Reinventing Spinsterhood


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Rocking the Spinsterhood


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Amelia is 49, fast approaching 50, single, long-term dateless and constantly brooding over a lost love of 25 years ago. She passes the years fantasising over Gary Guzzler, an aging rock star, whom she has loved and idolised since she was a teenager, and who has begun touring again after a long hiatus. She is forever daydreaming about meeting Gary and falling in love. Laura, Amelia’s friend and total nymphomaniac, wants her to get over her lost love and unhealthy fascination with Gary Guzzler, so suggests she have a go at online dating because it is “cheaper than Botox, liposuction or counselling.” To get her started, Laura treats Amelia to a three-month online dating subscription for her 50th birthday. It is only for three months. What could possibly go wrong? Will she meet her dream man, or forever remain within her dreams?




Reinventing the Peabody Sisters


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Whether in the public realm as political activists, artists, teachers, biographers, editors, and writers or in the more traditional role of domestic, nurturing women, Elizabeth Peabody, Mary Peabody Mann, and Sophia Peabody Hawthorne subverted rigid nineteenth-century definitions of women’s limited realm of influence. Reinventing the Peabody Sisters seeks to redefine this dynamic trio’s relationship to the literary and political movements of the mid nineteenth century. Previous scholarship has romanticized, vilified, or altogether erased their influences and literary productions or viewed these individuals solely in light of their relationships to other nineteenth-century luminaries, particularly men---Ralph Waldo Emerson, Nathaniel Hawthorne, Horace Mann. This collection underscores that each woman was a creative force in her own right. Despite their differences and sibling conflicts, all three sisters thrived in the rarefied---if economically modest---atmosphere of a childhood household that glorified intellectual and artistic pursuits. This background allowed each woman to negotiate the nineteenth-century literary marketplace and in the process redefine its scope. Elizabeth, Mary, and Sophia remained linked throughout their lives, encouraging, complementing, and sometimes challenging each other’s endeavors while also contributing to each other’s literary work. The essays in this collection examine the sisters’ confrontations with and involvement in the intellectual movements and social conflicts of the nineteenth century, including Transcendentalism, the Civil War, the role of women, international issues, slavery, Native American rights, and parenting. Among the most revealing writings that the sisters left behind, however, are those which explore the interlaced relationship that continued throughout their remarkable lives.







The CCWH Newsletter


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Graduates in Wonderland


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Two best friends document their post-college lives in a hilarious, relatable, and powerfully honest epistolary memoir. Fast friends since they met at Brown University during their freshman year, Jessica Pan and Rachel Kapelke-Dale vowed to keep in touch after their senior year through in-depth—and brutally honest—weekly e-mails. After graduation, Jess packs up everything she owns and moves to Beijing on a whim, while Rachel heads to New York to work for an art gallery and to figure out her love life. Each spends the next few years tumbling through adulthood and reinventing themselves in various countries, including France, China, and Australia. Through their messages from around the world, they swap tales of teaching classes of military men, running a magazine, and flirting in foreign languages, along with the hard stuff: from harrowing accidents to breakups and breakdowns. Reminiscent of Sloan Crosley’s essays and Lena Dunham’s Girls, Graduates in Wonderland is an intimate, no-holds-barred portrait of two young women as they embark upon adulthood.




In Her Words


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During her lifetime, Gloria Fuertes achieved the status of a controversial cultural icon, both through her poetry for adults and through her poetry, recorded readings, and television programs for juveniles. This collection of lively essays, by authors who specialize in contemporary Spanish poetry, approaches the works of Gloria Fuertes from various theoretical and critical perspectives. In Her Words speaks to the inherent complexity of Gloria Fuertes' poetry, as manifested in its ultimate indeterminacy and indecision, yet attests to this poet's abiding value as the voice of the marginalized-women, the poor, children, all the invisible members of society-who were silenced during the years of Spanish dictatorship under Franco. This book manifests the prescience of Fuertes' stands on a variety of social and cultural issues, from women's changing roles in society, gender and sexuality, identity within a society held captive by a dictatorial regime, to more universal themes such as love, justice, ethics, nature, and obsolete societal norms. In Her Words decisively addresses and ultimately rejects the Spanish cultural elite's inclination to disavow Fuertes' influence and reveals how her voice has shaped succeeding generations of Spanish poets and underscored the ubiquity of her verse in contemporary Spanish literature and culture. The subtlety and diversity of the essays included in this volume attest to the power of Gloria Fuertes' poetic creativity, her ability to appeal to a wide audience both in Spain and abroad, and her place in the contemporary Spanish poetic canon.




Bloomsbury, Modernism, and the Reinvention of Intimacy


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Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury.




Reinventing Women


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Reinvented Lives


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Twenty-eight women, ranging from Anita Roddick and Prue Leith to less well-known names, write their own personal stories which are accompanied by Elizabeth Handy's black and white photographs and an introductory essay by Charles Handy. This generation of women is entering the sixties more healthy, more educated and more energetic than most of their mothers. The subjects in this book provide the models for what has become, for the first time, a new age for many women. Released from most of the cares and responsibilities that accompany midlife for women, they are free to reinvent themselves, to give more time to their career or calling, or to luxuriate in the serenity and friendships that few had time for in the past. Some enter new relationships, some start new careers or go back to study, some find that their work is only now reaching its peak. Many have survived traumas and tragedies, but 'the past is just the prologue' as one of them explains.