Rhapsodies in Black


Book Description

Rhapsodies in Black takes a fresh look at the Harlem artistic renaissance, contesting narrow interpretations of the movement and recognising its global significance.




Rhapsodies in Black


Book Description




Rhapsodies in Black


Book Description

Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.




Rhapsodies in black


Book Description

Provides teachers, group leaders, and students with an introduction to the art of the Harlem Renaissance, and useful background information for those planning a visit to Rhapsodies in Black: Art of the Harlem Renaissance.




Rhapsodies in Black


Book Description







The Unforgettables


Book Description

"In the past, histories of American art have traditionally highlighted the work of a familiar roster of artists, often white and male. Over time the achievements of others worthy of attention, including numerous women and artists of color, as well as white men, have gone uncelebrated and fallen into obscurity. In this collection of essays, sixty-three scholars from various institutions, specialties, and locales respond to the challenge to nominate one maker deserving remembrance and detail the reasons for their choice. The collection is headed by a preface from editor Charles C. Eldredge, explaining the genesis of the anthology, and an introduction by Dr. Kirsten Pai Buick, promoting the value of recovered reputations and oeuvres in the training of future art experts and audiences"--




Networking Women


Book Description




Distinction and Denial


Book Description

Rewrites the history of African American art and artists in the inter-war years




The Routledge Companion to African American Art History


Book Description

This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.