Rosie & the Mole


Book Description

Includes WHAT'S a BRIS all ABOUT?, a special YOU ARE THE GREATEST OLDER SIBLING Certificate, and a NAMING GUIDE of common Hebrew names for boys and girls and their English language equivalents.




True Confessions of Adrian Albert Mole


Book Description

As his secret diary extends into his later teen years, the angsty Brit remains “part Holden Caulfield, part . . . Bertie Wooster” and all Adrian (The New York Times). Send my diaries back. I would hate them to fall into unfriendly, possibly commercial hands. I am afraid of blackmail; as you know my diaries are full of sex and scandal. What’s happening to Adrian Mole? He’s on the cusp of adulthood and burgeoning success as a published poet. But . . . he still lives at home, refuses to part with his threadbare stuffed rabbit, and has lost his job at the library for a shocking act of impudence: He shelved Jane Austen under “light romance.” Even worse, someone named Sue Townsend stole his diaries and published them under her own name. Of course they were bestsellers. The “brilliant comic creation” returns, sharing his poetry (award-winning!), travel journals (he’s going places), musings on lost love (more of an obsession), and some major news (he’s writing a novel!) (The Times). But not all the confessions are his alone. We also hear from that notorious pilferer Townsend, who, after receiving a suspended prison sentence, now lives in shame in a bleak moorland cottage. Don’t tell Adrian, but the New York Times Book Review still insists that it’s she who “is a national treasure.” From “one of Britain’s most celebrated comic writers” (The Guardian) comes the inventive new novel in the “perceptive and funny” (The New York Times) series that has sold more than twenty million copies worldwide, was adapted for television and staged as a musical, and is nothing less than “a phenomenon” (The Washington Post).




The Insurance Agent


Book Description




The Growing Pains of Adrian Mole


Book Description

“Townsend’s wit is razor sharp” as her self-proclaimed intellectual adolescent hero continues his hilarious angst-filled secret diary (TheMirror). I can’t wait until I am fully mature and can make urban conversation with intellectuals. Growing up among inferiors in Great Britain isn’t easy for a sensitive fifteen-year-old “poet of the Midlands” like Adrian Mole, considering everything in the world is conspiring to scar him for life: His hormones are in a maelstrom; his mother is pregnant (at her age!); his girlfriend, Pandora, is in shutdown; radio stardom isn’t panning out; he’s become allergic to non-precious metals; and passing his exams is as dire a crisis as the Falkland Islands. From weathering a profound but shaky romance with the love of his life to negotiating his parents’ reconciliation to writing his poetry on restroom walls (why on earth did he sign his name?), “Adrian Mole is as engaging as ever” (Time Out). The sequel to the beloved TheSecret Diary of Adrian Mole Aged 13¾ continues Adrian’s chronicle of angst, which has sold more than twenty million copies worldwide, and been adapted for television and staged as a musical. Adrian Mole is truly “a phenomenon” (The Washington Post).




Rosie's Lottery


Book Description




The Growing Pains of Adrian Mole


Book Description

The troubled life of Adrian Mole continues in this sequel to The Secret Diary of Adrian Mole Aged 13 3/4. Adrian continues to struffle valiantly against the slings and arrows of growing up and his own family's attempts to scar him for life.




Adrian Mole and the Weapons of Mass Destruction


Book Description

Adrian Mole is thirty-four and three quarters, almost officially middle-aged, when Mr Blair tells Parliament that weapons of mass destruction can be deployed in forty-five minutes and can reach Cyprus. Adrian is worried that he might not get a refund on his holiday. But that?s not all that is bothering him. There?s his odd girlfriend Marigold who has become distressingly New Age. And his son Glenn who is in Deepcut Barracks. Would Mr Blair have been quite so keen if it had been his son manning a roadblock?




Marked in Your Flesh


Book Description

The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.




Adrian Mole: The Wilderness Years


Book Description

Can an adult still have a secret diary? Everyone’s favorite angsty adolescent Brit is now a tormented twentysomething and still “a brilliant comic creation” (The Times). Question: What have I done with my life? Answer: Nothing. At 23¾ years old, Adrian Mole is now an adult and almost prepared. On the upside: He’s fallen for a perfectly lovely Nigerian waitress; he’s seeing a therapist so as to talk about himself without interruption; and he’s added vowels to his experimental novel-in-progress (so much more accessible to the masses!). The downside? Pandora is probably history; a pea-brained rival has been published before him to great acclaim; and worse, Adrian realizes he may not be uncommon after all. In fact, he may fall somewhere within the range of normalcy. How can an intellectual be expected to live with that? “Thank God for Sue Townsend and Adrian Mole” (The Observer). Her “achingly funny anti-hero” (Daily Mail) returns to take the world by storm—or least weather it—in the beloved bestselling series from “one of Britain’s most celebrated comic writers” (The Guardian). Adrian’s continuing chronicle of angst has sold more than twenty million copies worldwide, and been adapted for television and staged as a musical—truly “a phenomenon” (The Washington Post).




Scenes and Monologues of Spiritual Experience from the Best Contemporary Plays


Book Description

(Applause Books). In this anthology, theater expert Roger Ellis culls together dramatic scenes and monologues that all deal with spiritual experience. From various religious and non-religious perspectives, the book explores various aspects of spirituality religious faith, martyrdom, death and afterlife, fate and destiny, mercy, and romantic love. The material comes from contemporary plays by some of the most gifted playwrights Arthur Miller, Tony Kushner, John Patrick Shanley, John Pielmeier, Tammy Ryan, Elie, Wiesel, Karen Sunde, and others. Perfect for high-school through college-age students, as well as for actors and general readers, this volume contains nearly 100 scenes, ranging from comic to serious, grouped in five categories: "Scenes for a Man and a Woman," "Scenes for Two Women," "Scenes for Two Men," "Monologues for Women," and "Monologues for Men." In addition to the monologues, Ellis includes notes on staging to help actors and directors bring these scenes to life. Some of the plays sourced for this anthology include The Crucible , Doubt , In the Shape of a Woman , Agnes of God , Epic Proportions , Our Lady of 121st Street , Angels in America , and Affection in Time .