Royal Manuscripts


Book Description

Illuminated manuscripts collected by successive kings and queens of England form the heart of a unique and visually stunning collection held by the British Library. A key figure in the formation of this collection was King Edward IV (1461–83), who commissioned a number of luxury manuscripts decorated with his arms. Subsequent monarchs added to this library, which was given to the nation by George II in 1757. Over 150 examples from this exceptional collection are presented in this catalog, which accompanies a major British Library exhibition of the same name. These manuscripts contain paintings produced by some of the finest artists of the Middle Ages. Highlights include the Book of Hours, made for Henry VIII's great grandmother, Margaret Beauch& Henry VIII's Psalter, commissioned and annotated by the king himself; maps of an itinerary from London to Apulia and to the Holy Land; and the Shrewsbury book, presented to Margaret of Anjou on her marriage to Henry VI in 1445. The catalog features full-page illustrations from each manuscript included in the exhibition, as well as three illustrated essays which explore the wider history and context of this unique collection. Written by the curators of the exhibition, along with contributions from several experts in the field, Royal Manuscripts will be a much-heralded event for scholars and collectors seeking to better understand the lives and aspirations of those for whom these stunning artifacts were made.




Royal Illuminated Manuscripts


Book Description

"Royal manuscripts : the genius of illumination is the British Library’s first major exhibition to bring together the Library’s Royal collection, a treasure trove of illuminated manuscripts collected by the kings and queens of England between the 9th and 16th centuries. This dazzling exhibition will debunk the myth that these were ‘the Dark Ages’ by showcasing beautiful artistic artefact. Curated by Dr Scot McKendrick, Head of History and Classical Studies, British Library; Professor John Lowden, Courtauld Institute of Art, University of London, and Dr Kathleen Doyle, Curator of Illuminated Manuscripts, British Library, the exhibition features stunning manuscripts that are among the most outstanding examples of royal decorative and figurative painting from this era surviving in Britain today, their colours often as vibrant as when they were first painted. However, the manuscripts do much more than declare the artistry of their makers; the luxurious objects unlock the secrets of the private lives and public personae of the royals throughout the Middle Ages and provide the most vivid surviving source for understanding royal identity. As well as providing clear instruction on appropriate regal behaviour they also give a direct insight into royal moral codes and religious belief and shed light on the politics of the day"--British Library website.




The Art of Illumination


Book Description




Royal Manuscripts


Book Description

Illuminated manuscripts collected by successive kings and queens of England form the heart of a unique and visually stunning collection held by the British Library. A key figure in the formation of this collection was King Edward IV (1461–83), who commissioned a number of luxury manuscripts decorated with his arms. Subsequent monarchs added to this library, which was given to the nation by George II in 1757. Over 150 examples from this exceptional collection are presented in this catalog, which accompanies a major British Library exhibition of the same name. These manuscripts contain paintings produced by some of the finest artists of the Middle Ages. Highlights include the Book of Hours, made for Henry VIII's great grandmother, Margaret Beauch& Henry VIII's Psalter, commissioned and annotated by the king himself; maps of an itinerary from London to Apulia and to the Holy Land; and the Shrewsbury book, presented to Margaret of Anjou on her marriage to Henry VI in 1445. The catalog features full-page illustrations from each manuscript included in the exhibition, as well as three illustrated essays which explore the wider history and context of this unique collection. Written by the curators of the exhibition, along with contributions from several experts in the field, Royal Manuscripts will be a much-heralded event for scholars and collectors seeking to better understand the lives and aspirations of those for whom these stunning artifacts were made.




1000 Years of Royal Books and Manuscripts


Book Description

How important a part did books play in the lives of successive English monarchs and their families? Besides Alfred the Great, Edward IV, Henry VIII, and George III, which kings cared for books? This well-illustrated volume presents a fresh and wide-ranging review of the material and documentary evidence for royal interest in handwritten and printed books. Leading experts offer new perspectives on the part of England's monarchs in the circulation and preservation of texts from Anglo-Saxon times to the present day. Some essays consider individual books or monarchs. Others take a wider view of several centuries of evidence. At the heart of the volume is the remarkable array of royal books held by the British Library, including the Old Royal Library presented to the nation by George II and the King's Library presented by George IV. Contributors: Richard Gameson, Michael Wood, James Carley, Nicholas Vincent, Joanna Fronska, Catherine Reynolds, Scot McKendrick, Kathleen Doyle, John Goldfinch, and Jane Roberts.




Royal Persian Manuscripts


Book Description

Billedværk med illustrationer til værker af Firdawsi, Mir 'Ali Shir Nawa'i, Hafiz, Nizami og Jami.




The Rothschilds and Their Collections of Illuminated Manuscripts


Book Description

The art collections of the Rothschilds were legendary for their extravagance and refinement. This is the first history of the Rothschilds as bibliophiles and, especially, as collectors of medieval illuminated manuscripts. It describes the extraordinary collections of the Rothschilds, and the movement of these supremely important manuscripts across the private libraries of Europe. In 1940 the Rothschilds' collections in Paris were looted by the Nazis, and the tale pursues the fate of the stolen manuscripts, some of them still missing. The inquiry traces literally hundreds of illuminated manuscripts, including some of the world's most famous books, made for the Duc de Berry, Catherine of Cleves, Isabella the Catholic, and many others.




The Hours of Simon de Varie


Book Description

Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.




Early Christian & Byzantine Art


Book Description

An authoritative account of early Christian and Byzantine art.




The St Cuthbert Gospel


Book Description

The St Cuthbert Gospel (formerly known as the Stonyhurst Gospel) is the earliest intact European book and a landmark in the cultural history of western Europe. Now dated to the early eighth century, the manuscript contains a beautifully written copy of the Gospel of John in Latin and is famous for the craftsmanship and condition of its contemporary decorated leather binding. Found in Cuthbert's coffin when it was opened in Durham Cathedral in 1104, the Gospel was acquired for the national collection in 2012 after a major fundraising campaign. This new collection of essays is the most substantial study of the book since the 1960s. It includes detailed commentary on Cuthbert in his historical context; the codicology, text, script, and medieval history of the manuscript; the structure and decoration of the binding; the other relics found in Cuthbert's coffin; and the post-medieval ownership of the book.This book significantly revises the existing scholarship on one of the British Library's most recent acquisitions which is now one of its greatest treasures.