Art in France, 1900-1940


Book Description

This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.







Droll Stories


Book Description

THE FAIR IMPERIA THE VENIAL SIN THE KING'S SWEETHEART THE DEVIL'S HEIR THE MERRIE JESTS OF KING LOUIS THE ELEVENTH THE HIGH CONSTABLE'S WIFE THE MAID OF THILOUSE THE BROTHERS-IN-ARMS THE VICAR OF AZAY-LE-RIDEAU THE REPROACH THE THREE CLERKS OF ST. NICHOLAS THE CONTINENCE OF KING FRANCIS THE FIRST THE MERRY TATTLE OF THE NUNS OF POISSY HOW THE CHATEAU D'AZAY CAME TO BE BUILT THE FALSE COURTESAN THE DANGER OF BEING TOO INNOCENT THE DEAR NIGHT OF LOVE THE SERMON OF THE MERRY VICAR OF MEUDON THE SUCCUBUS DESPAIR IN LOVE PERSEVERANCE IN LOVE CONCERNING A PROVOST WHO DID NOT RECOGNISE THINGS ABOUT THE MONK AMADOR, WHO WAS A GLORIOUS ABBOT OF TURPENAY BERTHA THE PENITENT HOW THE PRETTY MAID OF PORTILLON CONVINCED HER JUDGE IN WHICH IT IS DEMONSTRATED THAT FORTUNE IS ALWAYS FEMININE CONCERNING A POOR MAN WHO WAS CALLED LE VIEUX PAR-CHEMINS ODD SAYINGS OF THREE PILGRIMS INNOCENCE THE FAIR IMPERIA MARRIED




Fiction Refracts Science


Book Description

"Examines the relationship between science and the fiction developed by modernists, including Musil, Proust, Kafka, and Joyce. Looks at Pascalian and Newtonian cosmology, Darwinism, epistemology, relativity theory, quantum mechanics, the development of modernist and postmodern fiction, positivism, and finally works by Woolf, Faulkner, and Borges"--Provided by publisher.




Metamorphoses


Book Description

We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.




The History of Sexuality


Book Description

Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century. Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.




Lived Religion


Book Description

How can we grasp the complex religious lives of individuals such as Peter, an ordained Protestant minister who has little attachment to any church but centers his highly committed religious practice on peace-and-justice activism? Or Hannah, a devout Jew whose rich spiritual life revolves around her women's spirituality group and the daily practice of meditative dance? Or Laura, who identifies as Catholic but rarely attends Mass, and engages daily in Buddhist-style meditation at her home altar arranged with symbols of Mexican American popular religion? Diverse religious practices such as these have long baffled scholars, whose research often starts with the assumption that individuals commit, or refuse to commit, to an entire institutionally framed package of beliefs and practices. Meredith McGuire points the way forward toward a new way of understanding religion. She argues that scholars must study religion not as it is defined by religious organizations, but as it is actually lived in people's everyday lives. Drawing on her own extensive fieldwork, as well as recent work by others, McGuire explores the many, seemingly mundane, ways that individuals practice their religions and develop their spiritual lives. By examining the many eclectic and creative practices -- of body, mind, emotion, and spirit -- that have been invisible to researchers, she offers a fuller and more nuanced understanding of contemporary religion.




Chairs


Book Description

This updated edition features designs from 1800 up to present day, and features the biggest names in furniture design, art, architecture and craft.




At the Crossroads of Art and Religion


Book Description

Since the 'turn to the subject' in modernity, aesthetic experiences have become crucial in the creation of meaning. This explains why art and religion are becoming increasingly intermingled in late modern Western culture. The search for meaning is no longer confined to traditional religious settings and it is especially in art that people are looking for moral and spiritual significance. Religion is being aestheticised while art is being spiritualised. This volume contains studies on the interface between art and religion. Scholars from art studies, theology, philosophy and psychology of religion address the following questions: What psychological and religious functions does art fulfil? What are the similarities and differences between aesthetic and religious experiences? How does the aestheticising of religion affect theological thinking? How does the spiritualising of art affect artistic practices and theory? Case studies are taken from literature, visual art, film and opera, both from 'high' and popular culture. Among others, there are chapters on J.M. Coetzee's novel Waiting for the Barbarians, Richard Wagner's operas, the Harry Potter books and the concept of beauty from a theological perspective. The contributors all highlight the crucial role of human imaginative capabilities and the capacity of art to open up wider horizons of meaning.




Florentine Renaissance Sculpture


Book Description

"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.