Romancing Death


Book Description

Romancing Death sheds the light of God on the popularity of vampirism in today’s pop culture. This fascinating exposé of the dark realities behind romanticizing the occult in our current culture reveals the naked truth about how the church has not addressed the needs of people young and old who fill the holes in their souls and spirits with evil rather than good. Weaving his personal history—including involvement in Wicca, Freemasonry, and vampirism—the author lays out the literary and cultural history of vampirism and closely analyzes the romanticized presentation of the occult in the Twilight saga. Romancing Death is a clarion call for the Church to take responsibility to be true salt and light in the world.




Songs of Love and Death


Book Description

A groundbreaking and “wonderful” (Library Journal, starred review) anthology of fantasy, science fiction, and romance from New York Times bestselling and award-winning authors, edited by the acclaimed George R.R. Martin and Gardner Dozois. From epic fantasy, post-apocalyptic America, to faerie-haunted rural fields in 18th-century England, to an intergalactic empire, join star-crossed lovers as they struggle against the forces of magic and fate. A star-studded cross-genre anthology Songs of Love and Death features all-original tales from seventeen of the most prestigious names in romance, fantasy, and science fiction. Contributors include: -Neil Gaiman -Diana Gabaldon -Jim Butcher -Robin Hobb -Marjorie M. Liu -Jo Beverley -Mary Jo Putney -Peter S. Beagle -Jacqueline Carey -Carrie Vaughn -Yasmine Galenorn -MLN Hanover -Kristine Kathryn Rusch -Linnea Sinclair -Cecelia Holland -Tanith Lee -Melinda Snodgrass -Lisa Tuttle




In Love With Death


Book Description

Death is the inevitable fate of every single person on earth. How do we accept the inevitability of our own death? How do we live our lives with meaning? Will money lead us to happiness? Satish Modi examines these questions is a moving, powerful, thought-provoking work based on his own reflections as well as the experiences of people from all walks of life. The result is a fascinating book that teaches us that whoever we are and whatever our aspirations in this life, it is important for each and every one of us to accept our own passing. In doing so we can free ourselves to live as well and fully as possible, guided by the principles of goodness, love and compassion.




The Mapping of Love and Death


Book Description

"Maisie Dobbs must unravel a case of wartime love and death--an investigation that leads her to a doomed affair between a young cartographer and a mysterious nurse"--Provided by publisher.




Love and Death


Book Description




The Labyrinth of Love


Book Description

This book studies the various narrative shades of love in twentieth-century Latin American fiction. It examines writings by Isabel Allende, Roberto Arlt, García Márquez, and Mario Vargas Llosa. The author provides a close textual reading of each novel and discusses how humans make sense of their lives through love. He shifts the focus of these writings from political violence and historical disillusionment to the illusion of love. An important contribution to Latin American literary criticism, this book will be of interest to students and scholars of literature, history, Latin American literature, philosophy, ethics, aesthetics, comparative literature, and sociology.




Love in the Afterlife


Book Description

This is a definitive study of films that have been built around the themes of love, death, and the afterlife—films about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique pattern—the love-death-afterlife pattern—as it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of “Eros and Thanatos,” and then featured in popular movies from the 1920s to the recent past. Among its other qualities, Love in the Afterlife may encourage readers to look at movies differently and reflect upon the possibility that other patterns in cinema may have gone undetected for years. Furthermore, this book will show how the love-death-afterlife theme found its way into all sorts of different film types: melodramas, comedies, war films, horror films, film noir, and other genres. The book will be well illustrated and quotations from film reviews will enliven its pages. A long appendix gives production data on almost sixty individual films.




The Medieval Greek Romance


Book Description

First published by CUP in 1989, The Medieval Greek Romance provides basic information for the non-specialist about Greek fiction during the period 1071-1453, as well as proposing new solutions to problems that have vexed previous generations of scholars. Roderick Beaton applies sophisticated methods of literary analysis to the material, and the bridges of the artificial gap which has separated `Byzantine'literature, in a form of ancient Greek as both homogenous and of a high level of literary sophistication. Throughout, consideration is given to relations and interconnections with similar literature in western Europe. As most of the texts discussed are not available in English translation, the argument is illustrated by lucid plot summaries and extensive quotation (accompanied by literal English renderings). For this edition, The Medieval Greek Romance has been revised throughout and expanded with the addition of an `Afterword' which assesses and responds to recent work on the subject.




The Radicalism of Romantic Love


Book Description

Undoubtedly Romantic love has come to saturate our culture and is often considered to be a, or even the, major existential goal of our lives, capable of providing us with both our sense of worth and way of being in the world. The Radicalism of Romantic Love interrogates the purported radicalism of Romantic love from philosophical, cultural and psychoanalytic perspectives, exploring whether it is a subversive force capable of breaking down entrenched social, political and cultural norms and structures, or whether, in spite of its role in the fight against certain barriers, it is in fact a highly conservative impulse. Exploring both the grounds for the central place of Romantic love in contemporary lives and the meaning, extent and nature of its supposed radicalism, this volume considers love from a variety of theoretical perspectives, with attention to matters of gender, sexuality, class and ethnicity. With authors examining a range of questions, including the role of love in the same-sex marriage debate, polyamory and the notion of love as a political force, The Radicalism of Romantic Love illuminates a fundamental but perplexing aspect of our contemporary lives and will appeal to scholars across the social sciences and humanities with interests in the emotions and love as a social and political phenomenon.




Talking to the Dead


Book Description

Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.