The Works of John Ruskin


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The Works of John Ruskin: Unto this last Munera Pulveris time and tide with other writings on political economy, 1860-1873


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Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.




The Nature of Gothic


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The Life of John Ruskin


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Classic biography of the 19th century author & philosopher. Illus.




The Life of John Ruskin


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The Life of John Ruskin: Volume 2, 1860-1900


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E. T. Cook's two-volume biography is a vital tool for anyone wishing to understand Ruskin's achievements in so many fields.




John Ruskin, J.M.W. Turner and the Art of Water


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This book assesses Ruskin’s and Turner’s mutual interest in the theme of water, with particular reference to The Harbours of England (1856), Ruskin’s book on ships and marine art to which are appended Turner’s 12 illustrations of the English ports. By considering existing scholarly works on Ruskin and Turner, the book begins by demonstrating that the two, despite their widely acknowledged relations, have rarely been examined in conjunction. It raises the question as to how the subject of water inspired the intellectual, aesthetic, philosophical, and scientific climate of the nineteenth century, both in Britain and abroad, and acknowledges the significance of the relationship between Ruskin and Turner in the context of aquatic studies. Ruskin’s childhood fascination with water is examined in detail, while the scientific and spiritual importance of the subject in Modern Painters and The Stones of Venice is also emphasised and read in parallel with The Harbours of England, a detailed account of which is given, referring to both text and illustrations. Turner’s role in Ruskin’s understanding of specific water-pictures is also reconstructed. The book demonstrates that water is important as a multifaceted compendium of contemporary themes, for tradition, progress, nationalism, and patriotism find their iconography in its depiction. Considering the literary and painterly implications of wateriness, the text concludes with a reflection upon the significance of the study of water for Ruskin and Turner, and for their age.







Human-Built World


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To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.




John Ruskin's Labour


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John Ruskin was one of the great Victorians established while still young as an arbiter of taste in painting and architecture and as one of the greatest of all writers of English prose. When he was forty he decided to abandon the field in which his reputation had been secured in order to awaken the world to the peril of devastation which, he believed, would follow its preoccupation with profit and its subservience to a false economic doctrine. He regarded his social criticism as a duty, reluctantly accepted, to a society which had abandoned the traditional and religious values that had been the foundation of its civilization. Ruskin's labour, to which he devoted the rest of his life, was to bring a searching intelligence, considerable learning and a moral concern to providing a ruthless criticism of the values of Victorian England.