Reconsidering Elizabeth Bowen’s Shorter Fiction


Book Description

Reconsidering Elizabeth Bowen’s Shorter Fiction: Dead Reckoning focuses on Elizabeth Bowen's representations of violence against the self and others. Heather Levy examines the complicity of landscape and the implications of mayhem, murder, and suicide in The Collected Stories of Elizabeth Bowen (2006) edited by Angus Wilson and The Bazaar and Other Stories (2008) edited by Alan Hepburn. It introduces five previously unpublished short story fragments and two nearly complete stories from The Elizabeth Bowen Collection at The Harry Ransom Research Center. Levy argues that Bowen's shorter fiction is a quixotic celebration of moral transgression, crime without punishment, and suicide without mourners. Bowen's compassionate response to offenders and violence anticipated the Perpetrator Trauma movement in the United States. Her innovations with the freedom of the short story produced an uncanny narration of violence. This book integrates the entirety of the scholarship on Bowen's short stories in a clear and original manner and offers a synthetic and compelling excavation of Bowen's unpublished short stories.




Elizabeth Bowen


Book Description

Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.




Rethinking the Irish in the American South


Book Description

A fresh look at a multifaceted minority culture




The Last Day at Bowen's Court


Book Description

The Last Day at Bowen's Court deals with the life of the Irish novelist, Elizabeth Bowen, her time in London during the Second World War and her 'reporting' on Irish neutrality for the Ministry of Information. At the centre of the novel is her Blitz love affair with the Canadian diplomat, Charles Ritchie, a wartime romance that inspired her most famous novel, The Heat of the Day, a gripping story about espionage and loyalty that became a best-seller. The novel is told from the point of view of Bowen herself, and also from that of her lover Charles Ritchie, her husband Alan Cameron and Ritchie's wife Sylvia. It is set in wartime London, Dublin and North Cork, and deals with the private and public conflicts of love and of national identity in a time of upheaval and liberation. At the centre of the novel is a portrait of Elizabeth Bowen, one of Ireland's most influential writers.




The Shadowy Third


Book Description

Critically acclaimed, this unique and compelling personal biography uncovers the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents.




A World of Love


Book Description

In a writing career that spanned the 1920s to the 1960s, Anglo-Irish author Elizabeth Bowen created a rich and nuanced body of work in which she enlarged the comedy of manners with her own stunning brand of emotional and psychological depth. In A World of Love, an uneasy group of relations are living under one roof at Montefort, a decaying manor in the Irish countryside. When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.




Elizabeth Bowen


Book Description

Explores how Bowen adapts Irish Protestant Gothic as a means of interpreting Irish experience during the Troubles of the 1920s and the Second World War, and also as a way of defining the defenselessness of those enduring the Blitz in wartime London. She employs versions of the Jamesian child as a way of offering a critique of the treatment of children in the European novel of adultery, and indeed, implicitly, of the Jamesian child itself. Corcoran relates the various kinds of return and reflex in her work - notably the presence of the supernatural, but also the sense of being haunted by reading - to both the Freudian concept of the 'return of the repressed' and T.S. Eliot's conception of the auditory imagination as a 'return to the origin'.




A World of Lost Innocence


Book Description

Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.




Complete Short Stories


Book Description

Elizabeth Taylor is finally being recognised as an important British author: one of great subtlety, great compassion and great depth - Sarah Waters Elizabeth Taylor, highly acclaimed author of classic novels such as Angel, A Game of Hide and Seek and Mrs Palfrey at the Claremont, is also renowned for her powerful, acutely observed stories. Here for the first time, the stories - including some only recently rediscovered - are collected in one volume. From the awkward passions of lonely holiday-makers to the anticipation of three school friends preparing for their first dance, from the minor jealousies and triumphs of marriage to tales of outsiders struggling to adapt to the genteel English countryside, with a delicate, witty touch Elizabeth Taylor illuminates the nuances of ordinary lives. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame




Collected Stories


Book Description

WITH AN INTRODUCTION BY A. N. WILSON Throughout these seventy-nine stories - love stories, ghost stories, stories of childhood, of English middle-class life in the twenties and thirties, of London during the Blitz - Elizabeth Bowen combines social comedy and reportage, perception and vision in an oeuvre which reveals, as Angus Wilson affirms in his introduction, that 'the instinctive artist is there at the very heart of her work'.