The Harbour of all this Sea and Realm


Book Description

The Harbour of All This Sea and Realm offers an overview of the Lusignan, Genoese and Venetian history of the main port city of Cyprus, a Mediterranean crossroads. The essays contribute to the understanding of Famagusta's social and administrative structure, as well as the influences on its architectural, artisan, and art historical heritage from the thirteenth to sixteenth centuries. We read of crusader bishops from central France, metalworkers from Asia Minor, mercenaries from Genoa, refugees from Acre, and traders from Venice. The themes of the city's diasporas and cultural hybridity permeate and unify the essays in this collaborative effort. Some of the studies use archival sources to reconstruct the early stages of appearances of various buildings. Such research is of vital importance, given the threat to Famagusta's medieval and early modern heritage by its use as a military base since 1974.










Report


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National Approaches to the Governance of Historical Heritage Over Time


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The five elements - governmental authorities, public discourse, corporate and market interests, citizens' associations and international agencies - may help in figuring out the complex and challenging purpose of the research work presented in this volume which is nothing less than the history of the governance of cultural and natural heritage in eleven countries, from its outset to the present. Speaking about governance is challenging. The term has been vastly used and misused. But today, when the feverish popularity of the concept is probably in decline, we rest with one solid conviction at least: that social, economic, cultural and institutional processes are governed not only through government (be it national or local) with its legislative, administrative and jurisdictional mechanisms, but through a larger array of different actors and factors. These include schools and universities, citizens' associations, public opinion, economic corporations, non-governmental organizations, learned societies, unions, media, international agencies, clubs, consultants etc. In fact, the reader is going to meet quite a few of these actors in this publication; they are the unavoidable characters involved in the story the authors have set out to tell.










Landscapes for the People


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George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant’s photographs; unlike those contemporaries, few even knew Grant’s name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant’s images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant’s photography be introduced to a new generation of Americans.







Parliamentary Papers


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