Author : William Christie
Publisher : Routledge
Page : 265 pages
File Size : 37,96 MB
Release : 2016-06-16
Category : History
ISBN : 1315476282
From its first issue, published on the 10th October 1802, Francis Jeffrey's "Edinburgh Review" established a strong reputation and exerted a powerful influence. This is a literary study of the "Edinburgh Review" for over fifty years. It contextualizes the periodical within the culture wars of the Romantic era.
Author : Alex Watson
Publisher : Routledge
Page : 203 pages
File Size : 15,48 MB
Release : 2015-10-06
Category : Literary Criticism
ISBN : 1317322339
This is the first critical study of Romantic-era annotation or marginalia – footnotes, endnotes, glossaries – which formed a vital site of literary interaction.
Author : Angela Wright
Publisher : Edinburgh University Press
Page : 272 pages
File Size : 31,48 MB
Release : 2015-11-16
Category : Literary Criticism
ISBN : 074869675X
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author : Jon Klancher
Publisher : John Wiley & Sons
Page : 312 pages
File Size : 34,65 MB
Release : 2009-04-06
Category : Literary Criticism
ISBN : 9781444308570
A Concise Companion to the Romantic Age provides newperspectives on the relationships between literature and culture inBritain from 1780 to 1830 Provides original essays from a variety of multi-disciplinaryscholars on the Romantic era Includes fresh insights into such topics as religiouscontroversy and politics, empire and nationalism, and therelationship of Romanticism to modernist aesthetics Ranges across the Romantic era's literary, visual, andnon-fictional genres
Author : Pablo Picante
Publisher : Richards Education
Page : 171 pages
File Size : 11,78 MB
Release :
Category : Travel
ISBN :
In the enchanting continent of Europe, romance is woven into the very fabric of its cities. From historic cobblestone streets to picturesque waterfronts, Europe offers a plethora of destinations perfect for unforgettable dates. Whether you're strolling hand in hand through charming villages, indulging in candlelit dinners overlooking iconic landmarks, or simply admiring breathtaking sunsets, each city on this list promises to ignite passion and create lasting memories with your loved one. Join us on a journey through Love Across Europe as we explore 90 romantic cities awaiting your next romantic escapade. As you embark on your journey through the romantic cities of Europe, may each destination ignite the flames of love and create cherished memories to last a lifetime. Whether you're wandering through historic streets, savoring local cuisine, or simply enjoying each other's company, Love Across Europe promises to be a guidebook to unforgettable romantic adventures. So pack your bags, grab your loved one's hand, and let the magic of Europe sweep you off your feet.
Author : Robert Morrison
Publisher : Oxford University Press
Page : 993 pages
File Size : 49,99 MB
Release : 2024-04-18
Category : Literary Collections
ISBN : 0192571494
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
Author : Karen Fang
Publisher : University of Virginia Press
Page : 249 pages
File Size : 45,64 MB
Release : 2010-02-02
Category : Literary Criticism
ISBN : 0813928826
Nineteenth-century periodicals frequently compared themselves to the imperial powers then dissecting the globe, and this interest in imperialism can be seen in the exotic motifs that surfaced in works by such late Romantic authors as John Keats, Charles Lamb, James Hogg, Letitia Landon, and Lord Byron. Karen Fang explores the collaboration of these authors with periodical magazines to show how an interdependent relationship between these visual themes and rhetorical style enabled these authors to model their writing on the imperial project. Fang argues that in the decades after Waterloo late Romantic authors used imperial culture to capitalize on the contemporary explosion of periodical magazines. This proliferation of "post-Napoleonic" writing—often referencing exotic locales—both revises longstanding notions about literary orientalism and reveals a remarkable synthesis of Romantic idealism with contemporary cultural materialism that heretofore has not been explored. Indeed, in interlocking case studies that span the reach of British conquest, ranging from Greece, China, and Egypt to Italy and Tahiti, Fang challenges a major convention of periodical publication. While periodicals are usually thought to be defined by time, this account of the geographic attention exerted by late Romantic authors shows them to be equally concerned with space. With its exploration of magazines and imperialism as a context for Romantic writing, culture, and aesthetics, this book will appeal not only to scholars of book history and reading cultures but also to those of nineteenth-century British writing and history.
Author : Alex Benchimol
Publisher : Routledge
Page : 246 pages
File Size : 39,57 MB
Release : 2016-05-23
Category : Literary Criticism
ISBN : 1317115031
Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.
Author : Mike Goode
Publisher : Oxford University Press
Page : 304 pages
File Size : 24,9 MB
Release : 2020-10-02
Category : Literary Criticism
ISBN : 0192606913
Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities.
Author : Jillian Heydt-Stevenson
Publisher : Liverpool University Press
Page : 358 pages
File Size : 50,61 MB
Release : 2010-01-01
Category : Literary Collections
ISBN : 1846315026
The field of literature changed dramatically at the end of the eighteenth century, as under the shadow of Romanticism the novel became the most important literary genre of its day. Often neglected, the novels of the Romantic era puzzle critics yet are much more concerned with the unexpected, the unconventional, and the uncanny than their immediate predecessors or successors, and their authors include some of the most important novelists of British literary history—Jane Austen, Fanny Burney, James Hogg, Mary Shelley, and Sir Walter Scott among them. Featuring contributions from distinguished scholars in the field, Recognizing the Romantic Novel evaluates the vibrancy and centrality of the Romantic novel, showcasing the important new voices and directions in the field and showing it can hold its own in the canon of literary scholarship. “These essays offer us a lens through which we may recognize the Romantic novel as it has never been recognized before.”—Times Literary Supplement
