Religious Poetry and Prose


Book Description

A collection of poems, devotions, essays, prayers and sermons from one of the greatest poets and preachers in 17-century England




George Herbert and the Seventeenth-century Religious Poets


Book Description

This volume presents the major works of five poets--George Herbert, Richard Crashaw, Andrew Marvell, Henry Vaughan, and Thomas Traherne. While most of the selections are religious poetry, the important secular verse of Marvell and Crashaw is also included. Eighty poems by Herbert have been selected form The Temple, and two early poems from Issak Walton's Lives are also included.




Survival Is a Style


Book Description

Named as a 2020 Book of the Year by The Times Literary Supplement Survival Is a Style, Christian Wiman’s first collection of new poems in six years, may be his best book yet. His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet’s father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.




Religion as Poetry


Book Description

Religion as Poetry continues in the grand tradition of the sociology of religion pioneered by Emile Durkheim, Max Weber, and Talcott Parsons, among other giants in intellectual history. Too many present-day sociologists either ignore or disparage religious currents. In this provocative book, Andrew M. Greeley argues that various religions have endured for thousands of years as poetic rituals and stories. Religion as Poetry proposes a theoretical framework for understanding religion that emphasizes insights derived from religious stories. By virtue of his own rare abilities as a novelist as well as sociologist, Greeley is uniquely qualified for this task.Greeley first considers classical theories of the sociology of religion, and then, drawing upon them, he explicates his own interpretation. He critically examines the viewpoint that society is becoming more secular, and that religion is declining. He observes that this theory stands in the way of persuading sociologists that religion is still worth studying. In contrast, Greeley is interested in why religions persist despite secular trends and alongside them. He argues that it is poetic elements that touch the human soul. Greeley then sets out to test this viewpoint.Greeley maintains that his theory is not the only, or necessarily even the best approach to study religion. Rather, it is his contention that it uniquely provides sociologists with perspectives on religion that other theories too often overlook or disregard. Religion as Poetry, an original and intriguing study by a distinguished social scientist and major novelist, will be enjoyed and evaluated by sociologists, ' theologians, and philosophers alike.




Synthesizing Gravity


Book Description

The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020”




The Road to Emmaus


Book Description

A collection of poems, centering around a middle-aged man who becomes a priest in the Episcopal Church, creates compelling dramas out of small moments.







Faith in Poetry


Book Description

In this ambitious book, Michael D. Hurley explores how five great writers – William Blake, Alfred Tennyson, Christina Rossetti, Gerard Manley Hopkins, and T. S. Eliot – engaged their religious faith in poetry, with a view to asking why they chose that literary form in the first place. What did they believe poetry could say or do that other kinds of language or expression could not? And how might poetry itself operate as a unique mode of believing? These deep questions meet at the crossroads of poetics and metaphysics, and the writers considered here offer different answers. But these writers also collectively shed light on the interplay between literature and theology across the long nineteenth century, at a time when the authority and practice of both was being fiercely reimagined.







Thick and Dazzling Darkness


Book Description

How do poets use language to render the transcendent, often dizzyingly inexpressible nature of the divine? In an age of secularism, does spirituality have a place in modern American poetry? In Thick and Dazzling Darkness, Peter O’Leary reads a diverse set of writers to argue for the existence and importance of religious poetry in twentieth- and twenty-first-century American literature. He traces a poetic genealogy that begins with Whitman and Dickinson and continues in the work of contemporary writers to illuminate an often obscured but still central spiritual impulse that has shaped the production and imagination of American poetry. O’Leary presents close and comprehensive readings of the modernist, late-modernist, and postmodern poets Robinson Jeffers, Frank Samperi, and Robert Duncan, as well as the contemporary poets Joseph Donahue, Geoffrey Hill, Fanny Howe, Nathaniel Mackey, Pam Rehm, and Lissa Wolsak. Examining how these poets drew on a variety of traditions, including Catholicism, Gnosticism, the Kabbalah, and mysticism, the book considers how modern and contemporary poets have articulated the spiritual in their work. O’Leary also argues that an anxiety of misunderstanding exists in the study and writing of poetry between secular and religious impulses and that the religious nature of poets’ works is too often marginalized or misunderstood. Examining the works of a specific poet in each chapter, O’Leary reveals their complexity and offers a defense of the value and meaning of religious poetry against the grain of a secular society.