Roger Casement in Death, Or, Haunting the Free State


Book Description

Roger Casement, the retired British consular official tried for treason and executed for securing German rifles to help the 1916 Rising in Ireland, has been a focus of controversy since the 1930s, with specific reference to the so-called Black diaries allegedly forged by British intelligence in c.1916. Forensic tests on the diaries commissioned by a committee chaired by W.J. McCormack have now shown that the diaries were written by Casement. This work is centred on W.J. Maloney, whose 1936 book, "The Forged Casement Diaries", brought the topic to the attention of the Irish public, and was part of an Irish-American campaign to influence the domestic politics of the Irish Free State. The book raises questions about intelligence work, archival engineering, IRA unofficial action, Nazi propaganda and new light is shed on major figures such as Eamon de Valera and W.B. Yeats, as well as on a cast of colourful bit players.




The Devil and Mr Casement


Book Description

In September 1910, the human rights activist and anti-imperialist Roger Casement arrived in the Amazon to investigate reports of widespread human rights abuses in the vast forests stretching along the Putumayo river. There, the Peruvian entrepreneur Julio Csar Arana ran an area the size of Belgium as his own private fiefdom; his British registered company operated a systematic programme of torture, exploitation and murder. Fresh from documenting the scarcely imaginable atrocities perpetrated by King Leopold in the Congo, Casement was confronted with an all too recognisable scenario. He uncovered an appalling catalogue of abuse: nearly 30,000 Indians had died to produce four thousand tonnes of rubber. From the Peruvian rainforests to the City of London, Jordan Goodman recounts a crime against humanity that history has almost forgotten, but whose exposure in 1912 sent shockwaves around the world. Drawing on a wealth of original research, The Devil and Mr Casement is a story of colonial exploitation and corporate greed with enormous contemporary political resonance.




Remembering the Revolution


Book Description

Remembering the Irish Revolution chronicles the ways in which the Irish revolution was remembered in the first two decades of Irish independence. While tales of heroism and martyrdom dominated popular accounts of the revolution, a handful of nationalists reflected on the period in more ambivalent terms. For them, the freedoms won in revolution came with great costs: the grievous loss of civilian lives, the brutalisation of Irish society, and the loss of hope for a united and prosperous independent nation. To many nationalists, their views on the revolution were traitorous. For others, they were the courageous expression of some uncomfortable truths. This volume explores these struggles over revolutionary memory through the lives of four significant, but under-researched nationalist intellectuals: Eimar O'Duffy, P. S. O'Hegarty, George Russell, and Desmond Ryan. It provides a lively account of their controversial critiques of the Irish revolution, and an intimate portrait of the friends, enemies, institutions and influences that shaped them. Based on wide-ranging archival research, Remembering the Irish Revolution puts the history of Irish revolutionary memory in a transnational context. It shows the ways in which international debates about war, human progress, and the fragility of Western civilisation were crucial in shaping the understandings of the revolution in Ireland. It provides a fresh context for analysis the major writers of the period, such as Sean O'Casey, W. B. Yeats, and Sean O'Faolain, as well as a new outlook on the genesis of the revisionist/nationalist schism that continues to resonate in Irish society today.




Locked in the Family Cell


Book Description

Locked in the Family Cell is the first book on Ireland to provide a sustained and interdisciplinary analysis of gender, sexuality, nationalism, the public and private spheres, and the relationship between these categories of analysis and action. Kathryn Conrad examines the writers and activists who are resistant to simplistic nationalist constructions of Ireland and its subjects. She exposes the assumptions and the effects of national discourses in Ireland and their reliance on a limited and limiting vision of the family: the heterosexual family cell. By actively situating theoretical readings and concerns in practice, Conrad follows the lead of scholars such as Lauren Berlant, Gloria Anzaldua, Ailbhe Smyth, and others who have encouraged dialogue not only among scholars in different academic disciplines but between scholars and activists. In doing so she provides not only a critique of interest to scholars in a variety of fields but also a productive political intervention.




