Representing the Woman


Book Description




Representing Women


Book Description

In this republication, revisit the late Linda Nochlin’s pioneering writings on the representation of women in art. Women—as warriors, workers, mothers, lovers—haunt nineteenth and twentieth-century Western painting. This republication of Representing Women brings together the late Linda Nochlin’s most important and pioneering writings on the representation of women in art as she considers works by Jean-Francois Millet, Eugene Delacroix, Gustave Courbet, Edgar Degas, Georges Seurat, Mary Cassatt, and Kathe Kollwitz, among many others. In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history that rejects methodological presuppositions and for art historians to investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.




Representation


Book Description

While there is a vast literature on women's political interests, there is hardly any consensus about what constitutes "women's interests" or how scholars should approach studying them. Representation can occur in various venues or by various actors, but, due to power imbalances across political groups, it is not always realized in any substantive way. The essays in this book constitute a broad and geographically comparative move toward defining new and unified theoretical orientations to studying representation among women. Representation involves not only getting group members into government, but also articulating group interests and translating those interests into policy. Because competing groups have different policy preferences and act out of self-interest, representation of historically marginalized groups is a contentious, contingent process that is likely to ebb and flow. The book begins with a theoretical positioning of the meaning of women's interests, issues and preferences. It considers the need to add nuance to how we conceive of and study intersectionality and the dangers of stretching the meaning of substantive representation. It then looks at descriptive representation in political parties, high courts, and legislatures, as well as how definitions of "interest" affect who represents women in legislatures and social movements. The book concludes by suggesting testable propositions and avenues for future research to enhance understanding about representation of women and of other historically under-represented groups. Chapters include cases from the United States, Latin America, Western Europe and Africa.




Represent


Book Description

“Over the last few years we’ve seen a remarkable surge of women running for office, and even better, winning. Running takes courage, passion, and commitment, but it also takes books like this. June and Kate have created a wonderful resource for women as they think about taking the leap.”—Hillary Rodham Clinton Turn “can I do this?” into “yes, I can!” Join the growing wave of women leaders with Represent, an energetic, interactive, and inspiring step-by-step guide showing how to run for the approximately 500,000 elected offices in the US. Written with humor and honesty by writer, comedian, actress, and activist June Diane Raphael and Kate Black, former chief of staff at EMILY’s list, Represent is structured around a 21-point document called “I’m Running for Office: The Checklist.” Doubling as a workbook, Represent covers it all, from the nuts and bolts of where to run, fundraising, and filing deadlines, to issues like balancing family and campaigning, managing social media and how running for office can work in your real life. With infographics, profiles of women politicians, and wisdom and advice from women in office, this is a must-own for any woman thinking of joining the pink wave.




Women, Art, And Power And Other Essays


Book Description

Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.




Mediated Women


Book Description

The issues explored are: what mediated popular culture says about women and their roles in contemporary society; whether and how the mediated representation of women addresses real women's goals and potential; how the popular media negotiate the tension between cultural constraint and social changes within their portrayal of women; and whether women are still the victims of symbolic annihilation by the media."--BOOK JACKET.




Representing Women


Book Description

An interdisciplinary anthology of writing by and about women and the way they talk about themselves and allow others to talk about them in ways that are sometimes liberating, sometimes incriminating, but always fraught with questions of personal, and therefore political, power. Some topics include the concept of representation in the law; race and essentialism in feminist legal theory; and representing the lesbian in law and literature. Lacks an index. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR




Gender and Media


Book Description

Why do some TV genres have the label feminine or masculine? Why do we worry about boys playing video games too much while girls play just as often? Is the TV show Sex and the City empowering or not? Why are recent television shows like Desperate Housewives post-feminist television? Gender and Media explores these and other complex questions by offering a critical overview of the contemporary debates and discussions surrounding gender and mediated communication, and by providing student’s with an overview of the current academic research on these topics. The book is divided into three parts: representing, producing, and consuming with each section made up of three chapters. The first chapter of each section attempts to answer the most basic questions: ‘Who is represented?’, ‘Who produces what?’ and ‘Who consumes what?’. The second chapter of each section draws attention to the complexity of the relationship between gender and media, concentrating on the "why." The third and final chapter of each section addresses the latest debates in the fields of media and gender, adding a vital layer of understanding of the topic at hand. This process is aided by text boxes, which provide some additional information on the most important concepts and topics and exercises, which help bridge the gap between theory and everyday life media practices. This will be an ideal textbook for students studying gender and media, and for general courses on gender studies, sociology, cultural studies and women’s studies.




Representing the Other


Book Description

This innovative collection addresses a challenging issue in contemporary feminist theory and practice: whether - and how - we should represent members of groups to which we do not ourselves belong. The discussions identify key concerns related to representation and difference. Contributors draw on personal experiences of speaking for' and about' Others in their research, professional practice, writing or political activism. Problems of representing Others with ethnic or cultural backgrounds different from one's own are highlighted, and the discussions extend to representations of children, prostitutes, infertile women, fat' women, gay men with HIV/AIDS and people with disabilities.




Representing Female Artistic Labour, 1848–1890


Book Description

Patricia Zakreski's interdisciplinary study draws on fiction, prose, painting, and the periodical press to expand and redefine our understanding of women's relationship to paid work during the Victorian period. While the idea of 'separate spheres' has largely gone uncontested by feminist critics studying female labour during the nineteenth century, Zakreski challenges this distinction by showing that the divisions between public and private were, in fact, surprisingly flexible, with homes described as workplaces and workplaces as homes. By combining art with forms of industrial or mass production in representations of the respectable woman worker, writers projected a form of paid creative work that was not violated or profaned by the public world of the market in which it was traded. Looking specifically at sewing, art, writing, and acting, Zakreski shows how these professions increasingly came to be defined as 'artistic' and thus as suitable professions for middle-class women, and argues that the supposedly degrading activity of paid work could be transformed into a refining experience for women. Rather than consigning working women to the margins of patriarchal culture, then, her study shows how representations of creative women, by authors such as Elizabeth Barrett Browning, Dinah Craik, Charles Dickens, Anthony Trollope, and Charlotte Yonge, participated in and shaped new forms of mainstream culture.