The War for Palestine


Book Description

The Arab-Israeli conflict is one of the most intense and intractable international conflicts of modern times. This book is about the historical roots of that conflict. It re-examines the history of 1948, the war in which the newly-born state of Israel defeated the Palestinians and the regular Arab armies of the neighbouring states so decisively. The book includes chapters on all the principal participants, on the reasons for the Palestinian exodus, and on the political and moral consequences of the war. The chapters are written by leading Arab, Israeli and western scholars who draw on primary sources in all relevant languages to offer alternative interpretations and new insights into this defining moment in Middle East history. The result is a major contribution to the literature on the 1948 war. It will command a wide audience from among students and general readers with an interest in the region.




Writing War


Book Description

Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history. Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.




The War on History


Book Description

The War on Our History Confederate memorials toppled . . . Columbus statues attacked with red paint. They started with slave-owning Confederate generals, but they’re not stopping there. The vandals are only pretending to care about the character of particular American heroes. In reality, they hate what those heroes represent: the truths asserted in the Declaration of Independence and embodied in the Constitution. And they are bent on taking America down and replacing our free society with a socialist utopia. All that stands in their way is Americans’ reverence for our history of freedom. Which is why that history simply has to go. Now, Jarrett Stepman, editor at The Daily Signal and host of Right Side of History, exposes the true aims of the war on our history: The war on America: World history is full of conquests and suffering indigenous peoples. Why target Christopher Columbus? What they really want to tear down is America. The war on Thanksgiving: World history is full of colonists. Why target the Pilgrims? What they really want to tear down is American freedom and prosperity. The war on the Founding: World history is full of slavery. Why target Thomas Jefferson? What they really want to tear down are the rights endowed by our Creator. The war on the common man: World history is full of victorious generals and populist politicians. Why target Andrew Jackson? What they really want to tear down is democracy. The war on the South: World history is full of civil strife. Why target Confederate heroes like Robert E. Lee? What they really want to tear down is respect for America’s past and the reconciliation that renewed our Union. The war on patriotism: World history is full of national pride. Why target Teddy Roosevelt? What they really want to tear down is the idea of American greatness. The war on the American century: World history is full of bloody wars. What they really want to tear down is America’s defeat of totalitarianism. If America is to survive this assault, we must rally to the defense of our illustrious history. The War on History is the battle plan.




Writing the War on Terrorism


Book Description

This book examines the language of the war on terrorism and is essential reading for anyone wanting to understand how the Bush administration's approach to counter-terrorism became the dominant policy paradigm in American politics today.




Rewriting the War


Book Description




Stories Are What Save Us


Book Description

A foreword by former soldier and memoirist Brian Turner, author of My Life as a Foreign Country, and an afterword by military wife and memoirist Angela Ricketts, author of No Man's War: Irreverent Confessions of an Infantry Wife, bookend the volume.




The Deed of Paksenarrion


Book Description

Complete at Last in a Single Hardcover Volume ¾the Finest Trilogy of Epic Fantasy in a Decade Paksenarrion, a simple sheepfarmer's daughter, yearns for a life of adventure and glory, such as was known to heroes in songs and story. At age seventeen she runs away from home to join a mercenary company and begins her epic life . . . Book One: Paks is trained as a mercenary, blooded, and introduced to the life of a soldier . . . and to the followers of Gird, the soldier's god. Book Two: Paks leaves the Duke's company to follow the path of Gird alone¾and on her lonely quests encounters the other sentient races of her world. Book Three: Paks the warrior must learn to live with Paks the human. She undertakes a holy quest for a lost elven prince that brings the gods' wrath down on her and tests her very limits. At the publisher's request, this title is sold without DRM (Digital Rights Management). "Engrossing . . ." ¾Anne McCaffrey "A tour de force . . ." ¾Jack McDevitt "Worldbuilding in the grand tradition, background thought out to the last detail." ¾Judith Tarr "Superlative . . ." ¾Booklist "Brilliant . . . the excitement of high heroic adventure . . . will enchant the reader." ¾Bookwatch




Why I Write


Book Description

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times




The War After Armageddon


Book Description

Imagines a post-apocalyptic war launched by America in retaliation against Islamic extremists who have used nuclear weapons to destroy Los Angeles, Israel, and parts of Europe, a battle that is complicated by anti-Muslim Christian zealots.




In Command of History


Book Description

Winston Churchill was one of the giants of the twentieth century. As Britain’s prime minister from 1940 to 1945, he courageously led his nation and the world away from appeasement, into war, and on to triumph over the Axis dictators. His classic six-volume account of those years, The Second World War, has shaped our perceptions of the conflict and secured Churchill’s place as its most important chronicler. Now, for the first time, a book explains how Churchill wrote this masterwork, and in the process enhances and often revises our understanding of one of history’s most complex, vivid, and eloquent leaders. In Command of History sheds new light on Churchill in his multiple, often overlapping roles as warrior, statesman, politician, and historian. Citing excerpts from the drafts and correspondence for Churchill’s magnum opus, David Reynolds opens our eyes to the myriad forces that shaped its final form. We see how Churchill’ s manuscripts were vetted by Whitehall to conceal secrets such as the breaking of the Enigma code by British spymasters at Bletchley Park, and how Churchill himself edited the volumes to avoid offending postwar statesmen such as Tito, Charles de Gaulle, and Dwight D. Eisenhower. We explore his confusions about the true story of the atomic bomb, learn of his second thoughts about Stalin, and watch him repackage himself as a consistent advocate of the D-Day landings. In Command of History is a major work that forces us to reconsider much received wisdom about World War II. It also peels back the covers from an unjustly neglected period of Churchill’s life, his “second wilderness” years, 1945—1951. During this time Churchill, now over seventy, wrote himself into history, politicked himself back into 10 Downing Street, and delivered some of the most vital oratory of his career, including his pivotal “iron curtain” speech. Exhaustively researched and dazzlingly written, this is a revelatory portrait of one of the world’s most profiled figures, a work by a historian in full command of his craft. “A fascinating account that accomplishes the impossible: [Reynolds] actually finds something new and interesting to say about one of the most chronicled characters of all time.” –The New York Times Book Review A New York Times NOTABLE BOOK OF THE YEAR A BEST HISTORY OF THE YEAR SELECTION –The New York Sun NOTE: This edition does not include photographs.