Report by the Think-Tank on the Audiovisual Policy in the European Union


Book Description

Diagnosis of the situation of the European audiovisual industry and recommendations to better this situation in the post-GATT era.




Understanding The European Union


Book Description

This is an up-to-date account of how the European Union works, including developments since the introduction of the Treaty on European Union, the modifications introduced since the Treaty of Amsterdam and the preparations for economic and monetary union and enlargement. It focuses on how the EU is structured and operates, and has a review of the nature and operations of the major policies.




Governing European Communications


Book Description

Governing European Communications provides a comprehensive and up-to-date account of the emergence, dynamics, and evolution of European-level communications governance in the post-war era, focusing on telecommunications and television policies and regulation, and their technological convergence. Concentrating on the EU, the book embeds governance within broader economic and political developments in a global context and demonstrates that European governance has been more about the character rather than the level of regulation.




European Culture and the Media


Book Description

We are witnessing a dynamic reshaping of the European 'mediascape'. This has been underway for more than a decade since the fall of the Berlin wall in 1989, the growing impact of globalisation, and the birth of new technologies and new media, or the convergence between old and new media. A new and more intense 'mediatisation' of society and everyday life is emerging. This is happening alongside the rapid reconstruction of the cultural and economic landscape of Europe itself. In this transformation the communicative and ideological dimensions, the digitalisation of technology, and changes in culture - 'the imaginary', the discursive universe of politics and communication, are all crucial areas for research. The cultural industries, (film, television, books, magazines, entertainment and music), but also the world of news, actuality, 'infotainment' and the internet, are key areas for the study of what we may begin to understand as a changing European culture in all its complexity and with all its differences and conflicts. The media and the cultural industries are among the fastest growing sectors in the global economy.







Euro-Visions


Book Description

"Examines the meaning of Europe in contemporary art-house and popular films from across the continent"--




Mass Media and Media Policy in Western Europe


Book Description

This comparative, textbook analysis explores how television and press systems across Europe have been shaped by technology, economics and politics. The author explores the implications of the commercialisation of national broadcasting systems, and the media policies of the European Union in the age of transfrontier media operations.




Hollywood's Road to Riches


Book Description

Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years. Combining historical and economic analysis, Hollywood's Road to Riches shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces. Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies. The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.




Power Without Responsibility


Book Description

Power Without Responsibility is a classic introduction to the history, sociology, theory and politics of the media in Britain. It is an essential guide, both for students and teachers of media and communication studies, and for all those involved in the production and consumption of the media. The new edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes in the political and academic debates surrounding media policy. In this new edition, the authors consider: * whether we are on the threshold of a new communications revolution * the role of global media empires * the rise of video, cable and satellite * the global information society and contradictions in media policy * the BBC and broadcasting at the end of the 1990s * the evolving relationship of the press and the Conservative party. Assessing the press and broadcasting at a time of radical change, the authors suggest a manifesto for media reform.




The State of European Cinema


Book Description

The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system.