Rethinking the Hollywood Teen Movie


Book Description

An analysis of novelistic explorations of modernism in mathematics and its cultural interrelations.




Rethinking the Hollywood Teen Movie


Book Description

Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies to provide an innovative overview of the Hollywood teen movie and its construction of teen identity.




Rethinking the Norm


Book Description




Rebels and Chicks


Book Description

A fascinating account of the evolution of the "teen movie" analyzes more than one hundred films for and about teenagers, discusses the relationship between teen movies and the youth movement, and offers a comprehensive filmography of teen flicks. Original.




Teen Movies


Book Description

Cinema has always engaged with the experiences, hopes, fears, and anxieties of—and about—adolescents, teenagers, and young people. This book is a comprehensive and accessible history of the depiction of teenagers in American film, from the silent era to the twenty-first century. Timothy Shary explores the development of teenage roles across eras and industrial cycles, such as the juvenile delinquent pictures of the 1950s, the beach movies of the 1960s, the horror films of the 1980s, and the fantasy epics of the 2000s. He considers the varied genres of the teen movie—horror and melodrama, romance and adventure, fantasy and science fiction—and its shifting themes and tropes around sex and gender, childhood and adulthood, rebellion and social order, crime and consumer culture. Teen Movies features analyses of films such as Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), American Pie (1999), and the Twilight series (2008–2012). This second edition is updated throughout and features a new chapter examining Millennials and Generation Z on screen, with discussions of many contemporary topics, including queer youth in movies like Moonlight (2016), abortion in films such as Never Rarely Sometimes Always (2020), and the flourishing of a “tween” cinema as seen in Are You There God? It’s Me, Margaret. (2023).




Heightened Genre and Women's Filmmaking in Hollywood


Book Description

Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.




The Palgrave Handbook of Children's Film and Television


Book Description

This volume explores film and television for children and youth. While children’s film and television vary in form and content from country to country, their youth audience, ranging from infants to “screenagers”, is the defining feature of the genre and is written into the DNA of the medium itself. This collection offers a contemporary analysis of film and television designed for this important audience, with particular attention to new directions evident in the late twentieth and early twenty-first centuries. With examples drawn from Iran, China, Korea, India, Israel, Eastern Europe, the Philippines, and France, as well as from the United States and the United Kingdom, contributors address a variety of issues ranging from content to production, distribution, marketing, and the use of film, both as object and medium, in education. Through a diverse consideration of media for young infants up to young adults, this volume reveals the newest trends in children’s film and television and its role as both a source of entertainment and pedagogy.




The Outsiders


Book Description

This volume traces the unique trajectory of The Outsiders, from beloved book to beloved movie. Based on S.E. Hinton’s landmark novel, Coppola’s film adaptation tells the story of the Greasers, a gang of working-class boys yearning for security, love, and acceptance in a world ruled by their rival gang, the rich Socs. The Outsiders: Adolescent Tenderness and Staying Gold explores the cultural impact of Hinton’s book, the process by which Coppola made the film, the film’s melodramatic components, the marketing of the movie to a young female audience, and the nostalgia industry that has emerged around it in recent decades, thereby illuminating how The Outsiders stands apart from other teen films of the 1980s. In its depiction of the emotional rather than sexual lives of young men on film and its recognition of the desires of teen girls as an audience, The Outsiders distinguishes itself from the standard teen fare of the era. With seriousness and sincerity, Coppola’s film captures the essence of the oft-repeated, timeless message of the story: ‘Stay gold.’ This volume engages with a wide range of disciplinary approaches—film studies, gender studies, and literary and cultural studies—in order to distinguish The Outsiders as the significant contribution to youth culture that it was in the early 1980s and continues to be in the twenty-first century. The book fills a gap in existing scholarship on youth culture and is ideal for scholars, students, and teachers in youth cultures, young adult literature, film studies, cultural studies, and gender studies.




Youth and Suicide in American Cinema


Book Description

This book explores the depiction of suicide in American youth films from 1900 to 2019. Anchored in Sociology, this multidisciplinary study investigates the causes and consequences of suicide and uncovers the socio-cultural context for the development of youth, film, and suicide. While such cinematic portrayals seem to privilege external explanations of suicide versus internal or psychological ones, overall they are neither rich nor sensitive. Most are simplistic, limited or at the very least unbalanced. At times, they are flatly controversial. In light of this overall problematic depiction of suicide, this book offers a proactive approach to empower young audiences—a media literacy strategy to embrace while watching these films.




The Breakfast Club


Book Description

The Breakfast Club is a quintessential teen film. This book analyzes how multiple factors coalesced to solidify the status of The Breakfast Club as one of the most emblematic films of the 1980s and one of the most definitive teen films of the genre. The film brings together genre-defining elements – the conflicts between generations and peer pressure, archetypical characters and breaking down stereotypes, the celebration and survival of adolescence, and the importance of this time in life on the coming-of-age process – and became a significant moment for John Hughes as an auteur and for teen films in the 1980s. More than just embodying these elements of the genre, filmmaker Hughes and the Brat Pack stars helped introduce and popularize multiple generic features that would come to be expected with the teen film formula. The content of the film combined with its context of production in the middle of a boom in teen filmmaking in Hollywood. Meanwhile, the marketing that focused on contemporary music, peer group dynamics, and oppositions between Generation X and baby boomers, merged with an enthusiastic reception by youth audiences. Its endurance speaks to the way the film’s level of importance as a critical, commercial, and influential film with tremendous impact has grown since its initial debut.