Irish Political Prisoners 1848-1922


Book Description

This is the most wide-ranging study ever published of political violence and the punishment of Irish political offenders from 1848 to the founding of the Irish Free State in 1922. Those who chose violence to advance their Irish nationalist beliefs ranged from gentlemen revolutionaries to those who openly embraced terrorism or even full-scale guerilla war. Seán McConville provides a comprehensive survey of Irish revolutionary struggle, matching chapters on punishment of offenders with descriptions and analysis of their campaigns. Government's response to political violence was determined by a number of factors, including not only the nature of the offences but also interest and support from the United States and Australia, as well as current objectives of Irish policy.




Masculinity and Power in Irish Nationalism, 1884-1938


Book Description

This book is a comparative study of masculinity and white racial identity in Irish nationalism and Zionism. It analyses how both national movements sought to refute widespread anti-Irish or anti-Jewish stereotypes and create more prideful (and highly gendered) images of their respective nations. Drawing on English-, Irish-, and Hebrew-language archival sources, Aidan Beatty traces how male Irish nationalists sought to remake themselves as a proudly Gaelic-speaking race, rooted both in their national past as well as in the spaces and agricultural soil of Ireland. On the one hand, this was an attempt to refute contemporary British colonial notions that they were somehow a racially inferior or uncomfortably hybridised people. But this is also presented in the light of the general history of European nationalism; nationalist movements across Europe often crafted romanticised images of the nation’s past and Irish nationalism was thus simultaneously European and postcolonial. It is this that makes Irish nationalism similar to Zionism, a movement that sought to create a more idealized image of the Jewish past that would disprove contemporary anti-Semitic stereotypes.




The Poor Bugger's Tool


Book Description

With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country. Taking its title from a veiled reference to Roger Casement-the humanitarian and Irish patriot hanged for treason-in James Joyce's Ulysses, The Poor Bugger's Tool demonstrates how the affective labor of Irish queer culture might contribute to a progressive new national image for the Republic and Northern Ireland. Looking back to the first wave of Irish modernism in the works of Wilde, Synge, Casement, and Joyce, Patrick Mullen reveals how these authors deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. In its second half, the monograph turns its attention to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill. With readings of The Butcher Boy, Breakfast on Pluto, and At Swim Two Boys, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization at the turn of the twenty-first century. Buttressed by writings of theorists like Marx, Foucault, and Antonio Negri, The Poor Bugger's Tool brings Irish literature into a fruitful dialog with queer theory, postcolonial studies, the history of sexuality, and modernist aesthetics.




Encyclopedia of the Age of Imperialism, 1800-1914 [2 volumes]


Book Description

In 1800, Europeans governed about one-third of the world's land surface; by the start of World War I in 1914, Europeans had imposed some form of political or economic ascendancy on over 80 percent of the globe. The basic structure of global and European politics in the twentieth century was fashioned in the previous century out of the clash of competing imperial interests and the effects, both beneficial and harmful, of the imperial powers on the societies they dominated. This encyclopedia offers current, detailed information on the major world powers and their global empires, as well as on the people, events, ideas, and movements, both European and non-European, that shaped the Age of Imperialism.




King Leopold's Ghost


Book Description

With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.




Irish Modernisms


Book Description

This book focuses on previously unexplored gaps, limitations and avenues of inquiry within the canon and scholarship of Irish modernism to develop a more attentive and fluid theoretical account of this conceptual field. Foregrounding interfaces between literary, visual, musical, dramatic, cinematic, epistolary and journalistic media, these essays introduce previously peripheral writers, artists and cultural figures to debates about Irish modernism: Hannah Berman, Ethel Colburn Mayne, Mary Devenport O'Neill, Sheila Wingfield, Freda Laughton, Rhoda Coghill, Elizabeth Bowen, Máirtín Ó Cadhain, Joseph Plunkett, Liam O'Flaherty, Edward Martyn, Jane Barlow, Seosamh Ó Torna, Jack B. Yeats and Brian O'Nolan all feature here to interrogate the term's implications. Probing Irish modernism's responsiveness to contemporary theory beyond postcolonial and Irish studies, Irish Modernisms: Gaps, Conjectures, Possibilities uses diverse paradigms, including weak theory, biopolitics, posthumanism and the nonhuman turn, to rethink Irish modernism's organising themes: the material body, language, mediality, canonicity, war, state violence, prostitution, temporality, death, mourning. Across the volume, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalized importance of women's writing and queer expression to the Irish avant-garde, while critical reappraisals of the coordinates of race and national history compel us to ask not only where and when Irish modernism occurred, but also whose modernism it was?