Recollections, 1832 to 1886 (Classic Reprint)


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Excerpt from Recollections, 1832 to 1886 Mr. Knowles, the Editor of the Nineteenth Century, has kindly allowed me to reproduce some parts of arti cles that have already appeared in his Review. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Mark Twain's Literary Resources


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Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.







General Catalogue of Printed Books


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The Quarrel of Macaulay and Croker


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This is the story of one of the great literary rows of the nineteenth century, between one of its greatest historians and one of its sharpest critics. The quarrel began in the House of Commons during the debates of 1831-2 on parliamentary reform and was continued in the quarterly reviews. Even in a political setting, it had a historical dimension. Croker taunted Macaulay for being ignorant of the French Revolution. Macaulay replied by pouring scorn on Croker's accuracy as editor of Boswell's Johnson. The bitterness of the clash made subsequent compromise impossible. Sixteen years later, Croker wrote a long damning review of the first two volumes of Macaulay's History of England. Posterity admires success, and as Macaulay's writings have eclipsed Croker's it has usually been assumed that Croker was moved by mere political spite. In this highly readable study, William Thomas shows that this verdict is unfair, that Croker's political opinions were both less rancorous and more interesting, and that Macaulay's own scholarship was far from faultless. He also considers each man's historical writing alongside his politics and argues that, while Croker's critical method was sharpened by his politics, Macaulay's political opinions were much more independent of party, and that he is not the typical Whig historian of legend. William Thomas illustrates how the two men actually had many ideas in common, and the commentators who have seen only political dislike have missed the real purpose of the History of England and what made it the most successful historical work in English literature.




The Bookman


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Writers, Readers, and Reputations


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Charles Dickens died in 1870, the same year in which universal elementary education was introduced. During the following generation a mass reading public emerged, and the term 'best-seller' was coined. In new and cheap editions Dickens's stories sold hugely, but these were progressively outstripped in quantity by the likes of Hall Caine and Marie Corelli, Charles Garvice and Nat Gould. Who has now heard of these writers? Yet Hall Caine, for one, boasted of having made more money from his pen than any previous author. This book presents a panoramic view of literary life in Britain over half a century from 1870 to 1918, teasing out authors' relations with the reading public and tracing how reputations were made and unmade. It surveys readers' habits, the book trade, popular literary magazines and the role of reviewers, and examines the construction of a classical canon by critics concerned about the supposed corruption of popular taste. Certain writers were elevated as national heroes, yet Britain drew its writers from abroad as well as from home. Authors became stars and celebrities, and a literary tourism grew around their haunts. They advertised products from cigarettes to toothpaste; they were fashion-conscious and promoted themsevles via profiles, interviews, and carefully posed photographs; they went on lecture tours to America; and their names were pushed by a new professional breed: the literary agent. Some angled for knighthoods, even peerages, and cut a figure in high society and London clubland. They debated public issues of the day and campaigned on all manner of things from questions of faith and women's rights to censorship and conscription. During the Great War they penned propaganda. Meanwhile the cinema was developing to challenge the supremacy of the written word over the imagination. Authors took to that too, as an opportunity for new adventure. Writers, Readers, and Reputations is richly entertaining and informative, amounting to a collective biography of a generation of writers and their world.







The Bookseller


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