Philostratus
Author : Philostratus (the Athenian)
Publisher :
Page : 280 pages
File Size : 43,99 MB
Release : 1912
Category :
ISBN :
Author : Philostratus (the Athenian)
Publisher :
Page : 280 pages
File Size : 43,99 MB
Release : 1912
Category :
ISBN :
Author : Giacomo Meyerbeer
Publisher :
Page : 224 pages
File Size : 30,70 MB
Release : 1989
Category : Composers
ISBN :
A collection of letters by Meyerbeer, the operatic composer who died in 1864. Critics have recently re-evaluated his work, recognizing his musical craftmanship, his dramatic sense and his influence on later operatic composers. The editors also edited Letters and Diaries of Meyerbeer.
Author : Charles Edmund Lart
Publisher :
Page : 650 pages
File Size : 43,91 MB
Release : 1912
Category : Bristol (England)
ISBN :
Author : Charles Edmund Lart
Publisher :
Page : 140 pages
File Size : 38,35 MB
Release : 1924
Category : French
ISBN :
Author : Giacomo Meyerbeer
Publisher :
Page : 66 pages
File Size : 39,7 MB
Release : 188?
Category : Operas
ISBN :
Author : Robert Ignatius Letellier
Publisher : Fairleigh Dickinson Univ Press
Page : 372 pages
File Size : 43,66 MB
Release : 2006
Category : Music
ISBN : 9780838640937
But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.
Author : Jane Fulcher
Publisher : Cambridge University Press
Page : 296 pages
File Size : 25,22 MB
Release : 2002-08-08
Category : History
ISBN : 9780521529433
Professor Fulcher argues that French grand opera was a subtly used tool of the state.
Author : Prosper Mérimée
Publisher :
Page : 346 pages
File Size : 31,19 MB
Release : 1890
Category : France
ISBN :
Author : Filippomaria Pontani
Publisher : Walter de Gruyter GmbH & Co KG
Page : 840 pages
File Size : 21,57 MB
Release : 2021-11-08
Category : Literary Criticism
ISBN : 3110652757
Traditionally, the history of Ancient Greek literature ends with Antiquity: after the fall of Rome, the literary works in ancient Greek generally belong to the domain of the Byzantine Empire. However, after the Byzantine refugees restored the knowledge of Ancient Greek in the west during the early humanistic period (15th century), Italian scholars (and later their French, German, Spanish colleagues) started to use Greek, a purely literary language that no one spoke, for their own texts and poems. This habit persisted with various ups and downs throughout the centuries, according to the development of Greek studies in each country. The aim of this anthology - the first one of this kind - is to give a selective overview of this kind of humanistic poetry in Ancient Greek, embracing all major regions of Europe and trying to concentrate on remarkable pieces of important poets. The ultimate goal of the book is to shed light on an important and so far mostly neglected aspect of the European heritage.
Author : Anselm Gerhard
Publisher : University of Chicago Press
Page : 530 pages
File Size : 13,93 MB
Release : 1997
Category : History
ISBN : 9780226288581
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?