Revenge of the Mooncake Vixen: A Novel


Book Description

An uproarious debut that lays bare the complicated generational relationships of Chinese American women. Raucous twin sisters Moonie and Mei Ling Wong are known as the “double happiness” Chinese food delivery girls. Each day they load up a “crappy donkey-van” and deliver Americanized (“bad”) Chinese food to homes throughout their southern California neighborhood. United in their desire to blossom into somebodies, the Wong girls fearlessly assert their intellect and sexuality, even as they come of age under the care of their dominating, cleaver-wielding grandmother from Hong Kong. They transform themselves from food delivery girls into accomplished women, but along the way they wrestle with the influence and continuity of their Chinese heritage. Marilyn Chin’s prose waxes and wanes between satire and metaphorical lyric, referencing classical Chinese tales and ghost stories that are at turns sensual, lurid, hilarious, shocking, and surreal.




Revenge of the Mooncake Vixen


Book Description

Moonie and Mei Ling are looked after by their grandmother, an indomitable matriarch, ruthless manager of 'The Double Happiness' restaurant and fount of endless titbits of Chinese mythology. Feared and renowned in the neighbourhood - and stubbornly attached to the giant meat cleaver she keeps in her handbag - eccentric Grandma Wong weaves a magical world of surreal stories and ancient wisdom around her two wayward granddaughters. However, the girls' lives are also being drawn forward by the inexorable pace of assimilation and the ever-beckoning American dream, and as fascinated as they might be by Buddhist philosophy, they are also cool, hip American girls with straight-A grades and scores to settle - with the neighbourhood boys who tease them and with the unforgiving media, which tells them that they should look like Barbie dolls and not like Chinese girls.




Bestiary


Book Description

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family’s queer desires, violent impulses, and buried secrets. “Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive.”—O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • NPR • The New York Public Library • Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth—and that she will have to bring her family’s secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary “[A] vivid, fabulist debut . . . the prose is full of imagery. Chang’s wild story of a family’s tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations.”—Publishers Weekly




A Portrait of the Self as Nation: New and Selected Poems


Book Description

“Dark, playful, incisive and heartbreaking.” —San Diego Union-Tribune Spanning thirty years of dazzling work—from luminous early love lyrics to often-anthologized Asian American identity anthems, from political and subversive hybrid forms to feminist manifestos—A Portrait of the Self as Nation is a selection from one of America’s most original and vital voices. Marilyn Chin’s passionate, polyphonic poetry is deeply engaged with the complexities of cultural assimilation, feminism, and the Asian American experience; she spins precise, beautiful metaphors as she illuminates hard-hitting truths.




Rhapsody in Plain Yellow


Book Description

A fusion of east and west, high culture, popular culture, and ancient Chinese history mark this distinguished collection.




The Phoenix Gone, the Terrace Empty


Book Description

In the 15 years since this book came out, Marilyn Chin has been widely recognized as a consummate poet of the hybrid experience, blending East and West, popular and high culture, personal and political. Praised for its streetwise lyricism, this groundbreaking volume captures a young immigrant woman’s perspective as she encounters the nexus of tradition and commercialism in modern, diverse, and urban California. With this new edition, a modern classic is reintroduced to a new generation of readers.




Go Home!


Book Description

An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub




Pangs of Love and Other Writings


Book Description

An apprentice sushi chef and a mysterious blue-eyed woman share a bottle of wine inside a climate-controlled otter tank. The Great Wall of China grumbles as workers forego construction to watch an imperial game of baseball. A young woman tries to imagine a future unsullied by her family’s history of untimely death. First issued in 1991, Pangs of Love introduced David Wong Louie’s bold storytelling. The son of Chinese immigrants, he centered his stories around characters who are in conflict with their place in the world, disconnected from both American society and their own families. The depth of his portrayals renders their experiences of love, envy, loneliness, loss, and duty universal—informed by their heritage yet not confined by it. These twelve short stories and one essay swerve from the absurd to longing for love, understanding, or simply a morsel of food. Pangs of Love and Other Writings makes Louie’s debut book available again, along with an additional short story and an extraordinary autobiographical essay, “Eat, Memory,” in which he reflects on life without food after throat cancer took away his ability to swallow. Pulitzer Prize–winner Viet Thanh Nguyen contributes a foreword elucidating Louie’s role in shaping contemporary Asian American literature, while an afterword by literary scholar King-Kok Cheung retraces the three phases of Louie’s career.




Dwarf Bamboo


Book Description

"Marilyn Chin's poems depict the Asian American struggle with assimilation and describe the resulting alienation or acceptance with astonishing honesty and clarity"--Back cover.




The Road to Wanting


Book Description

Traces the life of a young woman whose fate is always in the hands of others, be they well meaning Americans or provincial pimps. Full of the glare and shadows of the East, this haunting journey opens up places often hidden to Western eyes, revealing ancient cruelties, as well as the redemptive power in facing and forgiving the truth.