Orestes


Book Description

Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."




The Operas of Maurice Ravel


Book Description

Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.




Le Tumulte Noir


Book Description

Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.




The Calendar in Revolutionary France


Book Description

One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.




Catena Librorum Tacendorum


Book Description




Joseph Andrews


Book Description

Contents Include: Book 1: Of writing Lives in General, and Particularly of Pamela - Of Mr. Joseph Andrews, His Birth, Parentage, Education and Great Endowments - Of Mr. Abraham Adams the Curate, Mrs. Slipslop the Chambermaid and Others - What Happened after their Journey to London - The Death of Sir Thomas Booby - How Joseph Andrews writ a Letter to His Sister Pamela - A Dialogue Between the Lady and her Maid - The Interview Between the Lady and Joseph - What Passed Between the Lady and Mrs Slipslop - Joseph Writes another letter - Of Several New matters not Expected - Containing many Surprising Adventures - What happened to Joseph During his Sickness at the Inn - Being Very Full of Adventures which Succeeded each Other at the Inn - Showing how Mrs. Tow-Wouse was a Little Mollified - The Escape of the Thief, Mr. Adam's Disappointment - A Pleasant Discourse between the two Parsons and the Bookseller - The History of Betty the Chambermaid and an Account of what Occasioned the Violent Scene in the Preceding Chapter - Book II: Of Divisions in Authors - A Surprising Instance of Mr. Adam's Short memory - The Opinion of Two Lawyers Concerning the Same Gentleman - The History of Leonora, or the Unfortunate Jilt - A Dreadful Quarrel which Happened at the Inn - Conclusion of the Unfortunate Jilt - A Very Short Chapter in which Parson Adams went a Great Way - A Notable Dissertation by Mr. Abraham Adams - In Which the Gentleman Discants on Bravery - Giving an Account of the Strange Catastrophe preceding - What happened to them While Before the Justice - A Very Delightful Adventure - A Dissertation Concerning High People and Low People - An Interview Between Parson Adams and Parson Trulliber - AnAdventure, the Consequence of a new Instance which parson Adams gave of his Forgetfulness - In Which Mr. Adams gave a much Greater Instance of the Honest simplicity of his Heart, than of his Experience in the Ways of this World - A Dialogue Between Mr. Abraham Adams and his Host - Book III: Matter Prefatory in Praise of Biography - A Night Scene, Wherein Several Wonderful Adventures Befel Adams and his Fellow-Travellers - In Which the Gentleman Realtes the History of his Life - A Description of Mr. Wilson's Way of Living. The Tragical Adventure of the Dod and other Grave Matters - A Disputation on Schools held on the Road - Moral Reflections by Joseph Andrews - A Scene of Rosting, very Nicely Adapted to the Present taste and Times - Which some Readers will think too Short and others too Long - Containing as Surprising and Bloody Adventures as can Be found in this or Perhaps any other Authentic History - A Discourse Between the Poet and the Player - The Exhortations of Parson Adams to his Friend in Affliction - More Adventures which we Hope will Please the reader - A Dialogue Between Mr. Abraham Adams and Mr. Peter Pounce - Book IV: The Arrival of Lady Booby and the rest at Booby-Hall - A Dialogue Between Mr. Abraham Adams and the Lady Booby - What Passed Between the Lady and Lawyer Scout - The Arrival of Mr. Booby and his Lady - Containing Justice Business - Of Which you are Desired to Read no More than you Like - Philosophical Reflections - A Discourse between Mr. Adams, Mrs. Adams, Joseph and Fanny - A Visit which the Polite Lady Booby and Her Polite Friend Paid to the Parson - The History of the Two friends - In Which the History is Continued - Where the Good-Natured Reader will seeSomething which will Give him No Great Pleasure - The History Returns to the Lady Booby - Containing Several Curious Night-Adventures - The Arrival of Gaffar and Gammar Andrews - Being the last, in Which this True History is Brought to a happy Conclusion




Intentions


Book Description




Divagations


Book Description

"This is a book just the way I don't like them," the father of French Symbolism, StŽphane MallarmŽ, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, MallarmŽ's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If MallarmŽ captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from ValŽry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as MallarmŽ arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, MallarmŽ remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.