Romanesque Sculpture in Tuscany


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Romanesque Sculpture


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Italian Romanesque Sculpture


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Romanesque Sculpture in Italy


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Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters


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"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.




The Nave Sculpture of Vézelay


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"This scholarly work fundamentally changes the way we think about the monastic church of Vezelay and its sculptures. Kirk Ambrose provides a new account of the celebrated sculptural ensemble at this important French Romanesque monastic church. Whereas scholarly attention in the past has focused almost exclusively on the Pentecostal portal, Ambrose devotes most of his analysis to the nave capitals. He considers how these works intersect with various aspects of monastic culture, from poetry to a sign language used during observed periods of silence. From this study it emerges how many of the sculptures resonated with communal practices and with interpretive modes in use at the site." "Deeming the attempt to uncover an underlying or unifying program to be an anachronistic project, Ambrose explores historically specific ways this ensemble cohered for medieval viewers. Covering a range of themes, including hagiography, ornament, and violence, he develops alternative approaches for the examination of serial imagery. As a result, this book has broad implications for the study of eleventh- and twelfth-century art in the West."--BOOK JACKET.




Romanesque Sculpture in Campania


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This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean.




Renaissance and Renewal in the Twelfth Century


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Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.




The Grove Encyclopedia of Medieval Art and Architecture


Book Description

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.