Relics of Death in Victorian Literature and Culture


Book Description

This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.




Relics and Writing in Late Medieval England


Book Description

Relics and Writing in Late Medieval England uses the literary study of relics to address issues of clerical and lay cultures, orthodoxy and heterodoxy, and writing and reform.




Relics of the Christ


Book Description

Religious relics, defined as “either portions of or objects connected with the body of a saint or other holy person,” are among the most revered items in the world. Christian relics such as the Holy Grail, the True Cross, and the Lance of Longinus are also the source of limitless controversy. Such items have incited people to bloodshed and, some say, have been a source of miracles. Relics inspire fear and hope among the faithful and yet are a perennial target for skeptics, both secular and Christian. To research the authenticity of numerous Christian relics, Joe Nickell takes a scientific approach to a field of study all too often tainted by premature conclusions. In this volume, Nickell investigates such renowned relics as the Shroud of Turin, the multiple heads of John the Baptist, and the supposedly incorruptible corpses of saints, first examining the available evidence and documented history of each item. From accounts of true believers to the testimony of the relics’ alleged fabricators, Nickell then presents all sides of each story, allowing the evidence to speak for itself. For each relic, Nickell evaluates both the corroborating and contradictory bodies of evidence and explores whether the relic and attributed miracles can be reconstructed. In addition to his own experiments, Nickell presents findings from the world’s top scientists and historians regarding these controversial objects of reverence and ire, explaining the circumstances under which each case was examined. Radiocarbon dating and tests to determine the validity of substances such as blood or patina indicate a variety of possible origins. Nickell even reveals some of the techniques used to create archaeological forgeries and explains how investigators have exposed them. Each relic is a mystery to be solved; guided by the maxim, “extraordinary claims require extraordinary proof,” Nickell seeks only the truth.




The Texture of Images


Book Description

Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.




The Relic Master


Book Description

Christopher Buckley’s “hilarious, bawdy, and irreverent frolic of a tale” about a sixteenth-century relic hunter and the artist Albrecht Dürer who conspire to fabricate Christ’s burial shroud reads “like Indiana Jones gone medieval” (USA TODAY). The year is 1517. Dismas is a relic hunter who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s demands for grander relics increase, Dismas and his artist friend Dürer fabricate a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes the trickery, so Albrecht puts Dismas and Dürer in the custody of four mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated artifact. On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination they realize they are not alone in their intentions to acquire a relic of dubious legitimacy. “A rollicking good time, Christopher Buckley has transported his signature wit and irreverence from the Beltway to sixteenth-century Europe in The Relic Master” (GQ). This epic quest, “as rascally and convivial as any that Mr. Buckley has written” (The Wall Street Journal), is filled with fascinating details about art, religion, politics, and science; Vatican intrigue; and Buckley’s signature wit “holds the reader till the very last page” (The New York Times Book Review).




Passion Relics and the Medieval Imagination


Book Description

Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.




Kiss My Relics


Book Description

Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified God’s order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as “hermaphroditic” and, by the later Middle Ages, to be equated with homosexuality. At the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such texts—Alain de Lille’s De planctu Naturae and Guillaume de Lorris and Jean de Meun’s Roman de la Rose—arguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on Chaucer’s Pardoner’s Prologue and Tale.




Bird Relics


Book Description

Branka Arsi shows that Thoreau developed a theory of vitalism in response to his brother s death. Through grieving, he came to see life as a generative force into which everything dissolves and reemerges. This reinterpretation, based on sources overlooked by critics, explains many of Thoreau s more idiosyncratic habits and obsessions."




Holy Bones, Holy Dust


Book Description

Relics were everywhere in medieval society. Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.In "Holy Bones, Holy Dust," Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated--they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.




Obsolete Objects in the Literary Imagination


Book Description

Translated here into English for the first time is a monumental work of literary history and criticism comparable in scope and achievement to Eric Auerbach’s Mimesis. Italian critic Francesco Orlando explores Western literature’s obsession with outmoded and nonfunctional objects (ruins, obsolete machinery, broken things, trash, etc.). Combining the insights of psychoanalysis and literary-political history, Orlando traces this obsession to a turning point in history, at the end of eighteenth-century industrialization, when the functional becomes the dominant value of Western culture. Roaming through every genre and much of the history of Western literature, the author identifies distinct categories into which obsolete images can be classified and provides myriad examples. The function of literature, he concludes, is to remind us of what we have lost and what we are losing as we rush toward the future.