The More You Learn the More You Earn


Book Description

Have Courage: Inspirational Design Notebook/Journal with 120 Pages (6"x9")This notebook is perfect for writing thoughts, notes, ideas, plans* Perfect sized 6 x 9 inches* Soft matte cover* 120 pages (60 sheets)* Interior: blank lined papeThis notebook is perfect for writing thoughts, notes, ideas, plans, and dreams. It has a compact size so you can take it anywhere you want. It is also a great gift idea for your family and friends.* Perfect sized 6 x 9 inches* Soft matte cover* 120 pages




Large Wire Journal Be Strong J


Book Description

Take some time to deconstruct your day when you journal your thoughts in the Strong Large Wirebound Journal. The striking lion's face on the cover will encourage you to find strength and comfort in the promises God makes in the Bible, specifically that if you put your faith in him, he will never leave you. The front cover of the journal is split into two panels. A black panel holds the sentiment. STRONG. A gray panel depicts the striking right side of a lion's face and the Scripture reference that inspired the design. Joshua 1:9. A presentation page in the front of the journal allows you to address this journal to someone special as a gift of encouragement or to mark a special occasion. The durable hardcover protects the journal's pages and prevents any bending or damage to the item. It also provides a sturdy surface for note-taking. A gold-toned wire binds the covers together. 192 lined pages are included for journaling or note-taking, each featuring a Scripture verse that can be used as a journal prompt. The Strong Large Wirebound Journal is an unforgettable gift to encourage a young man taking on the challenges of college or a new career. Pair it with a mug or pen for a memorable gift. Black and gray design with lion's face, Hardcover, Wirebound, Full-color cover, 192 lined pages with Scripture, Size 8.4" x 6.4" x 1" (213 x 163 x 25mm)




About the Rose


Book Description

A remarkable portrait of a web of artistic connections, traced outward from Jay DeFeo's uniquely generative work of art Through deep archival research and nuanced analysis, Elizabeth Ferrell examines the creative exchange that developed with and around The Rose, a monumental painting on which the San Francisco artist Jay DeFeo (1929-1989) worked almost exclusively from 1958 to 1966. From its early state to its dramatic removal from DeFeo's studio, the painting was a locus of activity among Fillmore District artists. Wallace Berman, Bruce Conner, Wally Hedrick, and Michael McClure each took up The Rose in their photographs, films, paintings, and poetry, which DeFeo then built upon in turn. The resulting works established a dialogue between artists rather than seamless cooperation. Illustrated with archival photographs and personal correspondence, in addition to the artworks, Ferrell's book traces how The Rose became a stage for experimentation with authorship and community, defying traditional definitions of collaboration and creating alternatives to Cold War America's political and artistic binaries.




Darwin's Mother


Book Description

In Darwin's Mother, curious beasts are excavated in archeological digs, Charles Darwin's daughter describes the challenges of breeding pigeons, and a forest of trees shift and sigh in their sleep. With a keen sense of irony that rejects an anthropocentric worldview and an imagination both philosophical and playful, the poems in this collection are marked by a tireless curiosity about the intricate workings of life, consciousness, and humanity's place in the universe.




The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson


Book Description

Like Goethe, Emerson wanted to be the cultural historian and interpreter of his age--its business, politics, discoveries. The journals and notebooks included in this volume and covering in depth the years 1848 to 1851 reflect Emerson's preoccupations with the events of these often turbulent years in America. On his return to Concord from his successful lecture trip to England and visit to Paris in 1847-1848, Emerson resumed his familiar life of writer, thinker, and lecturer. Impressions of his recent European travels appear in passages in this volume which are used later in English Traits (1856). He writes of technological and scientific discoveries in America and abroad--one of which, the discovery of ether, was to involve his brother-in-law in legal embroilment. He ponders the meaning, for "the age" or "the times," of reports on the Dew textile mills in Lawrence, Massachusetts, of faster steamers daily breaking records, of new geological and paleontological findings, of theories of race, and many other matters that were coming increasingly to the fore in the mid-nineteenth century. Many passages on these topics, used first in lectures, later appear in his essays "Fate," "Wealth," and "Power" in Conduct of Life (1860). He was also adding to his critical biographies for Representative Men (1850), with special attention to Swedenborg, always a source of particular interest for Emerson. Between 1850 and 1853, Emerson traveled farther west to lecture than he had hitherto ventured--to Pittsburgh, Cincinnati, St. Louis, and many other cities in the midwest. One notebook in the present volume records his customary percipient observations of places and people encountered during these western trips. The tragic drowning of Margaret Fuller Ossoli and her family on her return from Italy in 1850 prompted Emerson to consider a collaboration on her life and writings, and another notebook printed here contains her memorabilia, including original entries by Emerson. Memoirs of Margaret Fuller Ossoli by Emerson, William Henry Charming, and James Freeman Clarke was published in 1852. Passage of the Fugitive Slave Law in 1850 brought to a boil something in Emerson that had long been simmering. Concerned with slavery, freedom, and the future of the black population in America more than his public record had shown, he now delivered himself of an outburst--pained, vitriolic, ironic--a more sustained response to a single issue than appears elsewhere in all his journals. In this latest move in a compounding national tragedy he could see only chicanery and deterioration, the crumbling of America's moral fiber. He saw the Fugitive Slave Law in a larger context of a sick age; like Tennyson and Arnold in England, he lamented in moods of spite and chagrin the loss of faith and of an old world where political men of honor stood firm for the moral law. Most of his journal outburst went into his addresses "The Fugitive Slave Law," 1851 and 1854.




Rose Cross over the Baltic


Book Description

This volume is a study of Rosicrucianism in the early period of the seventeenth century with emphasis both on the local reception of the Rosicrucian pamphlets in the Baltic area and on the original group of Rosicrucian authors in Tübingen. In the first part of the book the Runic theosophy of the Swedish Rosicrucian Johannes Bureus is studied in its millenarian context, beginning with his Adulruna Rediviva of 1616. The Paracelsian prophecy of the Lion of the North is also shown to be a Rosicrucian theme. The general millenarian background to the Rosicrucian publications is then explored and implications are drawn from the Rosicrucian doctrine of the great conjunctions, from the emergence of new stars, and from their comet research.




Journals and Miscellaneous Notebooks: 1841-1843


Book Description

Vols. 8, 11-12 accompanied by separate "Emendations and departures from the manuscript," by the editors.




The Narnia Journal


Book Description

A blank book with lined pages for recording personal stories, thoughts, ideas, etc.; accompanied by excerpts from The chronicles of Narnia.







Mark Twain's Notebooks & Journals, Volume I


Book Description

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow. About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens' irregularities, inconsistencies, errors, and cancellations unchanged. Clemens' cancellations are included in the text enclosed in angle brackets, thus ; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.