Reedy's Mirror


Book Description




Seeking St. Louis


Book Description

Complementing the new permanent exhibition at the Missouri Historical Society, this anthology gathers over three centuries of writings on St. Louis by 100 individuals who have been inspired to describe the physical and cultural essence of this region. The volume contains excerpted selections from all genres--travel diaries, poetry, fiction, journalism, drama, and rare out-of-print and previously unpublished archival material--including poems by Angus Umphraville, from the first volume of verse published west of the Mississippi, and newspaper articles by Theodore Dreiser when he was a beat reporter for the St. Louis Globe-Democrat. Other compelling excerpts were authored by such notables as Auguste Chouteau, Charles Dickens, William Wells Brown, William T. Sherman, Sara Teasdale, T. S. Eliot, Tennessee Williams, Fanny Hurst, William S. Burroughs, Miles Davis, Nzotake Shange, John Lutz, Carl Phillips, and Quincy Troupe. A biographical introduction precedes each entry to place the author and the excerpt in the proper historical context. The content of Seeking St. Louis was enriched by the involvement of several of the St. Louis area's foremost literary experts--Robert Boyd, Jan Garden Castro, Gerald Early, Wayne Fields, and Karen Goering--who served as contributing editors.




Anthology of Magazine Verse


Book Description

Vol. for 1958 includes "Anthology of poems from the seventeen previously published Braithwaite anthologies."




Editor & Publisher


Book Description

The fourth estate.




The Man in the Mirror


Book Description

A flamboyant and controversial figure, William Marion Reedy was one of the most successful literary entrepreneurs of his day. Editor of the Mirror, a St. Louis weekly, from 1891 to 1920, Reedy played a large role in breaking down the genteel literary tradition, developing a native poetry, and helping to form some fifty significant poets. Emily Dickinson, Stephen Crane, Ezra Pound, Edwin Arlington Robinson, Amy Lowell, Sara Teasdale, Carl Sandburg, and Vachel Lindsay are just a few of the writers whose works Reedy featured in his magazine. The Man in the Mirror offers a colorful description of Reedy's boyhood in St. Louis during the turbulent period following the Civil War. This well-documented biography follows Reedy throughout his years as a reporter in the early days of the St. Louis Post-Dispatch and Globe-Democrat and as editor of the St. Louis Star. Only seven years after Reedy founded the Mirror as a national journal of opinion--a potpourri of political comment, social gossip, and literary miscellany--the magazine's circulation far surpassed that of the Dial, Atlantic Monthly, or Nation. Max Putzel truly conveys the spirit and personality of Reedy by carefully examining his life within the context of the literary world he influenced so significantly. Full chapters are devoted to his relationships with Theodore Dreiser, Ezra Pound, Vachel Lindsay, Amy Lowell, and others. Edgar Lee Masters, whose Spoon River Anthology first appeared in the Mirror, called Reedy both the "Literary Boss of the Middle West" and his best friend. In fact, Reedy had quite a range of friends, from librarians to politicians, St. Louis locals to Teddy Roosevelt. His personal effect on people, writers and readers alike, is what has made him such an important historical figure. It is a tribute to Reedy's critical judgment that the reputations he helped to build would later overshadow his own. The Man in the Mirror, lauded as "the first substantial study of Reedy's work" by American Literature, reveals Reedy's notable contribution to the literary world.




The Great Earthquake and Firestorms of 1906


Book Description

"In this well-researched book, Fradkin contends that it was the people of San Francisco, not the forces of nature, who were responsible for the extent of the destruction and death."--"Booklist."




The Last Titan


Book Description

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality—for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars—through the roaring twenties, the stock market crash, and the Depression—and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.







The Crisis


Book Description

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.