. The human characteristics of interest include visual images, speech, and indeed anything which might help to uniquely identify the individual. The other side of the biometrics coin is biometric synthesis OCo rendering biometric phenomena from their corresponding computer models. For example, we could generate a synthetic face from its corresponding computer model. Such a model could include muscular dynamics to model the full gamut of human emotions conveyed by facial expressions. This book is a collection of carefully selected papers presenting the fundamental theory and practice of various aspects of biometric data processing in the context of pattern recognition. The traditional task of biometric technologies OCo human identification by analysis of biometric. data OCo is extended to include the new discipline of biometric synthesis."




The Perception of Pictures


Book Description

Durer's Devices: Beyond the Projective Model of Pictures is a collection of papers that discusses the nature of picture making and perception. One paper presents a perceptual theory of pictorial representation in which cultural and historical options in styles of depiction that appear to be different are actually closely related perceptually. Another paper discusses pictorial functions and perceptual structures including pictorial representation, perceptual theory, flat canvass, and the deep world. One paper suggests that perception can be more a matter of information "make up" than "pick up." Light becomes somewhat informative and the eye, correspondingly, becomes less or more presumptive. Another paper notes that human vision is transformed by our modes of representation, that image formation can be essentially incomplete, false, or misleading (primarily as regards dramatic performance and pictorial representation). One paper makes three claims that: (1) the blind have untapped depiction abilities; (2) haptics, involving the sense of touch, have an intuitive sense of perspective; and (3) depiction is perceptual based on graphic elements and pictorial configurations. The collection is suitable for psychologists, physiologists, psychophysicists, and researchers in human perception or phenomenology.




Picture Perception in Animals


Book Description

For 35 years, visual recognition by animals has been studied by showing the subjects pictures of social or non-social objects, or scenes without questioning much the validity of pictorial representations. Here comparative psychologists and cognitive neuroscientists address that issue by asking such questions as whether animals recognize visual objects or scenes on pictures despite variations in viewpoint, the extent to which birds recognize the real world from its two-dimensional representations, and whether monkeys extract gaze information from pictures. c. Book News Inc.




Cognitive and Computational Aspects of Face Recognition


Book Description

How can computers recognize faces? Why are caricatures of famous faces so easily recognized? Originally published in 1995, much of the previous research on face recognition had been phenomena driven. Recent empirical work together with the application of computational, mathematical and statistical techniques have provided new ways of conceptualizing the information available in faces. These advances have led researchers to suggest that many phenomena can be explained by the structure of the information available in the population(s) of faces. This broad approach has drawn together a number of apparently disparate phenomena with a common theoretical basis, including cross-race recognition; the distinctiveness of faces; the production and recognition of caricatures; and the determinants of facial attractiveness. This title provides a state of the art review of the field at the time in which the authors use a wide variety of approaches. What is common to all is that the authors base the accounts of the phenomena they study or their model of face recognition on the statistics of the information available in the population of faces. On publication this title was a comprehensive, up-to-date review of an important area of research in face recognition written by active researchers. It includes contributions from mathematics, computer science and neural network theory as well as psychology. It is aimed at research workers and postgraduate students and will be of interest to cognitive psychologists and computer scientists interested in face recognition. It will also be of interest to those working on neural network models of visual recognition, perceptual development, expertise in visual cognition as well as facial attractiveness and caricature.




Shape Perception in Human and Computer Vision


Book Description

This comprehensive and authoritative text/reference presents a unique, multidisciplinary perspective on Shape Perception in Human and Computer Vision. Rather than focusing purely on the state of the art, the book provides viewpoints from world-class researchers reflecting broadly on the issues that have shaped the field. Drawing upon many years of experience, each contributor discusses the trends followed and the progress made, in addition to identifying the major challenges that still lie ahead. Topics and features: examines each topic from a range of viewpoints, rather than promoting a specific paradigm; discusses topics on contours, shape hierarchies, shape grammars, shape priors, and 3D shape inference; reviews issues relating to surfaces, invariants, parts, multiple views, learning, simplicity, shape constancy and shape illusions; addresses concepts from the historically separate disciplines of computer vision and human vision using the same “language” and methods.