Rice and Man


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Of Rice and Men


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Dan Rice


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Dan Rice had many lives. He was a pig presenter, a strongman, a lecturer, and a comic singer, all before joining the dazzling world of the circus. In 1855, he created Dan Rice's Great Show. Labeling himself the "Great American Humorist," he toured the country and spoke out on issues of the day before large crowds. Swept up in a new cult of celebrity, he rose to become one of the most famous—and infamous—men in America. He even ran for president. So why have so few people ever heard of Dan Rice? Propelled by an urge toward "refinement," American amusements began to stratify in the mid-19th century. The raucous antebellum jumble of performers, audiences, and forms split along a new performance hierarchy of high and low. Circus, though still vastly popular, became seen as lowbrow. In that changed world, Rice's aggressive humor and robust connection with a noisy, participatory audience became seen as crude—and worse—a civic threat. David Carlyon weaves a remarkably rich portrait of turbulent times that raised one ambitious, creative man to glorious heights and then, embarrassed by its enthusiasm, buried him in sentimentality and finally oblivion.




Of Rice and Men


Book Description

Spreading democracy takes more than cutting-edge military hardware. Winning the hearts and minds of a troubled nation is a special mission we give to bewildered young soldiers who can’t speak the native language, don’t know the customs, can’t tell friends from enemies, and–in this wonderfully outrageous Iraq-era novel about Vietnam–wonder why they have to risk their lives spraying peanut plants, inoculating pigs, and hauling miracle rice seed for Ho Chi Minh. Brash, eye-opening, and surprisingly comic, Of Rice and Men displays the same irreverent spirit as the black-comedy classics Catch-22 and MASH–as it chronicles the American Army’s little known “Civil Affairs” soldiers who courageously roam hostile war zones, not to kill or to destroy, but to build, to feed, and to heal. Unprepared, uncertain, and naive, they find it impossible to make the skeptical population fall in love with them. But it’s thrilling to watch them try. Among the unforgettable characters: Guy Lopaca, an inept Army-trained interpreter who can barely say “I can’t speak Vietnamese” in Vietnamese, but has no trouble chatting with stray dogs and water buffalo. Guy’s friends include “Virgin Mary” Crocker, a pragmatic nurse earning a fortune spending nights with homesick soldiers; Paul Gianelli, a heroic builder of medical clinics who doesn’t want to be remembered badly, so he never goes home; and Tyler DeMudge, whose cure for every problem is a chilly martini, a patch of shade, and the theory that every bad event in life is “good training” for enduring it again. Pricelessly funny, disarming, thought-provoking, as fresh as the morning headlines, and bursting with humor, affection, and pride, Of Rice and Men is a sincere tribute to those young men and women, thrust into our hearts-and-minds wars, who try to do absolute good in a hopeless situation. From the Hardcover edition.




Man as Hero


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Pierce Rice surveys the role of the human figure in public art.




The Death of Old Man Rice


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The Story of One of the Most Remarkable Trials in All History! Sensational trials--the Menendez brothers, the Rodney King case, the Preppie Murder--are not unique to the age of television. The year 1900 saw one of the most dramatic criminal trials in American history, described by one newspaper at the time as America's most remarkable murder case. When William Marsh Rice, the founder of Rice University, was found dead in the New York City quarters he shared with his only servant, suspicion immediately fell on Albert Patrick, a young lawyer. Rice, whose fortune was pledged to Rice Institute (later Rice University), had, it seemed, been killed by chloroform poisoning and his will forged to give Patrick his vast estate. Patrick was immediately arrested and, in a spectacular trial, tried for first-degree murder, a crime then punishable by execution. In this combination murder mystery and murder history, Martin Friedland recounts the events leading up to the trial and the case as it played itself out in court. Skillfully guiding the reader through the trial and its outcome, Friedland sheds new light on the events, casting doubt on what, at first glance, seems an ironclad case. Provocatively illustrated with over 60 photographs that capture the circumstances of the trial and the mood of New York City at the turn of the century, The Death of Old Man Rice is not only a gripping tale of murder and intrigue, but a timely window onto many aspects of criminal justice in America. Touching on issues of great contemporary relevance-- such as the influence of the popular press; the purchase of expert witnesses; the problems of multiple appeals; the inadequacy of penal institutions; and the advantages of wealth--Friedland combines scholarship with suspense in his trademark who done it style. A murder mystery, a historical study, and a fascinating window into the world of forensic science, The Death of Old Man Rice is that rare book that can engage any reader.




God's Foreknowledge and Man's Free Will


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This book is a thought-provoking study of some issues concerning the historic Calvinist/Arminian debate. Does God know absolutely everything that's going to happen? Can He foresee future moral choices and actions which have not yet been made? If one's future responses and behavior are totally foreknowable, is she truly free? Dr. Richard Rice explores these and other fascinating questions which have sometimes divided Christians. The author gives new perspective on one of the most fundamental issues of the Christian faith: the relationship of God to His creation and the reality and extent of human freedom. Carefully scrutinizing the Scriptures on this subject, the author challenges the reader to examine for himself this critical issue of theology. With strong theological background and sound biblical scholarship, Dr. Rice presents his viewpoint in a convincing and readable style.




Brown Boys and Rice Queens


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"A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"--




The Rice Queen Diaries


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In this moving autobiography, Daniel Gawthrop writes about the politics and pleasures of being a self-identified ''rice queen''; a gay man who is attracted to Asians. Navigating through the urban jungles of Western cities like Vancouver and London, as well as the humid streets of Bangkok and Saigon, Daniel explores the multicultural minefields of sexuality and culture as he articulates the manners and contradictions of his desires. The politics of race, and the unspoken rules of gay Asian culture in both Western and Eastern settings, underscore Daniel's personal journey in which he recalls his teen years spent idolizing Bruce Lee and his fixation on an Asian schoolmate whose hazing becomes a sexual spectacle for him. As he enters adulthood, his desires become manifest as he explores the subcultures of Long Yang Clubs (where gay Asians and ''their admirers'' can meet) before departing for Asia, where his encounters often become transactions, and he learns the hard way that sexual desire has a human and emotional cost. Evoking the themes of Edward Said's Orientalism, The Rice Queen Diaries is as much a personal statement about culture and otherness as it is about gay desire. Traversing three continents, these diaries are a personal reckoning, a bold coming to terms with the nuances of sexuality that has relevance for all of us.




The Years of Rice and Salt


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With the same unique vision that brought his now classic Mars trilogy to vivid life, bestselling author Kim Stanley Robinson boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know. . . . “A thoughtful, magisterial alternate history from one of science fiction’s most important writers.”—The New York Times Book Review It is the fourteenth century and one of the most apocalyptic events in human history is set to occur—the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if the plague had killed 99 percent of the population instead? How would the world have changed? This is a look at the history that could have been—one that stretches across centuries, sees dynasties and nations rise and crumble, and spans horrible famine and magnificent innovation. Through the eyes of soldiers and kings, explorers and philosophers, slaves and scholars, Robinson navigates a world where Buddhism and Islam are the most influential and practiced religions, while Christianity is merely a historical footnote. Probing the most profound questions as only he can, Robinson shines his extraordinary light on the place of religion, culture, power—and even love—in this bold New World. “Exceptional and engrossing.”—New York Post “Ambitious . . . ingenious.”—Newsday