Roxy Music's Avalon


Book Description

Having designed Roxy Music as an haute couture suit hand-stitched of punk and progressive music, Bryan Ferry redesigned it. He made Roxy Music ever dreamier and mellower-reaching back to sadly beautiful chivalric romances. Dadaist (punk) noise exited; a kind of ambient soft soul entered. Ferry parted ways with Eno, electric violinist Eddie Jobson, and drummer Paul Thompson, foreswearing the broken-sounding synthesizers played by kitchen utensils, the chance-based elements, and the maquillage of previous albums. The production and engineering imposed on Avalon confiscates emotion and replaces it with an acoustic simulacrum of courtliness, polished manners, and codes of etiquette. The seducer sings seductive music about seduction, but decorum is retained, as amour courtois insists. The backbeat cannot beat back nostalgia; it remains part of the architecture of Avalon, an album that creates an allusive sheen. Be nostalgic, by all means, but embrace that feeling's falseness, because nostalgia-whether inspired by medieval Arthuriana or 1940s film noir repartee or a 1980s drug-induced high-deceives. Nostalgia defines our fantasies and our (not Ferry's) essential artifice.




Capitals of Punk


Book Description

Capitals of Punk tells the story of Franco-American circulation of punk music, politics, and culture, focusing on the legendary Washington, DC hardcore punk scene and its less-heralded counterpart in Paris. This book tells the story of how the underground music scenes of two major world cities have influenced one another over the past fifty years. This book compiles exclusive accounts across multiple eras from a long list of iconic punk musicians, promoters, writers, and fans on both sides of the Atlantic. Through understanding how and why punk culture circulated, it tells a greater story of (sub)urban blight, the nature of counterculture, and the street-level dynamics of that centuries-old relationship between France and the United States.




More Dark Than Shark


Book Description

Gathers paintings and collages that interpret songs by Brian Eno and describes the working methods of both artist and composer




Limited Edition of One


Book Description

The more I thought about it, the more I realised my career has been unusual. How did I manage to do everything wrong but still end up on the front cover of magazines, headlining world tours and achieving Top 5 albums? How did I attract such obsessive and fanatical fans, many of whom take everything I do or say very personally, which is simultaneously flattering but can also be tremendously frustrating? Even this I somehow cultivated without somehow meaning to. My accidental career. Limited Edition of One is unlike any other music book you will ever have read. Part the long-awaited memoir of Steven Wilson: whose celebrated band Porcupine Tree began as teenage fiction before unintentionally evolving into a reality that encompassed Grammy-nominated records and sold-out shows around the world, before he set out for an even more successful solo career. Part the story of a twenty-first century artist who achieved chart-topping mainstream success without ever becoming part of the mainstream. From Abba to Stockhausen, via a collection of conversations and thought pieces on the art of listening, the rules of collaboration, lists of lists, personal stories, professional adventurism (including food, film, TV, modern art), old school rock stardom, how to negotiate an obsessive fanbase and survive on social media, and dream-fever storytelling.




Roxy Music's Avalon


Book Description

Having designed Roxy Music as an haute couture suit hand-stitched of punk and progressive music, Bryan Ferry redesigned it. He made Roxy Music ever dreamier and mellower-reaching back to sadly beautiful chivalric romances. Dadaist (punk) noise exited; a kind of ambient soft soul entered. Ferry parted ways with Eno, electric violinist Eddie Jobson, and drummer Paul Thompson, foreswearing the broken-sounding synthesizers played by kitchen utensils, the chance-based elements, and the maquillage of previous albums. The production and engineering imposed on Avalon confiscates emotion and replaces it with an acoustic simulacrum of courtliness, polished manners, and codes of etiquette. The seducer sings seductive music about seduction, but decorum is retained, as amour courtois insists. The backbeat cannot beat back nostalgia; it remains part of the architecture of Avalon, an album that creates an allusive sheen. Be nostalgic, by all means, but embrace that feeling's falseness, because nostalgia-whether inspired by medieval Arthuriana or 1940s film noir repartee or a 1980s drug-induced high-deceives. Nostalgia defines our fantasies and our (not Ferry's) essential artifice.




The Story of the B-52s


Book Description

The Story of the B-52s: Neon Side of Town is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York’s downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world. For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band.




The Thrill of it All


Book Description

Following the formation and development of Roxy Music, one of the first and best art-rock bands of the 1970s, this account tells how the band, led by London's hippest working-class man, Bryan Ferry, rebelled against the denim-clad anonymity of the early 1970s and turned the decade into a decadent glam-rock party. Included are accounts of Ferry's affair with supermodel Jerry Hall and its public end when she left him for Mick Jagger, the band's various splits and regroupings, and the recent.




Roxy Music


Book Description

In ten short years, Roxy Music made two of the most experimental albums in popular music history and one of the most smoothly romantic. Conceived by Bryan Ferry at the turn of the 1970s, the band released its first album, Roxy Music, to wide acclaim in 1972 and swiftly followed up with the ground-breaking single ‘Virginia Plain’. Ferry, Andy Mackay, and Phil Manzanera remained Roxy’s core players over seven more albums in three distinct phases. The debut and For Your Pleasure (1973) featured all manner of electronic weirdness from Brian Eno, while Stranded (1973), Country Life (1974), and Siren (1975) marked the peak of Ferry’s songwriting and struck a delicate balance between edgy art and gorgeous craft. Finally, Manifesto (1979), Flesh + Blood (1980), and Avalon (1982), the last two without powerhouse founding drummer Paul Thompson, framed Ferry’s tales of doomed romance within a sophisticated wash of sound that used the studio itself as an instrument. The members of Roxy Music have had long and distinguished careers outside the band, but nothing can surpass the eight albums they made together. This book tells the musical story of this most enigmatic of British bands. Michael Kulikowski’s day job is teaching about ancient Rome as the Edwin Erle Sparks Professor of History and Classics at Penn State University, USA. He is the author of academic books and articles, as well as Imperial Triumph (2016) and Imperial Tragedy (2019), which are written for the general reader and narrate the history of ancient Rome from its height around AD 100 to the end of the western empire in the fifth century. He writes regularly for the London Review of Books and has been listening obsessively to Roxy Music for forty years.




Dolly Parton, Gender, and Country Music


Book Description

Introduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West"--Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood




Lyrics


Book Description

**THE SUNDAY TIMES BESTSELLER** Celebrate the 50th anniversary of Roxy Music's iconic first album with this collection of Bryan Ferry's evocative lyrics of aspiration and romantic longing, introduced by the author. 'Lyrics is a book any Roxy fan would be proud to have on their shelf' The Telegraph Bryan Ferry's work as a singer and songwriter, both as a solo artist and with Roxy Music, is legendary. Lyrics collects the words written for music across seventeen albums, from the first iconic Roxy album of 1972 via the masterpiece of Avalon to 2014's reflective Avonmore, introduced by the author, and with an insightful essay by James Truman. All the classic Roxy anthems are here - 'Virginia Plain', 'Do the Strand', 'Love is the Drug' - songs in which the real and the make-believe blend in a kaleidoscopic mix, shot through with cinematic allure. Also included are the evocative lyrics of romantic longing and lost illusions for which Ferry is rightly revered: 'Slave to Love', 'Mother of Pearl', 'More Than This'. As he writes in his preface, 'The low points in life so often produce the most keenly felt and best-loved songs.' And, it might be added, some of the best poetry. Discover this unforgettable collection of Bryan Ferry's work today.