Rhythmical Articulation
Author : Pasquale Bona
Publisher :
Page : 88 pages
File Size : 33,29 MB
Release : 1925
Category : Music
ISBN :
Author : Pasquale Bona
Publisher :
Page : 88 pages
File Size : 33,29 MB
Release : 1925
Category : Music
ISBN :
Author : Pasquale Bona
Publisher :
Page : 104 pages
File Size : 10,66 MB
Release : 1905
Category : Singing
ISBN :
Author : Pasquale Bona
Publisher : Courier Dover Publications
Page : 81 pages
File Size : 44,73 MB
Release : 2024-06-12
Category : Music
ISBN : 0486852938
Pasquale Bona provides 120 études featuring practical methods for learning respective time values within the context of musical phrases, from the basic principles of rhythm theory to the different types of articulation and their applications.
Author : Carlos Gussenhoven
Publisher : Oxford University Press, USA
Page : 957 pages
File Size : 23,50 MB
Release : 2021-01-07
Category : Computers
ISBN : 0198832230
This handbook presents detailed accounts of current research in all aspects of language prosody, written by leading experts from different disciplines. The volume's comprehensive coverage and multidisciplinary approach will make it an invaluable resource for all researchers, students, and practitioners interested in prosody.
Author : Tiger C. Roholt
Publisher : Bloomsbury Publishing USA
Page : 186 pages
File Size : 34,67 MB
Release : 2014-09-25
Category : Music
ISBN : 1441166270
"A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--
Author : Rich Holly
Publisher : Meredith Music
Page : 100 pages
File Size : 12,75 MB
Release : 2009
Category : Study Aids
ISBN : 9781574631500
Offers tips, strategies, and advice on pursuing a music study program at a college, university, or conservatory.
Author : Michael Thaut
Publisher : Taylor & Francis
Page : 272 pages
File Size : 35,28 MB
Release : 2013-01-11
Category : Music
ISBN : 1136762876
With the advent of modern cognitive neuroscience and new tools of studying the human brain "live," music as a highly complex, temporally ordered and rule-based sensory language quickly became a fascinating topic of study. The question of "how" music moves us, stimulates our thoughts, feelings, and kinesthetic sense, and how it can reach the human experience in profound ways is now measured with the advent of modern cognitive neuroscience. The goal of Rhythm, Music and the Brain is an attempt to bring the knowledge of the arts and the sciences and review our current state of study about the brain and music, specifically rhythm. The author provides a thorough examination of the current state of research, including the biomedical applications of neurological music therapy in sensorimotor speech and cognitive rehabilitation. This book will be of interest for the lay and professional reader in the sciences and arts as well as the professionals in the fields of neuroscientific research, medicine, and rehabilitation.
Author : Russell Hartenberger
Publisher : Cambridge University Press
Page : 371 pages
File Size : 13,21 MB
Release : 2020-09-24
Category : Music
ISBN : 1108492924
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Author : Egbert J. Bakker
Publisher : Cornell University Press
Page : 257 pages
File Size : 36,16 MB
Release : 2018-03-15
Category : History
ISBN : 1501722778
No detailed description available for "Poetry in Speech".
Author : Robert Fuchs
Publisher : Springer
Page : 240 pages
File Size : 48,53 MB
Release : 2015-09-25
Category : Language Arts & Disciplines
ISBN : 3662478188
This book addresses the question whether Educated Indian English is more syllable-timed than British English from two standpoints: production and perception. Many post-colonial varieties of English, which are mostly spoken as a second language in countries such as India, Nigeria and the Philippines, are thought to have a syllable-timed rhythm, whereas first language varieties such as British English are characterized as being stress-timed. While previous studies mostly relied on a single acoustic correlate of speech rhythm, usually duration, the author proposes a multidimensional approach to the production of speech rhythm that takes into account various acoustic correlates. The results reveal that the two varieties differ with regard to a number of dimensions, such as duration, sonority, intensity, loudness, pitch and glottal stop insertion. The second part of the study addresses the question whether the difference in speech rhythm between Indian and British English is perceptually relevant, based on intelligibility and dialect discrimination experiments. The results reveal that speakers generally find the rhythm of their own variety more intelligible and that listeners can identify which variety a speaker is using on the basis of differences in speech rhythm.