Research Catalogue


Book Description




Current Catalog


Book Description

Includes subject section, name section, and 1968-1970, technical reports.




Disputed Truth


Book Description

The second volume of riveting memoirs from Hans Kung, the leading - and controversial - theologian. Hans Küng has been a major influence on post-war Christianity by any reckoning. A peritus for the second Vatican council, he then went on to publish a number of controversial books, including Infallible? An Enquiry (1971), which enraged the Vatican and caused him to lose the ecclesiastical approval of his teaching at the university of Tübingen. However, he remains a respected priest in good standing with his bishop. Throughout all the upheavals that the Catholic Church has undergone in recent decades, Küng has been an outspoken observer, turning himself from enfant terrible to béte noire. However his world influence has been great. Whether speaking at the United Nations or consorting with politicians and religious leaders, he is always listened to with respect and enthusiasm. A string of recent books has added to his reputation-notably On Being a Christian (1974) and Does God Exist? An Answer for Today (1980) What is not so well known is that, as a young man, Küng was a close friend and confidant of Joseph Ratzinger (Benedict XVI). Over the years, however, they increasingly came to represent exactly what the other most despised. On being appointed to the Holy See, Ratzinger had a long private meeting with Küng , the consequences of which may resonate within the Catholic Church for many years. In these thrilling memoirs Küng gives his personal account of all these struggles and ambitions. The result is a book of major importance for any student of the church in the 20th century. This second volume covers the period following the close of the Second Vatican Council right up to the present day.










Artistic Research


Book Description

Artistic Research: Charting a Field in Expansion provides a multidisciplinary overview of different discourses and practices, exploring cutting-edge questions from the burgeoning field of artistic research. Intended as a primer on artistic research, it presents diverse perspectives, strategies, methodologies, and concrete examples of research projects situated at the crossroads of art and academia, exposing international work of significant projects from Europe, Asia, Australia, South and North America. The book includes chapters on diverse fields of thought and practice, addressing a common thread of questions and problematics. The comprehensive editors’ introduction offers a much-needed extensive overview of practice-based artistic research in general. This book is ideal for graduate students across philosophy, cultural studies, art, music, performance studies and more.




Papers and Proceedings


Book Description







Performance as Research


Book Description

Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.




Handbook of Artificial Intelligence for Music


Book Description

This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing. Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.