Romanticism/Judaica


Book Description

The twelve essays in Romanticism/Judaica explore the four major cultural strands that have converged from the French Revolution to the present. The first section, Nationalism and Diasporeanism, contains essays on the diasporean mentality of the Romantics, Byron's attitude towards nationalism, and Polish immigrant Hyman Hurwitz's attempt to gain acceptance among the British by having Coleridge translate his Hebrew elegy for Princess Charlotte. Essays of the second section, Religion and Anti-Semitism, deal with the complexities of Jewish/Christian relations in the Romantic Period. Specifically, they discuss philosopher Solomon Maimon's lack of response to Kant's anti-Semitism, novelist Maria Polack's use of Christian subject matter to combat anti-Semitism, and short-story writer Grace Aguilar's incorporation of the British Bible-centered Evangelical culture, along with various strands of British Romanticism. In the third section, Individualism and Assimilationism, essays consider different ways the Jews were assimilated into the dominant culture, specifically through the theater, sports and and post-Enlightenment philosophy. Finally, the volume concludes with Criticism and Reflection: a revaluation of earlier scholarship on Anglo-Jewish literature; the establishment of Harold Fisch's covenantal hermeneutics as a model for reading Keats; and an analysis of Lionel Trilling, M. H. Abrams, Harold Bloom and Geoffrey Hartman in terms of their Jewish origins, suggesting the further implications for Romanticism as a field.




British Romanticism and the Jews


Book Description

British Romanticism and the Jews explores the mutual influences exerted by the British-Christian and British-Jewish communities on each other during the period between the Enlightenment and Victorianism. The essays in the volume demonstrate how the texts produced by the Jewish Enlightenment provided a significant resource for romantic intellectual revisionism, in much the same way that British romanticism provided the cultural basis through which the British-Jewish community was able to negotiate between the competing obligations to ethnicity and nationalism.




The Jews and British Romanticism


Book Description

Expanding the perspective initiated by British Romanticism and the Jews: History, Culture, Literature (0-312-29522-7), this volume explores more deeply the complexities inherent in the relationship between the British and Jewish cultures as initiated in the Romantic Period in England, though extending to the present in the Middle East.




Call of Classical Literature in the Romantic Age


Book Description

Examines the role that cinema played in imagining Hong Kong and Taiwan's place in the world




Byron and the Jews


Book Description

A full-length critical inquiry into the complex interrelationship between the British poet and the Jews. Despite their religious and geographic differences, the British poet Lord Byron shared certain attitudes about politics, institutionalized religion, and individual identity that made him very popular with Jewish readers. In Byron and the Jews, author Sheila A. Spector investigates why, of all the British Romantic poets, Byron is the most frequently translated into Hebrew and Yiddish and how Jews used translations of Byron's works to help construct a new Jewish identity. Spector begins by examining Byron's interaction with contemporary Jewish writers Isaac D'Israeli and Isaac Nathan and investigates how the writers translated each other. The following three chapters demonstrate how the Byron translations interrelated with intellectual leaders of the three cultural movements that dominated Jewish culture in the nineteenth and twentieth centuries: the Maskilim, the Yiddishists, and the Zionists. Spector's conclusion explores the theoretical inference implicit in this study—that the act of translation inevitably produces an allegorical reading of a text that may be contrary to an author's original intention. A useful appendix contains transcriptions of many of the texts discussed in this volume, as few of these Hebrew and Yiddish translations are readily available elsewhere. Not only are portions of all of the translations represented, but different versions are included so that readers can see for themselves how Byron was adapted for different Jewish interpretive communities. Scholars of Byron, Jewish identity, and those interested in translation and reception studies will appreciate this insightful volume.




The Encyclopedia of Romantic Literature, 3 Volume Set


Book Description

The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities




The Routledge Companion to Romantic Women Writers


Book Description

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.




The Neglected Shelley


Book Description

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.




Evolutions of Jewish Character in British Fiction


Book Description

Evolutions of Jewish Character in British Fiction: Nor Yet Redeemed builds upon recent scholarship concerning representations of Jews in the British Romantic and Victorian periods. Existing studies identify common trends, or link positive Jewish portrayals to authorial interests and social movements; this volume argues that understanding developments in Jewish portrayals can be enhanced by looking at the way antecedent Jewish characters and tropes are negotiated within developing literary movements. Evolutions of Jewish Character in British Fiction examines how the contradictory nature of Jewish stereotypes, combined with the Jews’ complicated entanglement of religion, race, and nationality, presented an opportunity for writers to think about the gap between representations and individuals. The tension between stereotyping and Realist impulses leads to a diversity of Jewish types, but also to an increasingly muddled sense of Jewish interests. This confusion over Jewish identity generated in turn a subgenre of texts that sought to educate readers about Jews by interrogating stereotypes and thinking about the Jews’ relationships to host cultures. In a literary landscape increasingly defined by individuality and Realism, outcast and secretive Jews provided subjects ready-made to reveal the inadequacies of surfaces for understanding the interior self. The replacement of simplistic Jewish stereotypes with morally complex Jewish characters is an effect both of Realism’s valuation of interiority and of the historical movement towards expanding the definitions of British identity.