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Persianate Selves


Book Description

For centuries, Persian was the language of power and learning across Central, South, and West Asia, and Persians received a particular basic education through which they understood and engaged with the world. Not everyone who lived in the land of Iran was Persian, and Persians lived in many other lands as well. Thus to be Persian was to be embedded in a set of connections with people we today consider members of different groups. Persianate selfhood encompassed a broader range of possibilities than contemporary nationalist claims to place and origin allow. We cannot grasp these older connections without historicizing our conceptions of difference and affiliation. Mana Kia sketches the contours of a larger Persianate world, historicizing place, origin, and selfhood through its tradition of proper form: adab. In this shared culture, proximities and similarities constituted a logic that distinguished between people while simultaneously accommodating plurality. Adab was the basis of cohesion for self and community over the turbulent eighteenth century, as populations dispersed and centers of power shifted, disrupting the circulations that linked Persianate regions. Challenging the bases of protonationalist community, Persianate Selves seeks to make sense of an earlier transregional Persianate culture outside the anachronistic shadow of nationalisms.




Song Of The Dervish


Book Description

Thirteenth century Hindustan: Sultans ruled Delhi. Seduced by gold, they eyed rich neighbouring kingdoms. They marched from one land to another, plundering and preying on the women of the vanquished. The sultan's court was a cauldron of intrigue, where brother killed brother for the throne. Amidst this orgy of violence, greed and lust, there emerged a Sufi dervish called Nizamuddin Auliya. He offered calm to a people ravaged by fear; he offered hope where there was none. The dervish spoke of tolerance and peace among religions. There are as many paths to The One as there are grains of sand. Nizamuddin realised his Maker by feeding the hungry. He knew what hunger was like. He had gone hungry too. The dervish, like all Chishti Sufis, would have nothing to do with sultans, who were wary of him. One wanted Nizamuddin's severed head brought to his court. Nizamuddin's closest disciple was Amir Khusro, the court poet of sultans, the dervish's soul. Music was prayer for Nizamuddin. Amir Khusro created qawwali, Sufi devotional music, for his master. Song of The Dervish tells the stories of people who feel Nizamuddin's presence today, 700 years later. He offers hope and heals. No one goes hungry, no soul leaves troubled from the dervish's doorstep