Romanticism and the Androgynous Sublime; Mary Shelley Revisited


Book Description

Julia Paulman Kielstra provides a comparative review of "Romanticism and the Androgynous Sublime" and "Mary Shelley Revisited." "Romanticism and the Androgynous Sublime" was written by Warren Stevenson and published in 1996 in Cranberry, New Jersey, by Associated University Presses. "Mary Shelley Revisited" was written by Johanna M. Smith and published in 1996 in New York City by Twayne Publishers. The books focus on the 19th century Romantic movement in literature and on the literary works of the English novelist Mary Wollstonecraft Shelley (1797-1851). Kielstra's review was published in the May 1997 issue of "Romanticism on the Net." Michael Eberle-Sinatra provides the review online.




Romanticism and the Androgynous Sublime


Book Description

This book studies and articulates the emergence from the poetical subtext of six major English romantics of "the androgynous sublime", a mode that conflates the motif of psychic androgyny (traceable as far back as the Book of Genesis and Plato's Symposium) with the mode of sublimity, first discussed by Longinus and much debated from the eighteenth century onward. Frequently echoed by the romantic poets, Milton's description of the Holy Spirit's role in the creation of the world is androgynous. Since humane creativity mirrors divine creativity, it follows that the artist qua artist muct also be androgynous - that is, endowed with what Lyrical Ballads, calls "a more comprehensive soul" than is "supposed to be common among mankind". Characterized by a flexuous, limber style and an association with androgynous subject matter, the androgynous sublime subverts conventional notions of sublimity while offering a more comprehensive model with which to supplement, of non supplant, them. The methodology of this study is to present a "counter-deconstructive" reading of the text and, where applicable, designs of Blake, as well as the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats, seen from this somewhat novel but not ignoble perspective.




Romanticism and the Androgynous Sublime Revisited


Book Description

Romanticism and the Androgynous Sublime Revisited : A New Perspective of the English Romantic Poets




Rethinking the Romantic Era


Book Description

Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's “canonical” poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man.




Rethinking the Romantic Era


Book Description

"Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues between these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's "canonical" poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man"--




Feminine Romanticism In Mary Shelley's Frankenstein


Book Description

This thesis explores Romanticism presented in Mary Shelley’s Frankenstein. I incorporate Anne K. Mellor’s work in identifying Romanticism’s two main forms: feminine and masculine Romanticism. The Romantic ideologies as we know them today were established by the “High Romantics.” The leaders in the movement include literary figures such as Lord Byron, Wordsworth, and Keats. They produced work reflecting the values of “masculine” Romanticism, a form that revered unrestrained emotion, the sublime, and the desire for domination. Mary Shelley, along with other female writers, also expressed the ideals of Romanticism, but their writings exhibited an alternate ideological form called “feminine” Romanticism. In her famous novel, Shelley critiques the values of masculine Romanticism and advocates ideals of feminine Romanticism by revealing the superiority of reason over excess passion, subtle beauty of nature over the extreme forces of the sublime, and mutual affections over the desire for power.




Tracing Women's Romanticism


Book Description

This volume argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within.




Romanticism and Gender


Book Description

Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.




Revisiting Italy


Book Description

With the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.




Romanticism and Feminism


Book Description

Wollstonecraft, Mary; Lamb, Mary; Wordsworth, Dorothy; Scoft, Walter.