Revenance


Book Description

Blending aspects of vampire myths with other supernatural and psychological archetypes, Revenance depicts a young female punk musician's awakening from death into a surreal, supernatural realm of horror and passion. Revived from a deadly accident by an alluring vampire, she learns from her Awakener how to survive by feasting upon the ill and hopeless. As she quenches her insatiable thirst for blood, she vicariously experiences the hopes and fears of her despairing victims, reliving through them the joy and anguish of human existence. Journeying through the nocturnal NYC netherworld of the addicted, the abandoned, and the tormented, she reconnects with her former friend, drug-addicted musician Spitz Nevus, and explores the self-destructive obsessions plaguing humans as well as vampires. She also recalls her own childhood and adolescent encounters with otherworldly entities, the Tooth Fairy and Morbidy Graham, who, in tainting her innocence, awakened feral instincts that shape her immortal future.




Revenant Ecologies


Book Description

Engaging a broad spectrum of ecological thought to articulate the ethical scale of global extinction As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In Revenant Ecologies, Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems. Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, Revenant Ecologies promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on “human extinction.” Highlighting the deep violence that underpins ideas of “extinction,” “conservation,” and “biodiversity,” Revenant Ecologies fuses political ecology, global ethics, and violence studies to offer concrete, practical alternatives. It also foregrounds the ways that multi-life-form worlds are actively defying the forms of violence that drive extinction—and that shape global efforts to manage it. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.




Sovereignties in Question


Book Description

This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.




Cryptomimesis


Book Description

In the last thirty years the living-dead, the revenant, the phantom, and the crypt have appeared with increasing frequency in Jacques Derrida's writings and, for the most part, have gone unaddressed. In Cryptomimesis Jodey Castricano examines the intersection between Derrida's writing and the Gothic to theorize what she calls Derrida's "poetics of the crypt." She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe's Madeline and Roderick Usher, Bram Stoker's Dracula, and Stephen King's Louis Creed, she illuminates Derrida's concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida's Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the "phantom" throughout Derrida's other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that "to be" is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida's insistence that to learn to live we must learn how to talk "with" ghosts.




A Theory of Spectral Rhetoric


Book Description

This book synthesizes Jacques Derrida’s hauntology and spectrality with affect theory, in order to create a rhetorical framework analyzing the felt absences and hauntings of written and oral texts. The book opens with a history of hauntology, spectrality, and affect theory and how each of those ideas have been applied. The book then moves into discussing the unique elements of the rhetorical framework known as the rhetorrectional situation. Three case studies taken from the Christian tradition, serve to demonstrate how spectral rhetoric works. The first is fictional, C.S. Lewis ’The Great Divorce. The second is non-fiction, Tim Jennings ’The God Shaped Brain. The final one is taken from homiletics, Bishop Michael Curry’s royal wedding 2018 sermon. After the case studies conclusion offers the reader a summary and ideas future applications for spectral rhetoric.




Blood Rock


Book Description

Dakota Frost is back, and the ink is about to hit the fan-again. Graffiti comes to life in the dark heart of Atlanta's oldest cemetery, slaying one of the city's best loved vampires before the eyes of his friend Dakota Frost. Deadly magick is at work on the city's walls, challenging even the amazing power of Dakota's tattoos to contain it. The hungry, graffiti magick loves to kill, and the Edgeworld is no longer safe from its own kind. Dakota begins a harrowing journey to save those she loves and to discover the truth behind the spreading graffiti-even if that truth offends the vampires, alienates the werekin and creates police suspicion of her every action. Saving Atlanta may cost her everything, including custody of her "adopted" weretiger daughter, Cinnamon. But failure is not an option. If the graffiti isn't stopped, Cinnamon could be the next victim. Epic Award winner Anthony Francis writes the Skindancer series while working fulltime for "that famous search engine whose name begins with a 'G'."




Occasional Deconstructions


Book Description

In Occasional Deconstructions, Julian Wolfreys challenges the notion that deconstruction is a critical methodology, offering instead a number of reintroductions or reorientations to the texts of Jacques Derrida and the idea or possibility of deconstructions. Proceeding from specific readings of various texts (both film and literary), as well as mobilizing a number of issues from Derrida's recent work surrounding questions of ethics, politics, and identity, Wolfreys considers the role of deconstruction in broader academic and institutional contexts, and questions whether, in fact, deconstruction can be called upon to function as theory at all. In this book, Wolfreys suggests that the patient, necessary work of reading, in which response and responsibility to the other has a chance to manifest itself, is necessary to the always political and ethical tracing of the material and the historical. He also contends that reading should be an encounter that gives place to an acknowledgment of the other, and that this singular act by which one is introduced to the other can never be programmed.




Polyvocal Bob Dylan


Book Description

Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan’s musical and literary production. Significantly distinct in approach, each chapter draws attention to the function and implications of certain aspects of Dylan's work—his tendency to confuse, question, and subvert literary, musical, and performative traditions. Polyvocal Bob Dylan places Dylan’s textual and performative art within and against a larger context of cultural and literary studies. In doing so, it invites readers to reassess how Dylan’s Nobel Prize–winning work fits into and challenges traditional conceptions of literature.




Urban Walking –The Flâneur as an Icon of Metropolitan Culture in Literature and Film


Book Description

The volume assembles fresh treatments on the flâneur in literature, film and culture from a variety of angles. Its individual contributions cover established as well as previously unnoticed textual and filmic source materials in a historical perspective ranging from the late nineteenth to the early twenty-first century. The range of topics covered demonstrates the ongoing productivity of flânerie as a viable paradigm for the artistic approach to urban culture and the continuing suitability of flânerie as an analytic category for the scholarly examination of urban representation in the arts. This productiveness also extends to the questioning, re-evaluation, and enhancement of flânerie’s theoretical foundations as they were laid down by Walter Benjamin and others. The work will be particularly relevant for students and scholars of literary studies, film studies and gender studies, as well as for theoretical approaches to flânerie as an important aspect of urban culture.




Sodom’S Threshold


Book Description

In Sodoms ThresholdThe Desire for the Unthinkable, author Dr. Isaac B. Rosler deconstructs the narrative of Sodom and highlights how religion borrows its fervor and passion from a nonreligious impetus that is not only other than religion but also other than God. He invites us to trespassto think about what has already trespassed our senses and to make sense of an overabundant excess that remains unsacrificable even through ruins, ashes, and forgetfulness. Sodoms Threshold explores concepts of alterity and otherness, and it calls us to think about a space of passion that keeps returning in spite of interruptionsin spite of religious, family, or state mandates that command us not to touch an alterity that has already arrived and is in excess of every touch. The Sodomites forbidden passion is an excess that impassionsit is a surplus that will be usurped and neutralized ad infi nitum by the multiple religions that both rise against its mystery and yet are also founded by it. Though Sodom was erased, its alterity and its surplus are indestructible.