Representation of Deities of the Maya Manuscripts (Classic Reprint)


Book Description

Excerpt from Representation of Deities of the Maya Manuscripts Since the first edition of this pamphlet appeared in the year 1897, investigation in this department of science has made such marked progress, notwithstanding the slight amount of material, that a revision has now become desirable. It can be readily understood, that a new science, an investigation on virgin soil, such as the Maya study is, makes more rapid progress and develops more quickly than one pertaining to some old, much explored territory. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Representation of Deities of the Maya Manuscripts


Book Description

In 'Representation of Deities of the Maya Manuscripts,' Paul Schellhas delves into the intricate world of Mayan deities as depicted in ancient manuscripts. Through meticulous analysis, Schellhas explores the symbolism and artistic representation of these deities, shedding light on their significance in Mayan culture. The book is rich in visual depictions and detailed explanations, making it a valuable resource for scholars and enthusiasts of Mesoamerican art and religion. Paul Schellhas, a renowned expert in Mesoamerican studies, brings years of research and expertise to this comprehensive study. His deep understanding of Mayan civilization and dedication to preserving its cultural heritage are evident throughout the book. Schellhas' passion for unraveling the mysteries of Mayan deities is palpable in his meticulous analysis and insightful commentary. I highly recommend 'Representation of Deities of the Maya Manuscripts' to anyone interested in Mayan art, religion, or archaeology. Schellhas' scholarly approach and profound insights make this book a must-read for those seeking a deeper understanding of the fascinating world of ancient Mesoamerica.




The Popol Vuh


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Mayan Gods


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Mayan gods had affinities and aspects that caused them to merge with one another in ways that seem unbounded. There is a massive array of supernatural characters in the Maya religious tradition, only some of which recur with regularity. Good and evil traits are not permanent characteristics of Maya gods, nor is only "good" admirable. What is inappropriate during one season might come to pass in another since much of the Maya religious tradition is based on cycles and not permanence. Schellhas explains the Mayan gods that represent the natural elements, such as life and death, the sun and moon, giving technical and anthropological evaluation of each god image. He explains the gods worshipped by the Mayans and how they interplay into the daily lives of these spiritual, yet fierce, people. The Maya is a Mesoamerican civilization, noted for the only known fully developed written language of the pre-Columbian Americas, as well as for its art, architecture, and mathematical and astronomical systems. Initially established during the Pre-Classic period (c. 2000 BC to AD 250), according to the Mesoamerican chronology, many Maya cities reached their highest state of development during the Classic period (c. AD 250 to 900), and continued throughout the Post-Classic period until the arrival of the Spanish.




Commentary on the Maya Manuscripts in the Royal Public Library of Dresden (Classic Reprint)


Book Description

Excerpt from Commentary on the Maya Manuscripts in the Royal Public Library of Dresden The translation by Miss Selma Wesselhoeft and Miss A. M. Parker was made under the direction of Mr. Charles P. Bowditch of the Museum Committee. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Gods & Goddesses of the Inca, Maya, and Aztec Civilizations


Book Description

Sharing many common beliefs, deities, and rituals, the religion of the Maya, Aztec, and Inca was rooted in both the earth and the sky, the rhythms of the seasons, and the movements of the sun, moon, and stars. Readers will meet rain and sun gods, corn gods and fertility gods, earth mothers who are both creators and destroyers, and even a feathered serpent. Lavish primary-source images of arts and artifacts are paired with text that is both information-packed and enthralling. Readers who enter this pantheon are in for an awe-inspiring cultural journey through the divine mysteries of time and space.




Studies in Classic Maya Iconography


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Death and the Classic Maya Kings


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Like their regal counterparts in societies around the globe, ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window on how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors. Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death expressed at well-known sites such as Tikal, Guatemala, and Copan, Honduras, as well as less-explored archaeological locations, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts including the afterlife and ancestor veneration.




Art and Myth of the Ancient Maya


Book Description

Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Note on Translations and Orthography -- Introduction -- 1 Image and Text -- 2 Pictorial and Textual Sources -- 3 Mesoamerican Cosmogony -- 4 The Maiden -- 5 The Grandmother -- 6 The Sun's Opponents -- 7 The Sun -- 8 The Perfect Youth -- 9 The Father -- Epilogue -- Notes -- Bibliography -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z




The Lowland Maya Postclassic


Book Description

This collection represents a major step forward in understanding the era from the end of Classic Maya civilization to the Spanish conquest.