Rock and Roll ... and the Beat Goes On


Book Description

Rock & Roll is here to stay--so get back to the roots of this exciting, explosive music with the man who saw it all happen: legendary radio personality Cousin Brucie! The artists presented here played vital roles in the earth-shattering changes that unfolded over the decades, from the time rock started to roll in the 50s. Elvis swiveled his hips to the screams of teens--and the horror of their parents. Then came the attack of the Union Jack, with the madness of Beatlemania quickly followed by The Dave Clark Five, The Rolling Stones, The Who, and countless others. Petula Clark and Dusty Springfield belted it out with newly emerging girl power. Teens across America went "Surfing USA" to the sounds of The Beach Boys, while Detroit Soul had kids dancing in the streets. Hippies flew high on Jefferson Airplane--and Woodstock galvanized a nation. Records like Sergeant Pepper's Lonely Hearts Club Band and Pet Sounds changed the way music was produced forever. Cousin Brucie puts the music in its historical context. The songs unfold against a backdrop of social upheaval, from JFK, Martin Luther King, Jr., civil rights, and anti-war movements to the first Earth Day, Batman, Women's Lib, and Watergate. The book teems with archival photographs, posters, album covers, record labels, newspaper articles, magazine covers, poems, quotes, and more.




Surf Beat


Book Description

SURF BEAT: ROCK AND ROLL'S FORGOTTEN REVOLUTION







Big Beat Heat


Book Description

This is the riveting story of how one deejay -- Alan Freed -- brought the fresh sounds of rock and roll to the airwaves, introducing teenagers in New York and across America to the sounds of a generation. It is also the darker tale of the payola scandals of the late 50s that exposed the links between radio airplay, record promotion, and the mob.




Big Rock Beat


Book Description

It's 1967, the summer of love, ten years after legendary B movie director Landis Woodley's cult horror classic Cadaver. Now Woodley is shooting a rock-and-roll movie, complete with beach bunnies, hot rods, monsters, and rock bands. And as usual, money is tight. Producer Sol Kravitz introduces Woodley to Tijuana financier Hector Diablo, who invests a huge amount of money in the movie with the proviso that James Dean's death car, which he has rebuilt and named The Impresser, has a starring role. But something else is attached to this movie. Something that's not in the script. Sol is the first to die. Then others. And payback's a bitch. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Rattlebone Rock


Book Description

When skeletons, ghouls, witches, and assorted other spooky creatures take up the rock beat, a town has its best-ever Halloween.




Rock: The Primary Text


Book Description

This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.




Big Rock Beat


Book Description

It's 1967, ten years after legendary B movie director Landis Woodley's cult horror Cadaver. Now Woodley is shooting a rock-and-roll movie, and producer Sol Kravitz introduces Woodley to Tijuana financier Hector Diablo, who invests money in the movie with the proviso that James Dean's death car, which he has rebuilt and named The Impresser, has a starring role. But something else is not in the script. Sol is the first to die. Then others. And payback's a bitch.




Rock: The Primary Text


Book Description

This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.




The Truth about Rock Music


Book Description