The Etchings of Rembrandt


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The Etchings of Rembrandt (Classic Reprint)


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Excerpt from The Etchings of Rembrandt Mr. Middleton, in his catalogue, admits' three hundred and twenty-nine. Plates as genuine. Out of these, one hundred and eighty-one are dated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Rembrandt's Etchings (Classic Reprint)


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Excerpt from Rembrandt's Etchings The etchings that belong to this early period are, many of them, of exquisite delicacy and beauty. The etching of Rembrandt's Mother turned to the Right is one of his most beau tiful things, and reminds us that it was Rem brandt more than any other artist who taught us what beauty and dignity there are in the faces of old people. The earliest period was also characterized by spirited little sketches of beggars, another of Rembrandt's artistic discoveries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Rembrandt


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Excerpt from Rembrandt: With a Complete List of His Etchings Rembrandt's affection for scriptural subjects is a striking fact in face of the general character of Dutch art in the seventeenth century. The reformation in Holland seems to have helped towards the exclusion of art from the domain of religion and the merely formal and superficial rendering of biblical stories by the classicists of the late sixteenth century may have also had much to account for the secular reaction of the succeeding period. But Rembrandt had no need to seek new ground to escape from a formal rendering of well known themes. Like most masters of supreme genius, his originality consisted in the realisation of his own deepest and most personal emotion in his treatment of the old stories. They appealed to him as the vehicle of the noblest thoughts of man in relation to himself and God, and he was practically the first artist who dared approach the Scriptures in the Spirit of reality that implied a living faith rather than an official creed. It is perhaps still not superfluous to emphasise the fact that the etchings of Rembrandt (as of nearly all the painter-engravers or etchers) are original works distinct in methods and aims from the paintings or works in any other medium. In Rembrandt's work of rather more than three hundred etchings there are scarcely half a dozen subjects that correspond with his pictures. In general the original engraver or etcher conceives and carries out his design in specific relation to its medium; its expression in another would demand an entirely different treatment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Rembrandt (Classic Reprint)


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Excerpt from Rembrandt At the Hermitage in St. Petersburg I was specially privileged - I was allowed to study these priceless works with the glass off and in moments of bright sunlight - to see those sweeps of rich colour, so full, so clear, so transparent, and broken in places, allowing the undertones to show through. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Rembrandt and His Etchings


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Excerpt from Rembrandt and His Etchings: A Compact Record of the Artist's Life, His Work and His Time, With the Complete Chronological List of His Etchings It was during the lifetime of Rembrandt (1606 1669) that much of the wonderful development of Holland took place. She had come to her great ness gradually, but by the middle of the seventeenth century she occupied a leading place among the ih dependent nations of Europe. Great discoverers, like Henry Hudson, had given her new dominions east and west, and colonization had begun. On the sea her flag was supreme; her merchant marine, going to and from her own possessions was seen in every port of the world; her admirals, Ruyter and Tromp, had won her an illustrious place forever in the annals of naval warfare. These were the days of Milton and Ben Jonson; of Cromwell, Gustavus Adolphus and Richelieu of Murillo, Rubens and Van Dyck days when Holland had within her own borders such men as Barneveld, the great statesman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Catalogue of an Exhibition of Etchings by Rembrandt (Classic Reprint)


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Excerpt from Catalogue of an Exhibition of Etchings by Rembrandt This copper had originally been engraved by Hercules Seghers with the representation of Tobit and the Angel. Only two impressions are known of the print in this state. The plate was then taken by Rembrandt, the figures of Tobit and the Angel effaced, and the figures of Joseph and the Virgin introduced in their places. The trees at the right and the foreground, as well as the figures, are Rembrandt's work. The remainder of the plate is substantially the way Hercules Seghers left it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Etchings of Rembrandt, And, Dutch Etchers of the Seventeenth Century (Classic Reprint)


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Excerpt from The Etchings of Rembrandt, And, Dutch Etchers of the Seventeenth Century The systematic study of the works of a great etcher is seldom undertaken by lovers of art who are not led to it by the requirements of a critic or a collector, and yet this systematic study, though it may seem tedious to the amateur, and pedantic to the artist, and though it may be regarded with the most complete indifference by the public generally, has its own rewards to offer in the additional clearness which it imparts to the whole subject, and in the enhanced interest that every separate etching gains from being known in connection with the rest. This kind of study would be impossible for us without the help of the minutely detailed information that the zealous industry of catalogue makers has accumulated for our use. We are, indeed, infinitely their debtors, for without their labours of love, extending, in some cases, over many years, and rewarded only by the appreciation of the few who know all that such toil involves, the student could never gain a comprehensive View of the total production of a great artist. Even if he had access to a complete collection, it would be impossible for him to know that it was complete. I have just alluded to two methods in the arrangement of a catalogue, the chronological order and classification by subject. Even in a brief treatise like the present some definite system is necessary, and I have decided to adopt three systems, each for one part of my essay, which will keep them as distinct from each other as possible, both for the reader's convenience and my own. The first is chronological so as to connect the etchings, or many of them, with the inspiring and affecting story of Rembrandt's courageous and troubled existence. One of the great artist's biographers, M. Emile Michel, says that Rembrandt has himself almost invariably enlightened us as to the date of his works, but this. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




A Catalogue of Rembrandt's Etchings, Vol. 1 of 2 (Classic Reprint)


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Excerpt from A Catalogue of Rembrandt's Etchings, Vol. 1 of 2 F I 1he present catalogue is a revised edition of the one which appeared in 1912 in my Rembrandt's Etchings, an Essay and a Catalogue, with some Notes on the Drawings. The Introduction is also composed to a large extent of material from the same volume, but revised and re-arranged with the definite Object Of providing such notes as would be of most use to the student and collector of Rembrandt's etchings (e.g. In the addition Of a list of values). The volume of plates, to which a few subjects have been added since 1912, will no doubt be of service for purposes of identifica tion, and will, I hope, appeal equally to the amateur or artist who merely wishes to be reminded of this incomparable series of subjects. For drawing my attention to new states or other details of description in the Catalogue, I would express acknowledgment to Jhr. Mr. J. F. Backer (no. Mr. John Charrington (no. Messrs. Craddock and Barnard (nos. 92, 126, 144, 146, 186, 192, 202, 218, 259, 290, 294, M. Frits Lugt (no. Baron Edmond de Rothschild (no. Mr. Harold J. L. Wright and Mr. E. G. Kennedy (no. Many new notes on landscape are due to Mr. Lugt's most interesting work, Mit Rembrandt in Amsterdam A. M. H. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.