Rosa Bonheur - Influential Women in History


Book Description

This book is part of a series on historical female figures. It features the French painter and sculptor Rosa Bonheur. She achieved notoriety for Ploughing in the Nivernais and The Horse Fair and is widely accredited with being the best known female painter of the nineteenth century.




ArtCurious


Book Description

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.




Why Have There Been No Great Women Artists?: 50th anniversary edition


Book Description

The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”




Art is a Tyrant


Book Description

WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.




WOMEN PAINTERS OF THE WORLD


Book Description




Rosa Bonheur: The Artist’s (Auto)biography


Book Description

Hailed as one of the foremost painters of the nineteenth century, Rosa Bonheur (1822-1899) lived to see her name become a household word. In a century that did its best to keep women “in their place,” she earned her own money, managed her own property, wore trousers, hunted, smoked, and lived in retreat with women companions in a château near Fontainebleau. Rosa Bonheur: The Artist’s (Auto)biography brings this extraordinary woman to life, blending Bonheur’s first-person account with the memoirs of Anna Klumpke, a young American artist who was Bonheur’s last companion and chosen portraitist. Klumpke recounts their first meeting, her growing affection for the much older Bonheur, and her decision to live with the artist. Bonheur’s account of her own life story, set within Klumpke’s narrative, sheds light on such currently compelling subjects as gender formation, governmental intervention in the arts, the social and legal regulation of dress codes, and the transgressive nature of same-sex relationships in a repressive society. “What a pleasure to have this essential document of art history available in an up-to-date translation. Anna Klumpke’s biography of Rosa Bonheur is, of course, not only an important art-historical document, but a major contribution to the social history of nineteenth-century France and a moving testimony to human attachment as well.” —Linda Nochlin “The remarkable life of Rosa Bonheur, one of the most highly decorated artists and certainly the best known female artist of her time in nineteenth-century France, is long overdue for further scrutiny.” — Therese Dolan, Temple University “... tells the fascinating, unconventional story of the famous 19th-century French artist. Written by Bonheur’s lover, American artist Anna Klumpke, with input from Bonheur herself, the biography effectively shows Bonheur’s devotion to the great loves of her life: her mother, her art, and her female companions.” — Washington Blade “A cigar-smoking, cross-dressing eccentric à la George Sand, Rosa Bonheur was one of the 19th century’s most popular artists... Drawing on her own meticulous journal entries as well as Bonheur’s letters, sketches, and diaries, Klumpke traces Bonheur’s trailblazing life and recounts how she met Bonheur, fell in love and became her official portraitist, companion and sole heir.” — Publishers Weekly “It is a treat to have Rosa Bonheur: The Artist’s (Auto)biography... available in English. Bonheur (1822-1899), a lesbian born in France, channeled her formidable talent into painting animals, lived a highly unconventional life, and received special permission to wear pants in public... This combination autobiography and biography, originally published in 1908, includes a vibrant introduction by the translator.” —Feminist Bookstore News “Each part of the story — translator’s, Klumpke’s, and Bonheur’s — is so engagingly written that reading it is like an adventure with an emphasis on the development and support of female creativity... Anna Klumpke poured her love into magnificent portraits of Bonheur and later into writing and managing Bonheur’s estate. Translator Gretchen van Slyke has rendered the original French into graceful, compelling prose. After finishing this book, my strongest emotion was gratitude for having been allowed to see so intimately into the lives of these productive, caring women.” — Lambda Book Report




Broad Strokes


Book Description

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.




Women Artists in Paris, 1850-1900


Book Description

Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.




A Storm of Horses


Book Description

An inspiring picture book about Rosa Bonheur, the most famous and best-selling painter of her century In a stunning ode to underrepresented women everywhere, award-winning illustrator Ruth Sanderson tells the untold story of French artist Rosa Bonheur in this picture book biography. Rosa Bonheur was born in 1822 in France at a time when young women had limited options beyond being a wife and mother. But Rosa wouldn’t stand for this. She wore pants, rode horses astride, and often broke society’s rules. She wanted to be a famous painter just like her father. Female artists at the time were encouraged to paint domestic scenes of children and family, but Rosa was determined to capture the unbridled wild beauty of horses. Her masterpiece The Horse Fair was eight feet high and sixteen feet wide. Rosa went on to become the most celebrated artist of her time with paintings purchased by art collectors, museums, and galleries around the world. With the decline in popularity of realistic painting, Rosa’s trailblazing story was almost forgotten. Revel at the bravery and fortitude of young Rosa as you take in Ruth Sanderson’s immaculate rendition of her life and artistry.




The Mirror and the Palette


Book Description

A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.