Author : Chiquart
Publisher : Acmrs (Arizona Center for Medieval and Renaissance Studies)
Page : 327 pages
File Size : 48,68 MB
Release : 2010
Category : Cooking, French
ISBN : 9780866984027
"With the original text of Sion, Bibliotheque cantonale du Valais, MS Supersaxo 103."
Author : Gertrude Whiting
Publisher :
Page : 428 pages
File Size : 18,49 MB
Release : 1920
Category : Lace and lace making
ISBN :
Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 26,98 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141792
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Bernard Knox
Publisher : Yale University Press
Page : 304 pages
File Size : 43,73 MB
Release : 1998-01-01
Category : Literary Criticism
ISBN : 9780300074239
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
Author : Victorien Sardou
Publisher :
Page : 84 pages
File Size : 19,19 MB
Release : 1885
Category :
ISBN :
Author : Emanuele Coccia
Publisher : John Wiley & Sons
Page : 180 pages
File Size : 49,50 MB
Release : 2021-06-09
Category : Philosophy
ISBN : 1509545689
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Author : Brigid Maureen Cohen
Publisher : Cambridge University Press
Page : 341 pages
File Size : 22,40 MB
Release : 2012-09-13
Category : Biography & Autobiography
ISBN : 1107003008
Cohen traces a history of modernism in migration through the composer Stefan Wolpe, from the Bauhaus to Black Mountain College.
Author : Virginia Woolf
Publisher : Penguin UK
Page : 64 pages
File Size : 21,19 MB
Release : 2011-02-15
Category : Fiction
ISBN : 014197124X
'People should not leave looking-glasses hanging in their rooms any more than they should leave open cheque books or letters confessing some hideous crime.' 'If she concealed so much and knew so much one must prize her open with the first tool that came to hand - the imagination.' Virginia Woolf's writing tested the boundaries of modern fiction, exploring the depths of human consciousness and creating a new language of sensation and thought. Sometimes impressionistic, sometimes experimental, sometimes brutally cruel, sometimes surprisingly warm and funny, these five stories describe love lost, friendships formed and lives questioned. This book includes The Lady in the Looking Glass, A Society, The Mark on the Wall, Solid Objects and Lappin and Lapinova.
Author : Jean F. Tulard
Publisher :
Page : pages
File Size : 35,24 MB
Release : 1989-01-01
Category :
ISBN : 9780828824910
Author :
Publisher : BRILL
Page : 401 pages
File Size : 29,37 MB
Release : 2015-10-27
Category : Language Arts & Disciplines
ISBN : 9004308237
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
